Nolan's bat opera concludes with complicated, yet satisfying 'Dark Knight Rises'
The debate over whether violent movies inspire real-life violence rages on in the wake of the mass murders last week at a midnight screening of The Dark Knight Rises.
Marital drama stumbles in atmospheric 'Take This Waltz'
Is there something innately unsatisfying about long-term married love? Does familiarity breed contempt or content? These are some of the issues raised in Take This Waltz, the second feature film directed by Canadian actress Sarah Polley. (The first was the poised, heartbreaking Away From Her.)
6-year-old heroine galvanizes bayou survival fable, 'Beasts of the Southern Wild'
It's one of the most common plotlines there is: finding one's place in the Universe. But rarely has a coming-of-age story been told with such engrossing originality as in Beasts of the Southern Wild.
Mother, daughter bond in fresh, funny, feminist 'Brave'
There are so many fairy tales that feature a wicked stepmother, or absent or negligent parents, it's refreshing to see one devoted to the loving, if sometimes fraught, relationship between a mother and daughter.
Chris Pine opens up about chance moments, lessons learned and the cool factor of his new film ‘People Like Us’ ALSO Writer-director Alex Kurtzman on ‘People Like Us’
Writer-director Alex Kurtzman’s new film People Like Us (★★★out of four) is one of those rare big screen comedy-dramas that manages to effectively pull you into its universe—and keep pulling you in deeper until you cannot help but care about the people who occupy it.