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Sep 05th
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Features

Don't Think, Just Play

Don't Think, Just Play

Inspiration comes natural to folk-soul strummer Sean Hayes

Looking back, Sean Hayes says he worked on the title track of his latest album, Before We Turn To Dust, for about eight years.
The lyric, "You may spend all of your money before you turn to dust, but you will never spend all of your love," had been bouncing around in his head for close to a decade, the singer-songwriter says. It would crop up in his mind from time to time, but Hayes never really knew what the line meant until his first son was born.

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Features

The Chameleon

The Chameleon

Stephanie Schneiderman’s music may be ever-changing, but her message remains constant

Whether she is performing with the Portland, Ore.-based indie pop-rock band Dirty Martini or going solo—as she will on Thursday at Don Quixote’s—Stephanie Schneiderman is constantly evolving as an artist.

“I’m always trying to do something that’s different for me, even if I can’t speak to it being different or not for anybody else,” Schneiderman says.

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Love Your Local Band

The Naked Bootleggers

The Naked Bootleggers

Thanks to Ona Stewart, guitarist and songwriter for Santa Cruz bluegrass/Americana band The Naked Bootleggers, you might have a secret life you don’t know about. “When I see somebody on the street, I always make up a story,” Stewart says with a chuckle. “My wife laughs at me because I’m constantly saying, ‘Look at that couple. They’ve only been together for a week.’ I just try to make things up in my head.”

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Features

It Comes in Waves

It Comes in Waves

The splendor of Spiritualized’s limitless space rock is in its relentless and familiar flow

Wow! It’s like you’re next door now,” Jason Pierce says, after a series of inaudible phone calls. Though the London-based frontman for Spiritualized is pleased that we’re finally able to connect, he claims, “I liked it when we couldn’t hear each other. There was so much room for error before.”

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Love Your Local Band

Larry Hosford

Larry Hosford

Larry Hosford has been making music since the 1960s, and the reason he keeps recording and performing after all these years is quite simple. “It’s easy to get into music, but I looked around one day and discovered that it’s very hard to get out,” Hosford says with a laugh. “So I’ve just kept on doing it.” Hosford has had one prolific career. He played for multiple Santa Cruz-area bands back in the ’60s and ’70s—most notably in the seminal band Snail—before going solo, recorded two albums for Leon Russell’s Shelter Records label in Los Angeles, got four songs to appear on Billboard’s country music charts, and even jammed once with Willie Nelson. But he does have one regret.

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Features

Wingin’ It

Wingin’ It

Antsy McClain and his Flamingoheads get national attention with PBS concert series

Antsy McClain is a Santa Cruz success story, which is all the more intriguing as McClain is a Nashville, Tenn. resident. For years now, McClain has been regaling Santa Cruz with musical tales of his life in a fictitious trailer park called Pine View Heights, and it looks like McClain might soon be able to afford a double-wide. His humorous, catchy songs, along with his band, The Trailer Park Troubadours, will be the center of one episode of a new PBS series entitled Sierra Stages, which will feature national music acts—including Tommy Emmanuel, Roy Rogers, Blame Sally, and more—performing in venues around Northern California.

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Love Your Local Band

Steep Ravine

Steep Ravine

For the members of bluegrass/folk band Steep Ravine, springboards are important. “Bluegrass is a springboard for our compositional ideas,” says violinist Jan Purat. “A lot of bluegrass bands play traditional bluegrass or learn a Bill Monroe mandolin solo and play it note for note. But with us, each player brings something special to the table when they’re soloing. We’re not intentionally trying to make these songs sound new, but that’s what pours out of us.”

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Features

Fringe Folk

Fringe Folk

Janis Ian: still a voice for the marginalized

As the 18th-century writer Jonathan Swift once observed, “When a true genius appears, you can know him by this sign: that all the dunces are in a confederacy against him.” Gender bias aside, that statement rang especially true in the mid-’60s, when the racial tension of the times voiced itself through a 14-year-old folk singer/songwriter with a genius-level IQ. Sung from the perspective of a white girl being condemned for having a black boyfriend, Janis Ian’s song “Society’s Child” earned its precocious young composer numerous death threats. Strangers spit in her food at restaurants, tripped her at concerts and sent her copious amounts of hate mail, sometimes placing razor blades in the envelopes to make her cut her fingers. One especially enterprising dunce (or perhaps a confederacy of them) even burned down an Atlanta radio station for playing “Society’s Child.”

