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May 03rd
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Love Your Local Band

Music - Love Your Local Band

The Juncos

The Juncos

There’s a homegrown sensibility about The Juncos. Perhaps it’s their name—a little local bird that’s busy, territorial, not particularly shy, but also not well known. Or perhaps it’s the resonant chord that strikes deep within the band: no matter what befalls the world at large, The Juncos will keep playing. Spearheaded by locals Josh Lowe (banjo, guitar and vocals) and Jeff Kissell (double bass and vocals), The Juncos are the assimilation of indie roots, Americana, old jazz standards, jug band, honky-tonk, bluegrass, field hollers, and the occasional Pogues tune. Gathered around a wooden table, cluttered with tattooed forearms and beer, at one of their favorite haunts—The Crepe Place—Lowe and Kissell drop knowledge like a junco drops eggs. Kissell finds parallels for their timeless acoustic tunes: “I think there is a strong connection between punk and American roots music.

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Music - Love Your Local Band

Swingin’ Utters

Swingin’ Utters

After several decades and babies, one thing’s certain: the five punk rockers of Swingin’ Utters, signed to Fat Wreck Chords since the mid ’90s, are still lovers of diverse music and fighters of capitalism. The group longs to tour with bands that have inspired them since day one—The Clash, The Pogues, The Kinks and The Buzzcocks—and spends each day campaigning against “the man,” as evidenced by their day jobs: Johnny “Peebucks” Bonnel prints T-shirts, Spike Slawson works at a pizza joint, Jack Dalrymple is affiliated with the SPCA, and Darius Koski is a plumber. Their rebelliousness is nothing knew, however. The band sang of “Teenage Genocide” on 1995’s The Streets of San Francisco, and the theme resurfaces throughout their latest album, Here, Under Protest. What began as a couple teenagers playing garage rock—drummer Greg McEntee went to high school with Koski, and the two paired up with Bonnel on lead vocals, and original bass player Kevin Wickersham—turned into a hardcore band as they took over downtown, frequenting Zachary’s, The Poet & the Patriot and The Red Room. Now, Koski says he feels that he “personally and musically, know[s] everyone really well.

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Music - Love Your Local Band

Funkranomicon

Funkranomicon

Some band names are difficult to pronounce—Jamiroquai, Hoobastank and now, Funkranomicon. But that doesn’t keep lead singer Joe Neto from feeling its power. “I am an H.P. Lovecraft fan, and during a discussion with friends the word was uttered. My ears went up like a dog. We let everyone pronounce it whatever way they want”—as long as nobody wants to change it. “The name is what broke up the band in 2002. The new members wanted to change the band name.” Neto and drummer Tim Welch started the funk sensation in 1997. For the next five years, the groove masters snaked their way through many successful nights. Regrouping in summer 2009, everything just clicked. Neto recalls, “Scott Polland came in on rhythm guitar from Squeeze Daddy, a New Orleans zydeco band, and really mellowed it. Then, Jonathan Kessler joined the band on bass and that solidified it. Our first gig at The New Parish was a very electric evening.” The band’s Flavor Flav is John Williams, a smooth-talking sideman.

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Music - Love Your Local Band

Slow Gherkin

Slow Gherkin

After seeing regional ska band Skankin’ Pickle at Loudon Nelson Community Center, Slow Gherkin front man James Rickman says the idea to start a ska group was born. “We were so blown away by that band and their energy, and how people went crazy. It was so positive and such a good time, we knew we wanted to do that.” Slow Gherkin marinated in the summer of 1993—Zack “ZK” Kent and Phil Boutelle had just graduated from Santa Cruz High School with friends Rickman and AJ Marquez graduating two years later—and their live shows were the stuff of legends. Selling out the old Palookaville on the weekend, the band would return to school Monday surrounded by fans. Then, the members of Slow Gherkin lived every teenager’s fantasy—getting signed to a label. Asian Man Records owner Mike Park remembers, "Slow Gherkin was a pretty amazing band. The first time I saw them, they looked like they were still in junior high, but as I'm told now they were all in high school. But damn—a band that good playing ska as 13-16-year-old kids was pretty impressive.”

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Music - Love Your Local Band

Craig’s Brother

Craig’s Brother

In Orange County, there’s an all-ages venue in a nondescript strip mall called Chain Reaction. Though still going strong, the stage’s heyday was late ’90s and early ’00s pop punk. Alongside A.F.I. and The Ataris merch, you’ll also find shirts from bands like Death on Wednesday, Slick Shoes, and Craig’s Brother, a homage to a bygone era. “It’s really cool that we came from a particular time period and we have a specific sound,” says Craig’s Brother frontman Ted Bond. “Now that [the genre] is kind of over, there’s no bandwagon; we can authentically say it’s our sound.” Much as Chain Reaction stands as a monument to another era, so does Craig’s Brother as a band. Still featuring the line-up it had before breaking up for seven years, the four punk rockers returned with 2011’s The Insidious Lie, which functions like a follow-up to 2001’s Lost At Sea—it’s a familiar sound, just with 2011 production values. Nowadays, the band recognizes that its chance for stardom (Yellowcard singer Ryan Key was once even part of the group) has probably passed with the popularity of Further Seems Forever (a fellow Tooth & Nail act), and the cavalcade of pop punkers who rotated through MTV2.

