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Oct 01st
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Music

beer STELLA


Love Your Local Band

Sun Hop Fat

Sun Hop Fat

The music of Sun Hop Fat is at once strange and soothing. The Oakland-by-way-of-Santa-Cruz jazz and funk ensemble employs Eastern scales that sound familiarly alien—the music you would expect to hear in an old adventure movie when the hero enters a smoky Arabic watering hole. Then again, maybe it is the soundtrack to Scooby and Shaggy skulking around some old haunted mansion: trill, snake-charmer flutes and horns that rise and fall in ominously ornate chords. Sun Hop Fat's tunes are heavily influenced by Ethiopian jazz and the music of Mulu Astatke, who championed the sound in his native Ethiopia and was instrumental in importing the music to America. Bass player and founding Sun Hop Fat member Jesse Toews (who also plays in Santa Cruz "psychedelic Motown throwdown" outfit, Harry and the Hitmen) says that he and his band were drawn to Ethiopian jazz and other East African sounds because of the "seductive" note choices and interesting polyrhythms. While the music originated from African traditions, Toews explains, "because it is so close to the Middle East, it has all these Eastern scales," which give the music a "haunting element," especially to Western ears. The spooky sounds of Ethiopian jazz, combined with the group's penchant for American funk and soul, make his band the perfect choice for Halloween night at The Crepe Place—or "Creepy Place," as Sun Hop Fat trombone player and Crepe bartender Nick Gyorkos has been known to call it.

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Features

The Swing Must Go On

The Swing Must Go On

Jazz luminary Dottie Dodgion celebrates 67 years of making music

A conversation with Dottie Dodgion is like walking into a library filled with stories about the golden era of jazz and her full and fortunate life, accented with winks and humor. At 82 years old, Dodgion continues to awe behind the drum kit that cooked up the fire and cooled off the harmony with such legendary musicians as Charles Mingus, Billy Mitchell, and Stanley Turrentine.

Born in 1929 in Brea, Calif., and raised in Woodland, near Sacramento, Dodgion’s childhood memories are seasoned with humor, adventure, and the limitless freedom that came with having a father who was a “swinging drummer.”

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Features

Movin’ On Up

Movin’ On Up

WebExclusive: ‘X Factor’ contestant and Santa Cruz local Chris Rene wows judges, advances to top 17

It’s been almost a month since 28-year-old Chris Rene brought “The X Factor” stadium audience to its feet during the TV series’ debut episode. Since that fateful performance of his original R&B/rap song, “Young Homey,” the Santa Cruz raised garbage collector and recovering drug addict has been consistently wowing the show’s judges—particularly Simon Cowell and L.A. Reid—with his onstage charisma, down-to-earth personality, and, most importantly, his voice. After performing “Everyday People” by Sly & The Family Stone for Reid and Rihanna on Sunday’s top 32 episode, Rene earned the opportunity to advance to the top 17, as part of the group set to perform live next week. Eager to enter the public-voting round of the competition, beginning Tuesday, Oct. 25, Rene took some time out of his busy schedule to chat with GT about his experience on “The X Factor,” performing in front of music superstars, how Santa Cruz has shaped him as a person, and what he plans to do if he wins.

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Features

Audacious Americana

Audacious Americana

Jeffrey Foucault talks Top Ramen living and touring 200 nights per year

I would [sooner] have a loaded gun in my home [than] a television—you can teach a kid how to use a gun but you can’t teach a kid how to use a TV,” says singer/songwriter Jeffrey Foucault when asked about the meaning behind “Last Night I Dreamed of Television,” one of the darker songs off his latest effort, Horse Latitudes. Foucault’s poetic flair and bold approach to songwriting are evident in the track’s mysteriously atmospheric chords and powerful lyrics: “Last night I dreamed of television and I wept for break of day.”

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Love Your Local Band

The Devil Himself

The Devil Himself

Five years ago, The Devil Himself got its start while playing cards. “We got formed around a poker table,” recalls guitarist/singer Dave Christensen. “We all used to play and it kept coming up in conversation that we all played different instruments. We kept saying we should jam, but our lives wouldn’t allow it. Finally it came together and we haven’t stopped playing since.” Flash forward to today, and the Santa Cruz-based alternative metal band—also featuring guitarist Dan Burnham, drummer Jason Goldberg, and bass guitarist Austin Wilhoit—has just released its fifth album and third full-length, Speak No Evil, on Oct. 8. The record is the final segment in a three-part series, also featuring See No Evil and Hear No Evil, that sounds like a thundering bastard child of Tool, with electric surges and hauntingly heavy vocals that mirror a grittier Chevelle. Frequently packing local venues with head-banging moshers, the band hopes to become the voice of a generation looking for answers to hypocrisy and freedom from despair.

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Features

Looped In

Looped In

Percussionist Nat Grant talks live looping and the local festival that gives it a voice

If you’re a live music buff, chances are you’ve seen a band or two incorporate a loop pedal. Most of the time it’s used to sustain a rhythm, or just sample some background noise, but who knew there was a whole community of musicians forming around the technology?

If anyone can speak to the beauty of the instrument and the community it has spawned, it’s Nat Grant. The Australian percussionist, who just completed her master’s degree in music performance, is one of the headliners of this year’s Y2KX+1 International Live Looping Festival—one of many annual events in town that has helped put Santa Cruz on the music map—taking place this weekend at Pearl Alley Studios in Santa Cruz.

