One of the county’s most innovative theater and dance portals reaches a new milestoneTo the untrained eye, the building located directly across the street from the Downtown Santa Cruz Metro station is just that—another building. Thanks to a beautiful but rather intrusive tree blocking the yellow sign that hangs above the entrance, one could easily mistake the Front Street building for India Joze’s new cafe. That’s partially true, but what lies behind it is the lifeblood of the Santa Cruz performance community: The 418 Project.
Just beyond the enticing aroma of chef Jozseph Schultz’ Middle Eastern and South Asian delicacies is a haven for the ethnic, contemporary, ecstatic, and modern dancers of the area to leap, twirl, pirouette, stomp and tumble to their hearts’ content.
Celebrating its 18th year, The 418 Project has come a long way since its humble beginnings. Originally called Santa Cruz Dance Gallery, the venue was founded by local dancer Rita Rivera to fill a void in the community.



Let’s be frank. Life is awkward for a one-percenter like me. All around are pious examples of the 99 percent—smug, superior, vocal, and proudly touting their lifestyle while presenting an implied challenge to justify mine. Some might call it protesting my very right to exist and flourish. Shockingly, in this alleged haven of the “do your own thing” credo, there is an underlying tension tearing apart the very essence of our citizenry. As a member of a mostly silent minority in Santa Cruz, allow me to climb, with some concerted effort, onto my soap box and declare to the world, or at least to anyone in earshot, what we one-percenters are often too intimidated to state in public:
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He came to Santa Cruz in the summer of 1967 and left an everlasting impression on a 12-year-old admirer