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Feb 09th
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Out with the new

Out with the new

Harmless, but predictable 'New Year's Eve' sings same old song 


Picture this: Times Square, New York City, New Year's Eve. Crowds have been amassing all day to see the giant glitter ball hoisted up to the top of its pole, to drop down again at the stroke of midnight. But as the festivities begin, and the ball starts to go up—oh no!—it gets stuck halfway up the pole. Will it get to the top in time? Can the new year begin if the ball doesn't drop? These are among the many burning questions posed in the ensemble romantic comedy, New Year's Eve, but audiences may be asking themselves a different question: what are a bunch of nice Oscar winners (and nominees) doing in a movie like this? 

The short answer is: collecting a paycheck. The ensemble romantic comedy Valentine's Day was a big enough hit back in 2010 that distributor Warner Brothers reunited director Garry Marshall and screenwriter Katherine Fugate for this retread. It's not a sequel, there are no characters in common between the two movies, it's just the same formula transplanted from L.A. to New York, in which a vaguely interconnected group of folks try to realize their holiday expectations. Formulaic, too, is the quality of the storytelling. Well-meaning and eager to please, New Year's Day amounts to little more than a collection of sitcom gags, predictable romance, and inspirational speeches about love, hope, and second chances.

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Reviews and Times

Film, Times & Events: Week of Dec 15th

Film, Times & Events: Week of Dec 15th

Films This Week
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With: Reviews New Year's Eve,
Movie Times click here.
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Reviews and Times

Claus and Effect

Claus and Effect

 

Santa's son saves holiday in sweet, funny 'Arthur Christmas'

From Aardman Studios, the deliciously nutty outfit behind the Wallace and Gromit movies, and Chicken Run, comes Arthur Christmas. This sweet, yet sly animated family comedy views the seasonal festivities from a particular insider's perspective—that of Arthur, Santa Claus' number-two son. Gauche, clumsy, and somewhat inept as he is, Arthur is nevertheless imbued with the most holiday spirit of anyone at the North Pole in this wry comedy of dynastic family dynamics. Directed by Sarah Smith, from an original screenplay she co-wrote with Peter Baynham, this tall tale supposes that Christmas Eve at the North Pole has become a high-tech enterprise.

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Reviews and Times

Film, Times & Events: Week of Dec. 8th

Film, Times & Events: Week of Dec. 8th

Films This Week
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With: Reviews Arthur Christmas,
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Reviews and Times

Celebrating Movie Magic

Celebrating Movie Magic

 

Scorsese salutes early cinema in charming, if uneven 'Hugo'

If you love silent movies, you'll love Martin Scorsese's new family-friendly film, Hugo. And if you're a fan of the delightfully nutty, hand-made fantasy movies of early French film pioneer Georges Melies, you're in for a special treat. Scorsese's film is not only an homage to the great Melies, but to the turn-of-the-century spirit of clockwork, hands-on inventiveness that spawned him. Best of all, it's an opportunity to see a fabulous montage of vintage, hand-tinted Melies footage as God intended—on a great, big screen. And, boy, does it look great!
Unfortunately, the downside of Hugo is that it seems to take forever for the magic to kick in. It's based on the wonderful novel,

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Reviews and Times

My Week With Marilyn

My Week With Marilyn

The 2012 Best Actress Oscar race begins with this miraculous performance by Michelle Williams as Marilyn Monroe. We have yet to see Meryl Streep as Margaret Thatcher in Iron Lady, or Glenn Close in male drag in Albert Nobbs, but even those esteemed actresses will be hard-pressed to equal the alchemy with which the always intelligent and gutsy Williams transforms herself into that most dreamy, luscious, needy, and yet valiant of all Hollywood screen goddesses. Directed with grace and economy by TV veteran Simon Curtis, from a smart, touching script by Adrian Hodges, the film is adapted from the memoir,

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Film, Times & Events: Week of Dec. 1st

