Spiritual trek becomes journey of self-discovery in 'The Way'
It's not just any old way. The title of Emilio Estevez's wistful road movie of self-discovery, The Way, refers to what has become the way for centuries of pilgrims—"El camino de Santiago," the way of St. James, the route across northern Spain to the cathedral of Santiago de la Compostela in Galicia. Writer-director Estevez launches a mismatched group of modern pilgrims along this sacred site, for a variety of reasons, none of them particularly religious. But for each character, the journey takes on a spiritual aspect in the human quest for connection and meaning in life.
It may sound touchy-feely, or just plain corny, and there are moments of both in the film. And yet the movie engages, not only as a glorious travelogue of ancient villages and folkways far off the beaten track (it was shot on location in France and Spain), but in the ways the characters make little discoveries about themselves and each other as they travel along. It also may have viewers itching to follow the route, just to see who they might discover within when they leave their familiar selves behind.