Violinist and looping master Kishi Bashi to play Moe's Alley

It took the virtuosic violinist Kaoru Ishibashi—a man known for his work with indie-prog masters such as Of Montreal and Regina Spector—more than a year to get to the point where he was comfortable enough to play his solo material in front of an audience.

It wasn't writer's block, nor was it due to him being a perfectionist. To understand why it took so long before Ishibashi, who goes by the stage name Kishi Bashi, was ready to tour, one needs to simply look up his performances online. His NPR Tiny Desk Concert is a good start.

Combine the take-no-prisoners attitude of hardcore metal and the raw intensity of a symphony orchestra, and you’ve got Requiem for the Dead, a band that speaks to the macabre with a dark eeriness that would make Tim Burton squeal with glee. The band, led by Santa Cruz native Steve Juliano, the former frontman for the world-touring metal band I Am Ghost, emerged locally in 2011. Juliano walked away from I Am Ghost, despite the band’s immense popularity, because, he says, all of the fun was being sucked out of the project by the overwhelming demands of business and ceaseless touring schedule.

Sacred steel whiz Robert Randolph reconnects with roots, finds inspiration

Last year at The Monterey Jazz Festival, Robert Randolph and the Family Band laid down a groove so infectious that it reached right into the genetic core of the audience. They were the only band that day whose music rivaled the intensity of the United States Air Force Thunderbirds’ jets that were buzzing above the fairgrounds. It wasn’t sheer volume that captivated the crowd—rather, it was the skills of brilliant sacred steel player Robert Randolph.

For the three members of local horror-punk group Head Casket, there's nothing to fear about zombies. In fact, singer and guitarist Rick Deschamp, bassist Brendan Brose, and drummer Nicole Hatchet all seem pretty comfortable with the idea of hanging out with the undead. "Zombies aren't scary," Deschamp says. "They're awesome." Elaborating on why he and his bandmates are drawn to the reanimated, the singer explains, "It's one of those things in pop culture that really never goes away. Zombies have been around for years—no matter what, they'll always be a part of our culture."

Arts community gives back to Marty Collins with second benefit concert

Shortly before he suffered the internal injury that nearly ended his life, Marty Collins made a promise.

"I made him promise me that he would make it through this," his wife Ginny Mitchell says, thinking back to the day Collins checked into the hospital last summer for what doctors anticipated would be a routine procedure: the insertion of a feeding tube. Though he doesn't remember the 49 days he spent in the intensive care unit after suffering a dangerous and rare complication—a perforated bowel—Collins can still recall making that vow.

For two decades, Santa Cruz soul, blues and gospel singer Sista Monica Parker has drawn musical inspiration from her experiences in love and lust, and the pains of leaving and letting go. Those are hard facts of life that passionate people can always relate to, Parker admits with a laugh. “And that's the kind of music that always seems to feed my soul,” she says. To celebrate her 20 years of performing, Parker will sing at a concert called “Acoustic Honey” on Saturday, along with a four-piece band at Kuumbwa Jazz.

Legendary finger-style master Tommy Emmanuel talks childhood and the power of music

For more than half a century, Tommy Emmanuel has traveled the globe, touring relentlessly and gaining widespread recognition for his peerless technical skill, passion for music, and his heartwarming personality.

Like many who have found their true calling in life, Emmanuel discovered his passion at a young age—a very young age.

“I’ve been playing guitar since I was 4,” says Emmanuel, “but I didn’t turn professional till I was 6,” he adds, with a laugh. “All I knew when I was a kid was that I wanted to play, and that it was exciting to play with my family. I’m one of six kids; four of us played music and we all played together, and it was great making music as a family.”

Raising a family, working multiple jobs and making music isn't an easy lifestyle—some days it has Amee Chapman feeling worn down. But expressing that struggle in her music helps her pull everything back to center. On the title track of her new album, Grace is Hell to Keep, which she recorded with her band, The Velvet Tumbleweeds, Chapman conveys some of those feelings through a slow ballad about a musician who tries to present a positive, manicured appearance, but actually feels torn to pieces. “It tells the story of how you can push through something and try to be polished all the time, but it's just not possible,” she says.

While working on a breakup record, Binki Shapiro finds a match made in heaven 

What’s the reward for being brave all the time?” Binki Shapiro sweetly sings with a lingering and captivating languor. As listeners, we aren’t certain what the answer is, and perhaps never will be, since the question posed at the beginning of “What’s The Reward” is addressed to a former lover, just like the other tracks on Adam Green & Binki Shapiro. 

With a booming three-piece horn section and positive vibes, Santa Cruz-based roots reggae outfit Pure Roots strives to bring audiences to higher levels of positive consciousness and to the dance floor. Though the band formed in 2007, 23-year-old founder Jeff Allgrove admits that 2012 was a breakthrough year for Pure Roots. Over the course of the year, the band completed a seven-city tour with Daniel "Bambaata" Marley—the grandson of Bob Marley—and shared the stage with artists such as Black Uhuru and Don Carlos, in addition to performing at the annual Monterey Bay Reggaefest.

Amidst adversity Tristan Prettyman reconnects with music and soars

After nearly eight years of recording and touring, singer/songwriter Tristan Prettyman found herself in a terrible position: She no longer had any interest in music. “I got really burnt out and I just took a break from music all together,” she says. “It was supposed to be just like a year or six months that ended up turning into almost four years.”

Luckily for fans, all of Prettyman’s disinterest in music evaporated the morning she went into surgery to remove the polyps from her vocal cords that threatened her career.

Strip away the religious ramifications of reggae music and it comes down to love and respect for all things. This is the starting block for Luke Kinney, guitarist, lead vocalist and founder of Something Collective, a 10-piece roots reggae band, featuring three horns, keyboards, percussionists, a drummer, bassist and guitarists, that has been performing since 2011. “We have multiple musicians if somebody cannot make a show; I have people on standby that know all the songs,” Kinney exclaims.