Film, Times & Events: Week of Dec. 1st

Films This Week
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With: Reviews MY WEEK WITH MARILYN, HUGO,
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In the Family Way

In the Family Way

Clooney heads great cast in wry, touching 'Descendants'

s we know here in Santa Cruz, no one is "immune to life"—not even in Paradise. This is well understood by Matt King, a Hawaiian-born lawyer and father on the island of Oahu facing a particularly thorny patch of life in The Descendants, Alexander Payne's incisive, entertaining, tender and life-sized family drama. Shot on location in the luscious Hawaiian islands of Oahu and Kauai, it's a tale of a family in crisis, a culture in flux, and the issue of legacy between the generations, told with wry humor and honest emotion.

Adapted by scriptwriters Nat Faxon and Jim Rash, from the novel by Hawaiian author Kaui Hart Hemmings, The Descendants revolves around the King family.

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Reviews and Times

Film, Times & Events: Week of Nov. 24th

Film, Times & Events: Week of Nov. 24th

Films This Week
Check out the movies playing around town.
HAPPY THANKSGIVING
With: Reviews Twilight, The Decendants,
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‘Twi’ and ‘Twi’ Again

‘Twi’ and ‘Twi’ Again

A deeper look into the ‘Twilight’ melodrama

Twi-hards are ecstatic. (The rest of us, not so much.) But now that the Twilight movie franchise is back with Bella Swan (Kristen Stewart), her dreamboat of an immortal, vamp Edward Cullen (Robert Pattinson), and the boy-werewolf she tossed away, Jacob Black (Taylor Lautner), it’s best to simply accept fate and embrace the timeline we’ve been given. (This isn’t Fringe, for crying out loud.) In Breaking Dawn, the first of Twilight’s two-part final opus, Melissa Rosenberg’s screenplay effectively delivers what tweens and teens seem to be craving: a shirtless Taylor Lautner (and that’s in the first five minutes!); plenty of teenage angst (oh, that Bella!) and a craving for more (the final moments of the film have generated buzz.) But even if you haven’t read the Stephenie Meyer novels, director Catherine Hardwicke creates an acceptable outing here that simply mirrors the times we live in. It’s not about the characters.

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On the Run

Is there hope for California’s salmon?

 

Chinese New Year of the Red Fire Monkey

Monday, Feb. 8, is Aquarius new moon (19 degrees) and Chinese New Year of the Red Fire Monkey (an imaginative, intelligent and vigilant creature). Monkey is bright, quick, lively, quite naughty, clever, inquiring, sensible, and reliable. Monkey loves to help others. Often they are teachers, writers and linguists. They are very talented, like renaissance people. Leonardo Da Vinci was born in the year of Monkey. Monkey contains metal (relation to gold) and water (wisdom, danger). 2016 will be a year of finances. For a return on one’s money, invest in monkey’s ideas. Metal is related to wind (change). Therefore events in 2016 will change very quickly. We must ponder with care before making financial, business and relationship changes. Fortune’s path may not be smooth in 2016. Finances and business as usual will be challenged. Although we develop practical goals, the outcomes are different than hoped for. We must be cautious with investments and business partnership. It is most important to cultivate a balanced and harmonious daily life, seeking ways to release tension, pressure and stress to improve health and calmness. Monkey is lively, flexible, quick-witted, and versatile. Their gentle, honest, enchanting yet resourceful nature results often in everlasting love. Monkeys are freedom loving. Without freedom, Monkey becomes dull, sad and very unhappy. During the Spring and Autumn Period (770 - 476 BC), the Chinese official title of Marquis (noble person) was pronounced ‘Hou,’ the same as the pronunciation of ‘monkey’ in Chinese. Monkey was thereby bestowed with auspicious (favorable, fortunate) meaning. Monkey years are: 1920, 1932, 1944, 1956, 1968, 1980, 1992, 2004, 2016.  

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of February 5

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