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Film

Reviews and Times

Movies & Film Events: Week of Feb. 4

Movies & Film Events: Week of Feb. 4

Films This Week
Check out the movies playing around town.
With reviews and trailers.

 

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Reviews and Times

Dad Reckoning

Dad Reckoning

Father fights system to cure sick kids in 'Extraordinary Measures'
Parental love is a powerful thing. It drove John Crowley, a corporate idea man at Bristol Myers in Portland, Oregon, to found and operate an independent research center in hopes of developing a treatment in time to save the lives of his two youngest children, stricken with a rare genetic disease. Crowley's extraordinary parental love is also the motivating force behind Extraordinary Measures, the earnest, workmanlike film dramatization of Crowley's story.

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Movies & Film Events: Week of Jan. 28

Movies & Film Events: Week of Jan. 28

EDGE OF DARKNESS  Mel Gibson gets back in front of the camera to star in this political thriller about a tough homicide detective investigating the murder of his actvist daughter who discovers a sinister government agency is also interested in the case, hoping to hush things up. Adapted from the mid-'80s BBC miniseries, with an updated script by William Monahan (The Departed.) Ray Winstone and Danny Huston co-star for veteran action director Martin Campbell. (R) 117 minutes. Starts Friday.
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Bleached Remains

Bleached Remains

Story pales under opulent fx in 'The Lovely Bones'

A story about a murdered child is a tough sell. Alice Sebold evidently pulled it off in her bestselling novel "The Lovely Bones." Narrated from the afterlife by a 14-year-old girl brutally murdered by the neighborhood serial killer, it's a story of death-defying love, grief, healing and redemption.

But for those of us who haven't read the novel, only vague traces of what must have made it so meaningful survive in Peter Jackson's unwieldy adaptation of The Lovely Bones. Jackson and co-scriptwriters Fran Walsh and Philippa Boyens replicate the action of the plot—which is occasionally grim and often confusing—but never imbue it with the poetic or transformative power that would make it all amount to something. Instead, Jackson spends his creative energy attempting to depict the unknowable—the afterlife ("the in-between time") from which the young heroine tells her tale. Jackson envisions it as an opulent CGI playground of mind-blowing images, but every time we go there, we're wrenched out of the intimate human drama that should have given the film its soul.

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THE LOSS OF A TEARDROP DIAMOND

THE LOSS OF A TEARDROP DIAMOND

The hothouse dramas of Tennessee Williams were considered pretty scandlous back in the '50s because, hello! it was the '50s. These days, warmed-over Williams just doesn’t have the same impact, even if provided by Williams himself, via a long-unproduced screenplay. Rookie director Jodie Markell's handsome production of The Loss Of A Teardrop Diamond conjures up the usual intemperate Williams brew: unspoken homosexual longing sublimated into the tale of a fragile, yet willful Southern belle  too arty and sophisticated for her stifling social milieu, teetering on the brink of madness. Pale, porcelain Bryce Dallas Howard goes brunette to play Fisher Willow, a Memphis debutante ca. 1923 who's spent some time abroad, bobs her hair, and has a yen for jazz. She's also smitten with dirt-poor Jimmy Dobyne (Chris Evans)—his father's an affable drunk and his mama is locked up in a madhouse—who runs the commissary on her rich Daddy's plantation.

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Movies & Film Events: Week of Jan. 21

Movies & Film Events: Week of Jan. 21

EXTRAORDINARY MEASURES When his two youngest children are diagnosed with a rare and fatal disease, a young business entrepreneur (Brendan Fraser) ditches the corporate world to set up his own foundation with a renegade scientist (Harrison Ford), in hopes of developing a cure. Keri Russell and Jared Harris co-star. Adapted from the non-fiction book, "The Cure," by Geeta Anand. Tom Vaughan directs. (PG) 102 minutes. Starts Friday.
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Man On Wire

Man On Wire

Colin Firth is marvelous navigating grief in 'A Single Man'

The scary-beautiful image that begins A Single Man, a naked male figure floating embryo-like (or possibly drowning) under water, plunges the viewer into a sense of edgy dislocation. All the better to appreciate the mindset of the film's protagonist, a quietly closeted gay expatriate Briton in sunny L.A., grieving over the loss of his longtime partner, who no longer fits into his own well-tailored life. From these opening moments, we share the protagonist's unease about the randomness of the universe in Tom Ford's spare, elegant study on the nature of grief.

