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Dec 20th
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Film

Reviews and Times

‘Eagle’ Doesn’t Soar

‘Eagle’ Doesn’t Soar

Historical action lacks depth, conviction in 'The Eagle'
It's big and shiny and carved out of bronze. But it's true value is its symbolism, standing for both the glory of the Roman Empire and the brutality of conquest (depending on one's viewpoint). It's the Eagle of the Ninth Legion, the standard carried into battle by a company of Roman Legionnaires who vanished into the murky mists of northern Britain in 120 A.D. And most of the historical action film, The Eagle, is devoted to trying to convince us—without much success—that this object is worth a lot of bloody slaughter.

The film is based on Rosemary Sutcliff's popular 1954 historical young adult novel, “The Eagle of the Ninth.” Its YA origins are evident in the film's straightforward action plot, simplified relationships, and the high degree of palaver about the "honor" of Rome while running riot over the indigenous tribes of Britain—who are (surprise!) inspired to respond with equal savagery. One hopes the reason director Kevin Macdonald and scriptwriter Jeremy Brock (they also collaborated on The Last King of Scotland) are resurrecting this material now is to draw parallels to our modern age of reckless adventuring in foreign lands. But The Eagle never gains the level of complexity that would make its story profound.

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Reviews and Times

Film, Times & Events: Week of Feb. 18

Film, Times & Events: Week of Feb. 18

Films This Week
Check out the movies playing around town.
With reviews and trailers.

 

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Reviews and Times

Lord of Illusion

Lord of Illusion

Magic vs. reality in Sylvain Chomet's lovely, animated 'Illusionist'

he lovingly hand-drawn animated feature, The Illusionist, is an artifact of another era—in so many ways. The second feature from French animator Syvain Chomet (his first was the nutty-sweet The Triplets of Belleville), it has the look of old-school cel animation, in which every luscious frame is a mini work of art. The milieu it depicts, too, harks back to an earlier time, the waning days of postwar vaudeville, with its plucky variety acts, once-glamorous theaters, and slightly seedy showbiz hotels.

It’s not surprising then that the script was actually written decades ago by the late French film comic Jacques Tati. Although the word "script" can only be loosely applied to the scenario of plot and encounters in a film that is mostly without dialogue. Tati himself was practically a mime, in a series of live-action comedies with the visual gags, balletic precision and timelessness of silent film comedy. There is sound aplenty in The Illusionist —voices, music, laughter, traffic—but very few distinguishable words, which contributes much to the wistful whimsy and charm of Chomet's film.

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Reviews and Times

Film, Times & Events: Week of Feb. 10th

Film, Times & Events: Week of Feb. 10th


Films This Week
Check out the movies playing around town.
With reviews and trailers.

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Reviews and Times

Life Wish

Life Wish

Fierce morality vs. mortality in haunting 'Biutiful'

How long is long enough to save the world? Even the miniscule portion of your immediate world where you might actually be able to make an impact? This is the dilemma faced by the hard-luck protagonist played with furious grace by the great Javier Bardem in Biutiful, a man clawing a living out of the urban underbelly of Barcelona who discovers he has only a short time left to straighten out his messy life for the sake of his beloved children. Brooding and heartfelt, it's a dark, yet tender vision of life on the fringe from the always provocative Alejandro González Iñárritu.

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Reviews and Times

Film, Times & Events: Week of Feb. 3rd

Film, Times & Events: Week of Feb. 3rd

Films This Week
Check out the movies playing around town.
With reviews and trailers.

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Reviews and Times

Post-Modern Romance

Post-Modern Romance

Appealing cast vs. silly premise in 'No Strings Attached'

Like many romantic comedies, No Strings Attached begins with an absurd premise. It's about a couple who have fun together, the sex is fabulous, and they're simpatico in every way, but they can't be together because of one of those ridiculous, self-imposed conditions you find only in the movies that they spend the entire movie trying (and ultimately failing) to stick to.

