Santa Cruz gets whisked away by The Mantles
An amusing thing happens when an artist releases a new record. Suddenly, there’s a mad dash to define the album and the artist themself. The xx has become synonymous with make-out music, Adele is the go-to heartbreak healer, Daft Punk brings the dance party, Robin Thicke brings the sexism—you get the idea.
So when the Oakland/San Francisco-based quintet The Mantles released its sophomore LP in June—Long Enough to Leave—the Internet was quick to label the lo-fi album (albeit the most polished and poppy Mantles release to date) as the ultimate summer soundtrack, due to jangly, glimmering guitars and forlorn, searching lyrics.