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1/1-1/8

DEL MAR THEATRE     469–3220

Doubt ~ 2:10 – 4:30 – 6:45 – 9 +Fr-Su 11:50 am

Milk ~ 1:45 – 4:20 – 7 – 9:30 +additional times, call for details

NICKELODEON     426–7500

The Reader ~ 1:40 – 4:20 – 6:50 – 9:20 +Fr-Su 11 am

Slumdog Millionaire ~ 2 – 4:30 – 7 – 9:30 +additional times, call for details

A Christmas Tale ~ call for times

I’ve Loved You So Long ~ call for times

RIVERFRONT     1–800–326–3264 #1701

The Curious Case of Benjamin Button ~ 11:30 am – 1:30 – 3 – 5 – 6:30 – 8:30 – 10

Four Christmases ~ 11:15 am

SC CINEMA 9    1–800–326–3264 #1700

Marley & Me ~ 1:35 – 4:20 – 7:10 – 9:55 +Fr-Su 11 am

Bedtime Stories ~ 1:45 – 4:10 – 5:20 – 6:40 – 7:50 – 9:10 – 10:10 +Fr-Su 11:20 am

Valkyrie ~ 1:50 – 4:40 – 7:35 – 10:25 +Fr-Su 11:05 am

The Spirit ~ 2:35 – 5:10 – 7:45 – 10:20 +Fr-Su noon

Yes Man ~ 2:10 – 4:50 – 7:20 – 9:50 +Fr-Su 11:30 am

The Tale of Despereaux ~ 2 – 4:30 – 7 +Fr-Su 11:35 am

Seven Pounds ~ 1:15 – 4 – 6:50 – 9:40

The Day the Earth Stood Still ~ 2:15 – 5 – 7:30 – 10 +Fr-Su 11:45 am

Australia ~ 9:15

Bolt ~ 2:45 +Fr-Su 12:15

SCOTTS VALLEY 6    438–3260

Curious Case of Benjamin Button ~ 1 – 4:30 – 8

Bedtime Stories ~ 2:30 – 4:50 – 7:10 – 9:30 +Fr-Mo 12:10

Marley & Me ~ 1:45 – 4:10 – 6:50 – 9:15 +Fr-Mo 11:20 am

Valkyrie ~ 1:30 – 4 – 7 – 9:40

Tale of Despereaux ~ 2:10 – 4:20 – 6:30 – 8:40 +Fr-Mo 11:50 am

Yes Man ~ 2 – 4:20 – 6:40 – 9 +Fr-Mo 11:40 am

Four Christmases ~ 8:50

41ST AVE CINEMA    479–3504

Seven Pounds ~ 11 am – 1:40 – 4:20 – 7 – 9:45

Curious Case of Benjamin Button ~ 11:20 am – 2:40 – 6 – 9:30

Bedtime Stories ~ noon – 2:15 – 4:30 – 6:45 – 9

APTOS CINEMA    426–7500

Marley & Me ~ 1:30 – 4 – 6:30 – 8:50 +Fr-Su 11 am

Please call for additional times

GREEN VALLEY    761–8200

Bedtime Stories ~ 1:10 – 3:10 – 5:10 – 7:10 – 9:10 +Fr-We 11:10 am

Marley & Me ~ 1:30 – 4:45 – 7:05 – 9:25 +Fr-We 11:15 am

Valkyrie ~ 1:30 – 4:30 – 7 – 9:25 +Fr-We 11 am

Curious Case of Benjamin Button ~ 1 – 4:05 – 7:10

Seven Pounds ~ 1:30 – 4:45 – 7:15 – 9:35 +Fr-We 11:05 am

Yes Man ~ 1:05 – 3:10 – 5:15 – 7:15 – 9:35 +Fr-We 11 am

Tale of Despereaux ~ 1 – 3:05 – 5:05 – 7:05 – 9:05 +Fr-We 11:05 am

The Day the Earth Stood Still ~ 1:05 – 3:10 – 5:15 – 7:25 – 9:35 +Fr-We 11 am

FOX THEATRE    761-8200

The Spirit ~ 1 – 3:10 – 5:15 – 7:20 – 9:30

Bolt ~ 1 – 3 – 5 – 7 – 9

 


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Battle over local surf logo continues

Monday, January 5

Ryan Rittenhouse, founder of Santa Cruz Surf Apparel Co., held a press conference today, Jan. 5, to dispel the Santa Cruz Surfing Club Preservation Society’s current allegations against him...

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Watsonville is Closed

Monday, December 22

The facilities run by the city of Watsonville will be closed completely until Jan. 5, 2009, as the city attempts to save money in a slumping economy. The move...

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Thursday, December 18

University police had a busy morning on Wednesday, Dec. 17, as they took stock of the previous night’s vandalisms on the campus. The crimes were scattered across the large...

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I.O.U.S.A.

Rated PG
Time 85 minutes
Cast & Crew Info


The documentary explores the country's shocking current fiscal condition andways to avoid a national economic disaster.


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Editor review

0 of 0 people found the following review helpful
If you're not outraged enough by the ongoing collapse of the American economy, don't miss I.O.U.S.A. Directed by Patrick Creadon (Wordplay), this urgent documentary explaining the sorry financial state of the union didn't make it into wide release before the fiscal tsunami it warns about hit us. Still, this timely film offers historical, social and political perspective, along with some ideas on what we, the people, can do about it. Noting that the biggest threat to the U. S. is not "some guy hiding in a cave," but fiscal irresponsibility that threatens to cripple the nation with debt and rob our children of their future, the film zeroes in on two men. David Walker, U. S. Comptroller General, and Robert Bixby, director of the financial Concord Coalition, spread the word with their Fiscal Wake-Up Tour across the heartland. With the current national debt at a whopping $8.7 trillion, the film identifies and explores what these men see as four crucial deficits: in budget, savings, trade, and leadership. Creadon's graphs and pie-charts sometimes resemble a high school social science movie. More fun are snippets of interviews with Stephen Colbert and Jon Stewart (who deftly pins uber-economist Alan Greenspan to the wall by pointing out that finagling interest rates to suit the government actually punishes citizens who save their money), and a "Saturday Night Live" skit featuring Steve Martin as a clueless Everyman unable to grasp the simple mantra "Don't buy stuff you cannot afford." The film chills with the news that China is now our largest and most powerful creditor. As to leadership, the film surveys administrations from Eisenhower to the present, including the disastrous "Supply-Side economics" of Reagan, and the astonishing fact that Bill Clinton not only balanced the federal budget for the first time in decades, he left office with a surplus in the coffers. Which didn't last long in the hands of his successor, with his politically popular but financially idiotic tax cuts, expensive wars, and corrupt cronyism. (Funny, nobody ranted about "checks and balances" when the Republicans ran the show the first six years of Bush's presidency.) As in any other budget, the film argues, the Feds can't continue to spend more than they earn. Without necessary revenue in the form of higher taxes, and reduced spending, expect "a tidal wave that will swamp our ship of state."
Overall rating: 
 
3.0
Acting:
 
3.0
Visuals:
 
3.0
Writing:
 
3.0
Pacing:
 
3.0
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Reviewed by Lisa Jensen
November 14, 2008
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