And while the audience is still trying to suspend its disbelief, the first half hour of the movie goes by in a series of drunken encounters, idiotic guy talk, and a barrage of penis jokes. Not jokes involving actual penises, but jokes involving the word "penis," which is evidently supposed to be hilarious in its own right because, once upon a time in the Stone Age, it was one of those words you weren't allowed to say in the movies. (It's like the first time Mel Brooks discovered he could get away with saying "shit" onscreen, and then he couldn't shut up about it; every new film was peppered with gags where that was the entire punchline.)

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Reviews and Times

Into the Wild

Into the Wild

Weir limns gripping trek from Siberia to India in 'The Way Back'

Imagine a 4,000-mile trek on foot from the frozen wastes of Siberia to Mongolia, across the Gobi Desert to Tibet, and over the Himalayas into India. It's an incredible journey supposedly made by a handful of indomitable escapees from a Soviet prison camp in 1941, as depicted in The Way Back, another absorbing drama on the collision and collusion of man and nature from the formidable Peter Weir.

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Reviews and Times

Film, Times & Events: Week of Jan. 20th

Film, Times & Events: Week of Jan. 20th

Films This Week
Check out the movies playing around town.
With reviews and trailers.

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Reviews and Times

Bitter Sweet

Bitter Sweet

Fine acting, raw emotion highlight post-love drama 'Blue Valentine'

lthough it bills itself as  "a love story," the unsettling drama Blue Valentine begins after most conventional love stories have long since concluded, some time after happily ever after has morphed into stuck forever. The antidote (or maybe the evil twin) to a thousand Hollywood fluff comedies like How Do You Know, where all that matters is landing the right guy, or gal, this prickly drama from Derek Cianfrance pokes into the raw wound of disappointed dreams and desires while grappling with the elusive nature of love, and why and how it can just as easily slip away.

 

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Is This a Dream?

A beginner’s guide to understanding and exploring the uncanny world of lucid dreams

 

Giving and Giving, Then Giving Some More

2014 is almost over. Wednesday, Dec. 17, the Jewish Festival of Light, Hanukkah, begins. We are in our last week of Sag and last two weeks of December. Sunday, Dec. 21 is winter Solstice, as the sun enters Capricorn (3:30 p.m. for the west coast). Soon after, the Capricorn new moon occurs (5:36 p.m. for the west coast)—the last new moon of 2014. Sunday morning Uranus in Aries (revolution, revelation) is stationary direct (retro since July 22). Uranus/Aries create things new and needed to anchor the new culture and civilization (Aquarius). We will see revolutionary change in 2015. Capricorn new moon, building-the-personality seed thought, is, “Let ambition rule and let the door to initiation and freedom stand wide (open).” Capricorn is a gate—where matter returns to spirit. But the gate is unseen until the Ajna Center (third eye), Diamond Light of Direction, opens. Winter solstice is the longest day of darkness of the year. The sun’s rays resting at the Tropic of Capricorn (southern hemisphere) symbolize the Christ (soul’s) light piercing the heart of the Earth, remaining there for three days, till Holy Night (midnight Thursday morning). Then the sun’s light begins to rise. It is the birth of the new light (holy child) for the world. A deep calm and stillness pervades the world.The entire planet is revivified, re-spiritualized. All hearts beating reflect this Light. And so throughout the Earth there’s a radiant “impress” (impressions, pictures) given to humanity of the World Mother and her Child. The star Sirius (love/direction) and the constellation Virgo the mother shines above. For gift giving, give to those in need. Give and give and then give some more. This creates the new template of giving and sharing for the new world.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Stocking Stuffers

The men behind the women of the Kinsey Sicks Dragapella Beautyshop Quartet explain their own special brand of ‘dragtivism,’ and their holiday show at the Rio
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Fortino Winery’s Intriguing Charbono

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Beyond the Jar

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