Editor’s note: In this week’s Poetry Corner, GT features the work of Joseph Millar, the author of “Fortune,” published by Eastern Washington University Press. His first book, “Overtime,” (EWU, 2001), was a finalist for the Oregon Book Award. He spent 25 years in the East Bay working as a telephone installation foreman. He now lives in Eugene, Ore., and teaches at Pacific University’s Low Residency MFA Program.
LYRICALThe spaniel next door yaps at the sparrows, he yaps at the crows and the mailman, yaps at the compost pile and the sunflower, yaps at the rain and the sky. He yaps at the steps leading down to the creek where the flax plants bloom high as my waist and blue flowers force their way up through small stones the color of night. He yaps at the garbage truck’s back-up beeper, iron bell song of the priest and bridegroom, song of the lone ship, song of the train, song of the big waves rolling and breaking over the western reefs. He yaps at the rosebush, yaps at the fence, song of the sidewalk cracked in half, the wine bottle resting against the curb, the neighbor who doesn’t come home.
FEEDING TRISTEM’S SNAKELight brings out nubs in the black felt rug spattered with chalky waste so like a bird’s which the rat is trying to scurry beneath having sensed something wrong in the stillness. This rat I’ve hand-fed popcorn and raspberries, pink feet and round hairless tail translucent, shivering behind the glass. I hover above, pale version of Shiva who yesterday smote the arched vault of the termite, hacked open the ant’s teeming galleries, tore out webbed roots of kudzu and columbine put the torch to the wasp’s paper cells, entranced by the row of dark emblems flowering down the scaled back, the bone seam dividing her sloped naked face as the jaws unhinge and the great throat surges.
REDWINGHere’s where they make the good work shoes in the long brick buildings beside the road. Shoes whose stitched, crepe-wedged soles and full-grained, oil-resistant leathers bless tiny bones in the ankles and feet, shoes of carpenters balanced on roof beams, electricians, farmers, iron workers, welders— cuffs frayed with sparks from the torch. At shift’s end the socks emerge tinged pale orange, tops of the arches crisscrossed with lace marks, propped up in front of the six-o’clock news. Here’s to the sweet breath of pond mist filling the lungs of summer. Here’s to baked beans and twelve hours off. Here’s to dust from the trucker’s shoes, dust he stepped into three states back. Here’s to shingles, aluminum flashing, wall studs, rafters, ten-penny nails, here’s to tomatoes, onions and corn, here’s squatting down and here’s reaching over, here’s to the ones who showed up.
SISTERS RODEOThe Metolius keeps flowing north, its steep drops tumbling, ashen and cold, juniper wood bleached in cheatgrass, big field jammed with pick-ups and trailers. Inside the arena Resistols and Stetsons bend up toward high-voltage floodlights and the queen canters over a raked dirt oval, her buckskin’s mane latigo-braided, black chaps spangled with gold. The season’s dream raffle, a Dodge Cummins Diesel, squats by the barbeque pit.
If I have a twin in the world next to this one I hope he’s a rodeo cowboy coming sideways out of the shoot on a white brahma bull named Pipestone while the mountains crack loose from their axis, Broken Top, Three-Finger Jack and the Sisters, while meteors burn and flare overhead and the frozen stars veer back and forth for a full eight seconds of the twenty-first century under a red summer moon. favorite (27) ~ quote ~ Views: 500
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