Secret photographer’s talent exposed in ‘Finding Vivian Maier’
Talk about a treasure hunt. In 2007, John Maloof, a real estate agent in the Chicago area, bought some miscellaneous boxes at an estate auction across the street, hoping to find some material for a book about his neighborhood. Disappointed not to find anything he could use for his project, Maloof had, instead, stumbled into one of the greatest discoveries in 20th century photography—the previously unknown but amazingly prolific work of amateur street photographer Vivian Maier.
Bear, mouse dare to be friends in charming ‘Ernest and Celestine’
It’s not exactly Romeo and Juliet. It’s not even a romance, although it is a love story about two individuals separated by prejudice who find the courage to form an unshakable bond despite the rules and traditions that keep them apart.
Bible meets sci-fi in Aronofsky’s eco-parable ‘Noah’
Nobody named “God” ever appears in Noah. Darren Aronofsky’s massive drama is obviously inspired by the Bible story, but he handles it as sort of a non-denominational, philosophical disaster movie. Noah and his family retain their familiar names, and there are passing references to Eden, but no specific geography or time frame is ever suggested, while the mostly ravaged and desolate landscape could be either pre- or post-industrial, the ancient past or the distant future. This is the Bible as dystopian sci-fi epic.
Style overwhelms content in psychological thriller 'Enemy'
Doppelganger stories are perversely fascinating, the idea that each of us has an exact double somewhere living out a completely different, parallel life. There's a lot of potential for a compelling story in this premise, but it all depends on how it's handled. Sadly, the handling of the Canadian mystery thriller, Enemy, is its undoing. This doppelganger plot requires subtlety and kid gloves, but director Denis Villeneuve prefers to strap on a catcher's mitt and bludgeon it into submission.
In ‘Bad Words,’ Jason Bateman delivers a solid directorial debut and a surprisingly inventive comedy to boot
Chances are that if you were asked to come up with a word for “the action or habit of estimating something as worthless,” you would not pluck floccinaucinihilipilificate from the nether regions of your mind.
Playful and dreamy, director Wes Anderson delivers another memorable ride with ‘The Grand Budapest Hotel’
Writer-director Wes Anderson continues to expand his creative palette and his courage to invent vibrant characters and indelible settings that few directors are capable of producing. These cinematic joyrides smack of color and whimsy (Rushmore, The Royal Tannenbums, Moonrise Kingdom), and never fail to walk a comedic tightrope between the ironic and the absurd.