Spookiness trumps substance in 'Martha Marcy May Marlene'
Identity can be a fragile thing. In Sean Durkin's Martha Marcy May Marlene, the heroine's sense of selfhood is as fractured as the film's title; a runaway from a cult and its hypnotic psycho leader, she's literally trying to find herself. Unfortunately, the film also suffers from a bit of an identity crisis. It wants to be a thriller, a character study, and even a domestic family drama, but it never quite hits its marks in any department. There's plenty of menace to go around, mostly told in flashbacks, but because the character remains as elusive to the filmmaker (and the viewer) as she is to herself, there's little to anchor audience interest in her story.