Mixed-race gentlewoman inspires anti-slavery politics in ‘Belle’
Jarmusch’s vampire flick is ironically his warmest film
Jim Jarmusch’s first film in three years taps a commercial vein—vampires always sell, even given an all-mood, little-plot film, however lambently shot by Yorick Le Saux. Only Lovers Left Alive is an ultimately enrapturing love story, set on the border of gentility and decadence.
Haunted ex-POW confronts past in ‘Railway Man’
Is revenge really sweet? Even when one has been horribly wronged—in a wartime setting, for instance—is an eye-for-an-eye style of vengeance ever really justified? Indeed, can any amount of revenge ever compensate for the original injury? These are issues grappled with in The Railway Man, a handsome and quietly moving drama adapted from the bestselling 1995 nonfiction memoir by Eric Lomax, who, as a young British army officer, survived brutal conditions in a Japanese POW camp during World War II.