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CRAZY HEART

CRAZY HEART

In a  just universe, Jeff Bridges would have a roomful of Oscars by now. He's been so great in so many roles for so long, it's almost ironic he's getting some of his best notices ever for the broken-down country singer he plays in Crazy Heart. Not that Bridges isn't spectacular in the part—is he ever. But Bridges is an actor of such wry, thoughtful subtlety who makes it look so effortless that some viewers may miss the exquisite craftsmanship of his performance, or, worse, assume he's just playing himself. Bridges invests 57-year-old "Bad" Blake with all the cantankerous brio and innate, slightly shopworn charm accrued from a hard life lived on the road. After four marriages, fleeting fame, and a lifetime of bad decisions, he travels the byways of the desert Southwest in his Chevy Silverado, playing with pick-up bands in bowling alleys and honky-tonks, fueled by cigarettes, whiskey, and the occasional groupie of a certain age.

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Movies & Film Events: Week of Jan. 14

Movies & Film Events: Week of Jan. 14THE BOOK OF ELI It's getting crowded out there in the post-apocalypse. After 2012, and The Road, now it's Denzel Washington fighting his way across the ravaged landscape in this action drama from the Hughes Brothers, protecting the secret he carries, the only hope for the survival of humankind. Gary Oldman, Jennifer Beals, and Michael Gambon co-star. (R) 118 minutes. Starts Friday.
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In Your Dreams

In Your Dreams

Visuals, scruffy charm, trump confusion in 'Imaginarium of Dr. Parnassus'

Terry Gilliam's The Imaginarium of Dr. Parnassus ought to be better than it is. Some scenes waffle and teeter all over themselves before coming to the point, and the narrative wanders off down a few too many dark passages, squandering its momentum. Gilliam coaxes splendid, witty playing out of his gifted cast in some scenes, but in other moments, it sounds as if they were directed to play from an outline of the story instead of a script.

But as a celebration of human imagination, and a passionate defense of the power of storytelling, Dr. Parnassus keeps drawing us into its cheerfully amok orbit. Now that technology has caught up with Gilliam's own fervid imagination, he's able to construct ecstatic onscreen dreamscapes alongside the tawdry fun-house charm of the film's "realistic" sequences. Some lovely moments are also provided by Heath Ledger in his last film role, Tom Waits, as a purring, deadpan Devil, and a sly cameo by Johnny Depp.

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The Meaning of ‘LIFE’

With a new documentary film about his work, and huge exhibits on both coasts, acclaimed Santa Cruz nature photographer Frans Lanting is having a landmark year. But his crusade for conservation doesn’t leave much time for looking back

 

Seasons of Opportunity

Everything in our world has a specific time (a season) in which to accomplish a specific work—a “season” that begins (opportunity) and ends (time’s up). I can feel the season is changing. The leaves turning colors, the air cooler, sunbeams casting shadows in different places. It feels like a seasonal change has begun in the northern hemisphere. Christmas is in four months, and 2015 is swiftly speeding by. Soon it will be autumn and time for the many Festivals of Light. Each season offers new opportunities. Then the season ends and new seasons take its place. Humanity, too, is given “seasons” of opportunity. We are in one of those opportunities now, to bring something new (Uranus) into our world, especially in the United States. Times of opportunity can be seen in the astrology chart. In the U.S. chart, Uranus (change) joins Chiron (wound/healing). This symbolizes a need to heal the wounds of humanity. Uranus offers new archetypes, new ways of doing things. The Uranus/Chiron (Aries/Pisces) message is, “The people of the U.S. are suffering. New actions are needed to bring healing and well-being to humanity. So the U.S. can fulfill its spiritual task of standing within the light and leading humanity within and toward the light.” Thursday, Aquarius Moon, Mercury enters Libra. The message, “To bring forth the new order in the world, begin with acts of Goodwill.” Goodwill produces right relations with everyone and everything. The result is a world of progressive well-being and peacefulness (which is neither passive nor the opposite of war). Saturday is the full moon, the solar light of Virgo streaming into the Earth. Our waiting now begins, for the birth of new light at winter solstice. The mother (hiding the light of the soul, the holy child), identifying the feminine principle, says, “I am the mother and the child. I, God (Father), I Matter (Mother), We are One.”

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

His Dinner With David

Author + reporter = brainy talk in ‘End of the Tour’
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Land of Plenty

Farm to Fork benefit dinner for UCSC’s Agroecology Center, plus a zippy salsa from Teresa’s Salsa that loves every food it meets

 

If you knew you had one week to live, what would you do?

Make peace with myself, which would allow me to be at peace with others. Diane Fisher, Santa Cruz, Network Engineer

 

Comanche Cellars

Michael Simons, owner and winemaker of Comanche Cellars, once had a trusted steed called Comanche, which was part of his paper route and his rodeo circuit, from the tender age of 10. In memory of this beautiful horse, he named his winery Comanche, and Comanche’s shoes grace the label of each handcrafted bottle.

 

Cantine Winepub

Aptos wine and tapas spot keeps it casual