Harmless, but predictable 'New Year's Eve' sings same old song
Picture this: Times Square, New York City, New Year's Eve. Crowds have been amassing all day to see the giant glitter ball hoisted up to the top of its pole, to drop down again at the stroke of midnight. But as the festivities begin, and the ball starts to go up—oh no!—it gets stuck halfway up the pole. Will it get to the top in time? Can the new year begin if the ball doesn't drop? These are among the many burning questions posed in the ensemble romantic comedy, New Year's Eve, but audiences may be asking themselves a different question: what are a bunch of nice Oscar winners (and nominees) doing in a movie like this?
The short answer is: collecting a paycheck. The ensemble romantic comedy Valentine's Day was a big enough hit back in 2010 that distributor Warner Brothers reunited director Garry Marshall and screenwriter Katherine Fugate for this retread. It's not a sequel, there are no characters in common between the two movies, it's just the same formula transplanted from L.A. to New York, in which a vaguely interconnected group of folks try to realize their holiday expectations. Formulaic, too, is the quality of the storytelling. Well-meaning and eager to please, New Year's Day amounts to little more than a collection of sitcom gags, predictable romance, and inspirational speeches about love, hope, and second chances.