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Love Your Local Band

Dan Frechette and Laurel Thomsen

Dan Frechette and Laurel Thomsen

Maybe it was fate. Or perhaps it’s simply yet another example of social media's power to bring people together. Whatever the case, local violinist Laurel Thomsen says it seems as if she and prolific Canadian singer-songwiter Dan Frechette were made to collaborate. The 36-year-old Frechette, a Manitoba-native who has penned more than 1,300 songs in his career, first reached out to the 31-year-old Thomsen after seeing one of her performances on YouTube. "All of a sudden, I saw this video," Frechette recalls. "I thought, ‘Wow! That woman really has it.'"

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Features

Widowspeak’s Golden Hour

Widowspeak’s Golden Hour

Dream pop duo pays homage to the ’70s with pastoral imagery and matching jackets

On TLC’s ’90s anthem “Waterfalls” the fearless lady trio preaches, “Don’t go chasing waterfalls. Please stick to the rivers and the lakes that you’re used to.”

But when it came to Widowspeak’s sophomore LP, Almanac, release in January, the Brooklyn, N.Y. dream pop duo made the bold decision to ignore that advice.

The band chose to feature a photograph of a waterfall on the cover, not solely for its beauty, but because it provides thematic and geographical context to the album, which was recorded in a 100-year-old barn in the Hudson River Valley in New York State.

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Love Your Local Band

Steven Graves

Steven Graves

Local singer-songwriter Steven Graves was a land management consultant in Southern California for almost 25 years before he retired in 2011 to pursue a full-time music career. The switch has been gratifying for him. “When you have a career doing something you’re passionate about that you feel has meaning, then that’s very satisfying,” Graves says. “Not everybody can do that, so I am grateful I’m able to.” And Graves is not the only one.

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Features

Longing for the Sun

Longing for the Sun

Seattle-based production duo creates moody atmosphere with effected vocal samples

You take a sound—any sound—record it and then change its nature by a multiplicity of operations.”

So begins Summer’s Gone, the debut LP from Seattle-based electronic duo Odesza, with a distinguished-sounding gentleman explaining the basics of sound editing. “You record it at different speeds, you play it backwards, you add it to itself over and over again. You adjust filters, echoes, acoustic qualities. You combine segments of magnetic tape. By these means and many others you create sounds which no one has ever heard before.”

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You Are What You Post

Online personality algorithms put astrological profiles to shame, but UCSC psychologists are raising questions about sharing personal data

 

Venus Direct, Mercury Retro Soon, Honoring Our Labors

As Burning Man (nine days, Aug. 30-Sept. 7 in the sign of Virgo) burns in the hot white desert sands, a petal of the rose created by retrograde Venus and the twelve-petaled Sun in Virgo’s petals unfold. All of us are on the burning ground (Leo) in the womb (cave of the heart) of the mother (Virgo), gestating for humanity once again (each year) a new state of consciousness. Both Virgo and Cancer, feminine (receptive energies) signs, are from our last solar system (Pleiades). When humanity first appeared on Earth we were nurtured by the mother, a matriarchy of energies (on islands in the Pacific). Eve, Isis and Mary are part of the lineages of our ancient Mother. Overseen by the Pleiades, the Earth (matter, mater, the mother) in that last solar system was imbued with intelligence (Ray 3). As we move toward autumn, another mother, Ceres realizes she has mere weeks left with her beloved daughter, Persephone. Persimmon and pomegranate trees prepare for autumn, their colors signs of hope as the light each day continues to dim. Sunday, Venus in Leo turns stationary direct, yet continues in her shadow until Oct. 9 (when retrograde Mercury turns direct). Slowly our newly assessed values emerge from the Venus retrograde. We thought in Venus retro how to use our resources more effectively. Mercury retrogrades Sept. 17. Monday is Labor Day. Let us honor the labor of everyone, all life a “labor.” Let us honor Labor Day and all those who have “served” (labored for) us this past year. We honor their labors. We honor the labor of our parents, those who have loved us. We honor our own labors, too. We are all in service, we are all laboring. We are all valuable.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of September 4

Santa Cruz area movie theaters >
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Sushi Garden

Local sushi empire expands to Scotts Valley

 

Do you overshare online?

I don’t think so. I just post things about my life, like successful things. Sometimes I just like sharing different news that I find interesting, or favorite artists, clothes, music. I like to post photos. Natalia Delgado, Santa Cruz, Server

 

McIntyre Vineyards

I recently met up with three friends for dinner at Sanderlings at Seascape Beach Resort. We chose to eat outside so we could watch the sun set over the ocean, but the Aptos fog rolled in and swallowed it up.

 

Sustainable Supper

The Homeless Garden Project’s Sustain Supper series supports its award-winning programs