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Music - Love Your Local Band

Extra Large

Extra LargeYou would be hard pressed to find a more upbeat group of musicians than Extra Large, the longtime local band known for their feel- good tunes and fun-loving attitude. The group has been a staple at local outdoor festivals for years now and has been repeatedly voted Local Band of the Year in the Good Times annual Best Of Santa Cruz issue—and it’s not hard to see why. Extra Large glows with positivity, creating a family atmosphere onstage that is, by many accounts, simply contagious. They produce this feeling with songs that rarely stray from major scales, bright guitar tones, shimmering steel drums, and funk- and island-inspired rhythms. But according to percussionist and vocalist Valerie Leal, wife of the group’s founder Russ Leal, the communal feeling exuded by Extra Large also has a lot to do with the band’s attitude. “We’re not a band that’s just up there performing,” she says. “Every time we play it’s a big party for everybody, including us. There’s a total involvement between us and the audience.
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Music - Love Your Local Band

Jr. Boogie & Jake Nielsen

Jr. Boogie & Jake Nielsen

Not much thought goes into the music of local blues duo Junior Boogie and Jake Nielsen. That’s not to say that harmonica player and vocalist Jeremy “Junior Boogie” Heinemann and guitarist Jake Nielsen don’t care about their craft. It’s just that, as traditional bluesmen, they know the blues isn’t something you think about. “It’s something that I just feel,” Heinemann says. “It’s something I grew up feeling. To play the blues you have got to understand and live the blues.” Heinemann says his mother instilled him with a love for the blues at a young age—turning him on to artists like Muddy Waters and blues harp masters Little Walter and James Cotton. He picked up the harp at 15 and he hasn’t put it down since. Heinemann’s partner, Nielsen, has a similar tale. He first picked up a bass at age 13 and a guitar at 16, egged on by his uncles who all play. Nielsen, like Heinemann, also says that he is in love with the blues because of “the feel of it.

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Music - Love Your Local Band

John Miller

John Miller

John Miller’s an impressive cat. He’s only 21 years old—still young enough to speak about his formative years vividly—yet he gives an interview with the confidence (yet fortunately without the exasperation) of a touring veteran. Luckily, he has the back story to match that zeal. Despite being just a few miles east of Watsonville, Aromas is the kind of community that feels like it might as well be light years away from Santa Cruz. Nowadays you can find Miller working at New Deal Clothing right in the heart of Downtown Pacific, but that feels like a far cry from the singer songwriter’s home town he left as a teenager. It was during those years when Miller first started composing music, playing with a few nondescript bands during high school. Conversely, such experiences probably pushed him toward his future solo foray. “That was when I got my first taste of other musicians and working as a team on musical projects,” explains Miller. “It’s really hard forming chemistry with other people.” In one sense, then, some of the folk rocker’s influences and analogs aren’t surprising—Elliott Smith, Jeff Buckley, Conor Oberst—and Miller willingly admits to projecting a similarly downtrodden aesthetic. Still, it’s lyrically relevant to the younger generation, and musically relevant to anyone who enjoys smart, modern acoustic guitar-led songs. In fact, trying an album out won’t cost you a dime, as Miller has made his year-old debut full-length, Shades of Autumn Everywhere, available for free on his website, john-miller-music.com. Not that he’s necessarily thinking big picture, but the 21-year-old has admittedly done this as a marketing strategy. “As long as I’m breathing, I’m open to whatever comes my way,” says Miller about his next move. “Anything that comes at me, I’m not going to disregard it."


 

INFO: 9 p.m. Friday, May 20. Crepe Place, 1134 Soquel Ave., Santa Cruz. $7/adv, $10/door. 429-6994.

Music - Love Your Local Band

3UpFront

3UpFront

The goal of a “battle of the bands” contest seems straightforward: rock harder than the competition, woo the judges, earn the cash prize. But for local skate punk outfit 3upFront—named after the physical placement of their microphones onstage—Saturday’s annual Your Music Olympicks Finals at The Catalyst is important for two reasons: sticking it to the man and boobs. Now before you get your panties in a twist, consider this—should the foursome win the $5,000 grand prize, a sizable portion will go toward promoting their upcoming “Boobies or Bust” Breast Cancer Awareness Tour. Kicking off in July, the tour will benefit the Susan G. Komen and Breast Cancer Awareness Funds, with 100 percent of the profits going to education and research.

