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Written by Taha Muhammad Ali
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Thursday, 14 June 2007 |
Editor’s note: Every month GT posts the work of a national poet on our website. This time around we reveal the work of beloved Palestinian poet, Taha Muhammad Ali. He is a self-taught wonder, who sold souvenirs during the day and who, at night, studied classical Arabic texts, American fiction and English Romantic poets. Born in Saffuryia, the Galilean village is at the heart of his poems. Ali and his family escaped to Lebanon during the Arab-Israeli War. He returned a year later to live in Nazareth, one mile away from the ruins of his former village. Ali will tour the United States this fall, starting as an international headliner at the Dodge poetry festival. For more information, visit coppercanyonpress.org/tahatour/.t
ABD EL-HADI FIGHTS A SUPERPOWER
In his life he neither wrote nor read. In his life he didn’t cut down a single tree, didn’t slit the throat of a single calf. In his life he did not speak of the New York Times behind its back, didn’t raise his voice to a soul except in his saying: “Come in, please, by God, you can’t refuse.”
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Nevertheless— his case is hopeless, his situation desperate. His God-given rights are a grain of salt tossed into the sea.
Ladies and gentlemen of the jury: about his enemies my client knows not a thing. And I can assure you, were he to encounter the entire crew of the aircraft carrier Enterprise, he’d serve them eggs sunny side up, and labneh fresh from the bag.
VII.1973
Warning
Lovers of hunting, And beginners seeking your prey: Don’t aim your rifles at my happiness, which isn’t worth the price of the bullet (you’d waste on it). What seems to you So nimble and fine, like a fawn, and flees every which way, like a partridge, isn’t happiness. Trust me: my happiness bears no relationship to happiness.
TWIGS
Neither music fame nor wealth, not even poetry itself, could provide consolation for life’s brevity, or the fact that King Lear is a mere eighty pages long, and comes to an end, and for the thought that one might suffer greatly on account of a rebellious child.
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My love for you is what’s magnificent, but I, you, and the others, most likely, are ordinary people.
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My poem goes beyond poetry because you exist beyond the realm of women.
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And so it has taken me all of sixty years to understand that water is the finest drink, and bread the most delicious food, and that art is worthless unless it plants a measure of splendor in people’s hearts.
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After we die, and the weary heart has lowered its final eyelid on all that we’ve done, and on all that we’ve longed for, on all that we’ve dreamt of, all we’ve desired or felt, hate will be the first thing to putrefy within us.
1989–1991
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