Films This Week
Check out the movies playing around town.
With reviews and trailers.
Class, guilt and privilege converge in an unconvincing 'Please Give'
Nicole Holofcener is becoming the bard of upper middle-class, white ineffectuality. Her last film, Friends With Money, was an astoundingly lame look at useless L. A. women making foolish choices, adrift in their own lives. In her angsty new comedy, Please Give, Holofcener switches the action to New York City, but sticks to the same milieu of clueless privilege, trapping her excellent cast in a lineup of dubious characters whose behavior ranges from merely baffling to downright unpleasant. To make it all feel more weighty, Holofcener tosses in an element of all-purpose white liberal guilt. But like so many other elements in the story, she really doesn't know how to use it to good effect.
Girl ... the franchise is showing signs of menopause
Don’t get me wrong—you can’t walk away from Sex And The City 2 really hating it. It’s just that there’s not that much to really love in the sequel that finds Carrie (Sarah Jessica Parker) and her gal pals (Kim Cattrall, Cynthia Nixon and Kristen Davis) returning for another big screen soiree based on the hit HBO show that spawned their celebrity.
Fine acting shines in an impeccable, but bloodless literary adaptation of ‘City of Your Final Destination'
Social upheaval, exile, literary reputation, academic politics, eccentric lifestyles of the semi-rich and infamous, celebrity and its unsavory underbelly—all are under consideration in The City Of Your Final Destination. Beneath this somewhat lugubrious title (based on the Peter Cameron novel) is a most decorous and well-behaved literary adaption, a bit precious at times in its novelistic symmetry and philosophical debates, but entertaining and well-acted—particularly in a showpiece performance by the marvelous Laura Linney.
Hero channels inner ogre in fun, fizzy 'Shrek Forever After'
It's a wonderful life for everybody's favorite green ogre in Shrek Forever After. Until he screws things up and gets a taste of what life would have been like for his loved ones if he'd never been born in this fourth installment of the fractured fairy tale franchise. Directed by Mike Mitchell, this entertaining chapter in the series is also the first one to be shot and processed in 3-D (although you might wonder if effects like projectile baby drool are worth all the bother).
Crowe, Scott, reteam for solid adventure in stirring 'Robin Hood'
Forget about those men in tights. Ridley Scott puts a gritty, topical spin on the romantic folk tale of the merry men of the greenwood in Robin Hood. It's not exactly a revisionist look at the familiar story, which, after all, has gone through centuries of permutations and updates, from heroic ballad to kids' classic to Hollywood and TV. Rather, Scott and scriptwriter Brian Helgeland craft an origin story about how failed leadership, ruinous taxation, and everlasting foreign wars turn a decent man into a rebel outlaw crusading for justice.