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Moving Pictures, Top 10 & GUILTY PLEASURES

Moving Pictures, Top 10 & GUILTY PLEASURES

Love, strong women among the themes found in the best films of 2009

Some movies are so great, I just want to grab people by the lapels and drag them off to the moviehouse. There weren't many films like that in 2009, but if it was an unexceptional movie year in general, there were still a few small gems worth noting. Here are my Top Ten films of the year, plus a few guilty pleasures. Enjoy!

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Reviews and Times

Movies & Film Events

Movies & Film Events

AVATAR James Cameron's new sci-fi epic involves a US military unit sent to a lush, tropical planet whose cultured, indigenous warrior population is determined to keep the invaders from despoiling their land. Sam Worthington stars as a young US war vet technologically altered to resemble the native people and sent in as a scout. Zoe Saldana is the indigenous tribeswoman with whom he falls in love. Sigourney Weaver, Michelle Rodriguez, and Giovanni Ribisi co-star. (PG-13) 150 minutes. Starts Friday.
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Royal Progress

Royal Progress

Teen blossoms into queen in entertaining 'Young Victoria'
It's not easy being queen. Just ask the lonely, fatherless, inexperienced 18-year-old girl thrust onto the throne of England when her uncle, the king, dies, in The Young Victoria. This sumptuously mounted historical drama offers an intriguing glimpse of the youthful monarch destined to give her name to an entire age in Britain, before and after her succession to the throne, and argues the point that everyone involved in the political sphere has a few rough patches at the beginning, however beloved they might later become.

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Crazy Love

Crazy Love

Romance and storytelling merge in wry, marvelous 'Broken Embraces'

ust and obsession, fathers and sons, storytelling and filmmaking, betrayal and redemption—all go into the Cuisinart to be whipped into a gorgeous and volatile froth in Broken Embraces, a spicy drama from Pedro Almodóvar, served with a side of wryness. It's hard not to fall into gastronomical adjectives to describe this film: every frame looks good enough to eat (full of popsicle colors and striking compositions) and every performance is delectable, however small.

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The Bitter End

The Bitter EndSurvivors stuggle on after nature rebels in harrowing, gripping 'The Road'

If the bleak vision of man's inhumanity to man in No Country For Old Men wasn't  demoralizing enough, this adaptation of another Cormac McCarthy novel, “The Road,” ought to do the trick. Judging from these two most recent novels (published in 2005 and 2006, respectively), McCarthy no longer has any faith in either the ability or the right of humankind as a species to exist for much longer. Directed by John Hillcoat, from a script by Joe Penhall, The Road is a post-apocalyptic tale of a father and son journeying across a devastated landscape that suggests what might happen if the natural world suddenly turned as savagely self-destructive as the humans who inhabit it.

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She's All That Jazz

She's All That Jazz

Big fun on the bayou in ‘The Princess And The Frog'

It's taken the folks at Walt Disney more than seven decades to create their first African-American cartoon heroine. And when they finally do, she spends most of the movie green when a fairy tale kiss goes awry in The Princess And The Frog. But the movie is so much fun, and—for Disney—culturally rich, with its New Orleans/Louisiana bayou setting, there's not much else to quibble about. Terrific voice performances, lively songs by Randy Newman, and gorgeous hand-drawn cel animation make this one of the most entertaining Disney cartoon features since The Lion King.

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Color Bind

Color Bind

White parents, black child-chaos, in affecting 'Skin'

Despite its title, the persuasive drama, Skin, is not about race. At least, it's not about race alone. Yes, the plot revolves around the true story of a black South African girl born to white parents during the shameful and divisive apartheid era. But on a larger scale, the issues of identity, otherness and separatism explored here could just as easily apply to a story about national, sexual, political, or religious intolerance, as well as racism—any of the artificial barriers that divide us from our fellow humans. Where Skin gains power is in showing how the effects of injustice can be just as devastating on those who wield it as on those it's wielded against.

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Movies & Film Events: Week of Dec. 10

Movies & Film Events: Week of Dec. 10

INVICTUS Sports and politics mix in this true story of how restored South African president Nelson Mandela (Morgan Freeman) joined with national rugby team captain, Francois Pienaar (Matt Damon), to unite the country devastated by the aftermath of apartheid during the 1995 World Cup championship race. Clint Eastwood directs on location in Johannesburg and Cape Town. Based on the non-fiction book "Playing The Enemy," by John Carlin. (PG-13) 133 minutes. Starts Friday.

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Fade To Black

Fade To Black

Behold—the worst films of 2009

You don’t come across films like Precious and Up In The Air every day—let’s not forget Away We Go—so relish them while you can. In meantime, 2009, while it was a strong year overall at the box office, spawned more than a cluster of clunkers. Take note of the following films—most of them remakes— and then immediately erase them from your memory.

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The Liars Club

The Liars Club

Father uncovers hidden family secrets in bittersweet 'Everybody's Fine'

When was the last time you called your folks? You might want to make that call after seeing Everybody's Fine, a wistful drama of family dynamics and the lies we tell ourselves and our loved ones—just to get by. Although the film doesn't entirely resist the urge to tie things up in a neat package, the story is surprisingly schmaltz-free in the telling, mostly rising above easy sentimentality for a thoughtful look at parenting, expectations and disappointment.

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Green Swell

Local surfboard company greens up the industry with an eco-conscious business model

 

Two Fish Bound by a Golden Cord

Until March 20, (Spring Equinox), Earth and her kingdoms (mineral, plant, animal, human) experience the influence of Pisces, sign of the World Savior. Whereas the task of Aquarius is as world server, the Pisces task is saving the world—tasks given to the two fishes. Pisces never really enters matter, and as the last sign of the zodiac includes all the signs. During Pisces, having gathered all the gifts of the previous 11 signs, it is a good time to prepare for new initiating plans when Aries (sign of beginnings) begins. No wonder Pisces, like Scorpio, is so difficult (both are ruled by Pluto, planet of death, new life, regeneration, transformations). Both signs (with Scorpio drowning in dark and deep waters) find life on Earth a hardship, disorienting (from the spiritual perspective), at times feeling betrayed. Life is a paradox, especially for Pisces. Each zodiacal sign represents and distributes a different phase and facet (12) of the Soul’s diamond light, Pisces is the “Light of Life itself, ending forever the darkness of matter.” It takes two fish to complete this work (creating eventually an extraordinary human being). One fish turned toward the material world (in order to understand matter), the other fish toward the heavenly world. Around the two fish is a silvery cord binding them together. The two fish are forever bound until all of humanity is redeemed (lifted up into the Light). This is the dedication of all world saviors (Buddha, Christ, the NGWS). Thus the sacrifice and suffering experienced by Pisces. Knowing these things about Pisces, let us help them all we can. Sometimes all of humanity is Pisces.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Seal Change

Celtic selkie lore comes alive in dazzling ‘Song of the Sea’
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