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Music - Love Your Local Band

Snail

Snail

In 1968, when Led Zeppelin, Black Sabbath and Deep Purple hit the world stage, there was a local group called Snail. Jamming at Harvey West Park, bandleader Bob O’Neill recalls not being the most hardened musicians: “We were like, ‘Would you like to use our equipment?’ We were very young and very nice.” Though not as renowned as their British brothers, Snail is infamous in Santa Cruz. “Our biggest influences were Jeff Beck, Jimi Page and Eric Clapton. We weren’t heavy metal exactly. We had the lyrical side of it with harmonies, so it was kind of a hybrid,” says guitarist Ken Kraft. With a division of harmonies and arrangements, Snail was more like Cream, rocking blues with a psychedelic twist. In 1970, Snail took out a loan, bought Marshall amplifiers and began playing major venues. Selling out the Santa Cruz Civic Auditorium and Selland Arena in Fresno with Santana, Snail became an arena band, still true to their roots. “We played a concert on the beach in Capitola, thousands showed up, but the police never did,” says Kraft, crediting huge turnouts in the ’70s to lack of TiVo. “There weren’t as many distractions back then—there were only three TV stations.” Forty years later, Kraft and O’Neill remain bandmates and friends. As songwriters, the Lennon/McCartney of the band, it’s no surprise that Kraft is currently the White Album Ensemble guitarist, singer and musical director.

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Music - Love Your Local Band

Matt Masih and The Messengers

Matt Masih and The Messengers

Santa Cruz is indubitably a town that takes to a certain thread of fusion jam bands. Whether they be local products or artists coming through on tour, head out to any given Santa Cruz venue on any given night, and there’s a good chance you’re going to cross something funky, something danceable and (perhaps) something reggae-derived. Matt Masih and The Messengers is a band which easily falls into this category upon first inspection, but the six-piece’s frontman insists there’s much more to the equation. “There’s definitely a singer-songwriter background,” explains multi-instrumentalist Matt Masih. “The lyrics are involved with the shape and outline of the song,” more than most jam bands. Indeed, the project began about two years ago as the sort-of bedroom songs of Masih, who retains most of the creative control in the band. Though there’s room for the rest of the group to inject its own funky flavor—particularly the relatively new horn section—Masih’s songwriting process clearly keeps The Messengers grounded in pop sensibilities.

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Mountain Mystic

When Cora Evans died in Boulder Creek in 1957, her thousands of pages of religious writings hadn’t yet been published. More than a half a century later, Evans’ fiery visions and spiritual devotion have inspired a crusade within Catholicism to make her the Santa Cruz Mountains’ first saint

 

Wesak (Water) Taurus Solar Festival, Buddha Blesses the Earth

A most important celebration occurs Sunday, May 3—the Wesak Taurus Buddha Solar Festival/full moon. At the moment of the full moon the Buddha’s presence enters the Earth plane for eight minutes. He brings the Will-to-Good from the Father, which, when reaching humanity becomes goodwill (Mother Principle). Held yearly in a valley hidden deep within the Himalayas, the Wesak festival is prepared for for months in advance (beginning at Winter Solstice). On festival day, amidst pilgrims, disciples and Holy Ones gathered in the valley, the Buddha is invoked through movement, symbols and mantrams. At the moment of the full moon, hearing the words, “We are ready, Buddha, come,” the Lord of Illumination (brother of the Christ) appears in the clouds above the altar to emanate forth the will and purpose of God to earth. The blessing of the father is then held in safekeeping for distribution at the June full moon Goodwill Festival. The day of Wesak (May 3, 8:42 p.m. West Coast) all disciples (east and west) place crystal vessels filled with pure water outside (in gardens, on rooftops, porches and steps) under the heavens. As the Buddha blesses the world, all waters, including waters within our bodies, are blessed. The Buddha is accompanied by the Forces of Enlightenment to illuminate humanity’s minds. Humanity then begins to express new constructive, productive and beneficial ways of the Art of Livingness. Wesak covers five days—two days (before) of dedicated preparation, the actual festival “Day of Safeguarding,” and two days (after) distributing goodwill (the NGWS to humanity). Join us in the Valley by reciting the Great Invocation, mantra of direction for humanity.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of May 1

Santa Cruz area movie theaters >
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Hole in the Wall

Popular Aptos spot opens for dinner

 

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My connection to the natural world is through my art. I totally feel it there very physically in nature and even right here on the street. Jonathan Rosen, Felton, Pastor

 

Hess Collection Winery

My friend Emma from London came to visit for a few days in early March, so I took her wine tasting in the Santa Cruz Mountains—a rare treat for her, as there aren’t too many vineyards in the middle of London. Her visit reminded me how fortunate we are to live in this paradise of ultra-fresh produce, with grapes growing in wild profusion.

 

Springtime Walkabout

May Day Flower Festival, free tours of the UCSC Farm, and a nondairy chocolate indulgence