If you don't know anything about Third Century Chinese politics, don't study up on it before you see Red Cliff. One of the strengths of this vast and bloody dramatization of a decisive battle between feudal warlords, at least for the uninitiated, is not knowing who will win the war, or how. The suspense factor is a plus in this two-and-a-half-hour action epic from director John Woo, who, after a career in violent Hong Kong gangster melodramas and Hollywood thrillers, turns to the mystical, martial-arts spectacle. The characters are mythic, the film's visual scale humongous, the bloodletting frequent and exhausting, and there's plenty of opportunity for Woo to show off his trademark explosions.

ARMORED Columbus Short stars in this action thriller about a new driver at an armored truck company coerced by his cohorts into joining them in a $42 million truck heist that goes awry. Matt Dillon, Jean Reno, and Laurence Fishburne co-star for director Nimród Antal (Kontroll) (PG-13) 88 minutes. Starts Friday.
Watch movie trailer >>>

Foster terrific as conflicted war vet in spare, moving 'Messenger'

There are many kinds of collateral damage in warfare. The character played with such stoic complexity by Ben Foster in The Messenger is poised to experience, or at least witness most of them. As the title character in Oren Moverman's rigorous and insightful debut feature, Foster plays a wounded Iraq War vet serving out the rest of his tour back in the States, notifying loved ones that their sons, husbands and fathers have been killed in action.

Scripted by Moverman and Alessandro Camon, The Messenger honors the sacrifices of servicemen and women and their families, while at the same time exposing the true cost of war, and the bitter reality beneath the patriotic hype and hoopla. It also provides a sensational vehicle for Foster, after years as a young male ingénue and second lead, who recently wowed audiences as a psycho villain in 3:10 To Yuma. With the graceful subtlety of his performance in The Messenger, Foster proves he has the presence to command the screen.

‘Women in Trouble’ doesn’t quite rise to the occasion

The almost entirely female cast of Women In Trouble tend to be taut, leggy twenty- and thirtysomethings with long, flowing locks, who look great in lacy underwear and high heels. The actresses are made to look so similar in Sebastian Gutierrez's stylized ensemble comedy, it's often hard to tell the characters apart.

FANTASTIC MR. FOX Wes Anderson (of all people) directs this adaptation of the Roald Dahl children's story using vintage-style stop-motion animation techniques. George Clooney and Meryl Streep provide voices fo Mr. And Mrs. Fox, whose happy suburban life is threatened when Mr. Fox gives in to his animal instincts and endangers the entire animal community. Jason Schwartzman, Bill Murray, Owen Wlson, and Michael Gambon also contribute voices. (PG) 88 minutes. Starts Wednesday.
Watch movie trailer >>>

Demoralized teen finds herself in masterful ‘Precious’

Any politician poised to slash a social services budget should first be required to watch Precious. Lee Daniels’ masterful film shows how the tiniest flicker of compassion, in tandem with a functioning social program, can transform a life of complete degradation into something triumphant. While putting an unforgettable human face on what might otherwise be just another depressing inner-city statistic, the film persuades us that a small community of caring individuals can change a life, even against impossible odds.

The face of the movie belongs to newcomer Gabourey Sidibe, who gives an astounding, adjective-defying performance in the title role. A wary, mountainous, hard-luck Harlem teenager, Sidibe’s Precious has learned to hide her spirit beneath protective layers of flesh and silence. But Sidibe reveals the vibrant, questing self inside the character with grace and a fierce authenticity. This is acting of transcendent loveliness, not to be missed.

THE TWILIGHT SAGA: NEW MOON More trouble brews for star-crossed teens Bella (Kristen Stewart) and her vampire soulmate, Edward (Robert Pattinson) in this second installment of the megahit Stephanie Meyers YA series. The would-be lovers are separated when Edward's concerned family moves him out of town, leaving Bella to grow closer to her werewolf buddy, Jacob (Taylor Lautner). Chris Weitz directs.(PG-13) 130 minutes. Starts Friday. Watch movie trailer >>>

Schoolgirl falls for older man in impeccable, but uneven 'An Education'

Just because it's an old story doesn't mean everybody's heard it.  As long as there are dewy-eyed young women and dashing older men to pursue them, stories like An Education will continue to play out. Drenched in early '60s atmosphere, and impeccably produced in every detail, Lone Scherfig's adaptation of the Lynn Barber memoir tells a familiar story from the fresh and compelling viewpoint of a very bright, very young woman for whom it is all happening for the first time. The plot may not be entirely credible onscreen, but the emotions involved are explored with honesty, insight, and humor.

PIRATE RADIO This latest ensemble comedy from Richard Curtis (Love Actually) harks back to the late '60s when rock 'n' roll was banned from the staid BBC airwaves, forcing an intrepid crew of renegade djs to broadcast The Who, The Stones, Cream, etc, from an oil tanker in the North Sea, just outside British jurisdiction. Real-life pirate radio stations (like Radio Caroline) were a fact of life in '60s Britain; names have been changed to protect the notorious. Bill Nighy, Philip Seymour Hoffman, and Rhys Ifans star. (R) 120 minutes. Starts Friday.

Watch movie trailer >>>

Click Title to see all Movies & Film Events >>>

Sly 'Untitled' skewers contemporary art/music scene

Beauty may be in the eye of the beholder. But for would-be culture vultures uncertain about their own taste, there are plenty of opportunists out there eager to show them where to look. This tension between true artistic value and hype, steak and sizzle, is the theme of Untitled, Jonathan Parker's wry satire on contemporary culture. Set in the rarefied milieu of new music and postmodern art, it deftly exposes the preciousness of young wannabee aesthetes desperately trying to impose the shock of the new and make their mark on an already jaded and overcrowded cultural landscape.

The film's title is itself a sly joke, the common designation in galleries for abstract or incomprehensible art pieces into which there is no other point of access for the viewer. Co-scripted by Parker and Catherine DiNapoli, the story revolves around two arty brothers in New York. Josh (Eion Bailey) paints big, colorful canvases punctuated by the occasional black dot; they're technically abstract, but in a quaint, old-fashioned way that vaguely recalls Joan Miró (without the graphic or intellectual content).