Luscious 'Renoir' is a painting come to life
For everyone who's ever wished they could stroll right into the middle of a lush, sun-drenched Impressionist painting by Pierre-Auguste Renoir, the French film Renoir is the next best thing.
Hollywood's love affair with the post-apocalyptic future of Earth continues in Oblivion. Co-written and directed by Joseph Kosinski, adapted from his own graphic novel, the story gives us a devastated landscape that used to be New York City, a human worker bee who survived the holocaust with a thirst for history, and has begun to question his mission, and a lot of really cool high-tech CGI machines that pivot around in mid-air and shoot from all directions. (No surprise that Kosinski's last film was the video-centric TRON: Legacy.)
Malick's latest 'To the Wonder' a halfhearted sketch of rehashed dynamics
You could never accuse filmmaker and master craftsman Terrence Malick of oversaturating the marketplace. There's never been any less than a five-year interval between the six films he's made in the last 40 years (and usually much longer)—until now. Hot on the sprockets of The Tree of Life, from 2011, comes Malick's latest, To The Wonder. And now we know once and for all why he should never, ever be rushed.
Gals from Down Under turn heads playing unlikely crooners, but ‘The Sapphires’ wins points for its sizzle and originality
Four Aboriginal women morph into The Supremes Down Under in The Sapphires, but it’s not the festive music or passionate singing that makes this film the precious little gem it is. It’s the acting and the writing. And that’s downright refreshing considering the majority of mind-numbing productions that come out of Hollywood these days.
The good news is that The Sapphires isn’t “Hollywood” at all.
Miyazaki craftsmanship tells small-scale story in 'Poppy Hill'
The latest from Japanese anime master Hayao Miyazaki's famed Studio Ghibli is From Up On Poppy Hill. Directed by Goro Miyazaki, the maestro's son, it's an unusual outing for Ghibli in that the story features no overt eco-advocacy message nor any magical, otherworldly elements like gods, demons, or witches. Instead, it's a simply-told tale of two Yokohama teenagers facing life-sized issues of identity, loss, and love in the real world.
Love vs. gravity in charming, implausible sci-fi romance, 'Upside Down'
If Upside Down were in print, it would be an outline, not a complete novel. The grand sweep of the story is there, the big, climactic scenes are all plotted out exactly where they should be, and marvelous, fanciful, poetic images decorate key passages. What's missing from Juan Solanas' ambitious, interplanetary sci-fi romance are the details—the solid conceptual underpinning that would make it all plausible, and a final polish on the dialogue that would bring the characters and their unique story to life.