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Features

Rising From the Ashes

Rising From the Ashes

Ryan Adams invokes the past in his latest effort, ‘Ashes & Fire’

Ryan Adams doesn’t always make it easy to be a Ryan Adams fan. After capturing indie souls with Heartbreaker in 2000, and then the world’s attention with 2001’s Gold, the 36-year-old North Carolina native has been playing Russian roulette with his musical style.

From honky-tonk, to a sci-fi metal concept album, to a few hip-hop tracks released on his website, Adams has wandered far from the alt-country genre he helped establish with his band, Whiskeytown, in the mid- to late-’90s. His prolificacy was legendary, averaging 1.3 albums a year. Then came a few books of poetry, followed by the announcement that he had sworn off touring altogether and was moving to the south of France with his new wife Mandy Moore.

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Love Your Local Band

Stan Soroken

Stan Soroken

If you’ve visited Severino’s Bar and Grill on a Thursday evening in the last decade, you know that no one pours smooth jazz from the bell of a trumpet quite like Stan Soroken. This month, Soroken joins the long list of esteemed musicians—including Velzoe Brown and Don McCaslin—to receive a Brownie Award by the Santa Cruz Jazz Society for his contributions to the local scene. It’s been a long journey for Soroken, who spent three weeks just trying to produce noise from his horn as an 8-year-old in Salinas. Eventually he found his groove with the help of Spike Jones’ tuba player and a member of the San Francisco Symphony.

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Features

The Walking Dead

The Walking Dead

Furthur guitarist John Kadlecik talks Deadheads, psychic spaceships, and rocking in the shadow of Jerry Garcia

In the film Rock Star, Mark Wahlberg sings in a tribute band—through happenstance, he eventually takes over the position of lead singer in the genuine band. Although the story is based on heavy metal mavens Judas Priest, it is also the tale of John Kadlecik. After years in Grateful Dead tribute band Dark Star Orchestra, Kadlecik got the tap on the shoulder to replace the empty Jerry Garcia spot in the newly incarnated Dead band, Furthur, featuring original members Bob Weir and Phil Lesh.

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Features

The Lone Wolf

The Lone Wolf

Radio Moscow cranks up the fuzz, channels old garage tunes

At times it is difficult to follow what Parker Griggs is saying—and not only because of the patchy cell phone reception he gets at his remote Northern California hideout.

It is entirely possible that Griggs, front man and lead songwriter for garage-psych revivalists Radio Moscow, is extremely baked as he mumbles on, sometimes inaudibly, about The Great Escape of Leslie Magnafuzz—a piping hot batch of overdriven, wah-wah-, and THC-soaked jams that his trio will kick out at the Blue Lagoon on Oct. 14.

The new record, Magnafuzz, which drops Oct. 11 on Alive Naturalsound Records, is Griggs' third such homage to the heavier sounds of the Age of Aquarius.

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Love Your Local Band

The McCoy Tyler Band

The McCoy Tyler Band

After years of playing in rock and metal bands, guitarist McCoy Tyler decided to pursue his own sound. “I had a vision in my head of something a little more roots- and acoustic-based,” he says. His new trio, The McCoy Tyler Band, is the realization of that vision. And though the project is extremely young—a mere four months—the band already has a well-developed sound, an EP called What the Mountains Have Seen, a backlog of all new material ready to take on tour, and a definite direction: keep it simple and sweet. To achieve its signature sound, the band incorporates a slightly unusual set of instrumentation for folk: a small drum set, an upright bass, a lone guitar, and subtle use of acoustic amplification. Tyler admits the instrumentation choice was difficult, but worth the challenge, “one thing that was a concern to me, [was] how to incorporate a drum kit into the style of music and songs that I was writing … but a full band has more presence, and to have an upright bass makes us feel more legit.”

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Love Your Local Band

Pipa Piñon & Dreambeach

Pipa Piñon & Dreambeach

When Pipa Piñon hired a temporary bassist for a gig, little did she know that she and Daniel Vee Lewis would end up married and tour together for more than two decades. When asked to describe their sound, Piñon and her husband respond with warm smiles, “avant-garde electric folk jazz.” Much like the community that has nurtured and influenced their sound, the Santa Cruz-based band, Dreambeach, passionately embraces freedom of expression; creating music that is honest, powerful and at times unusual. “We sound like we’re from Santa Cruz,” says lead singer and lyricist Piñon, whose ethereal voice soars, whispers, and sometimes even speaks, over Lewis’ subtle, yet solid bass lines. “Everyone hears this album [and] they say it sounds like water and open ocean,” Lewis adds. Both the comparison, and the band’s moniker hit the nail on the head. Dreambeach’s sound is loose and vaporous, settling in like a chilling mist that casts a contemplative spell over the listener.

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Reflecting Glass

Composer Philip Glass’ first trip to Big Sur was by motorcycle; little did he know that he’d establish a music festival there six decades later.

 

Rosh Hashanah

Rosh Hashanah, the Jewish New Year, occurs this year during Libra, the sign of creating right relations with all aspects life and with earth’s kingdoms. We contemplate (the Libra meditation) forgiveness, which means, “to give for another.” Forgiveness is not pardon. It’s a sacrifice (fire in the heart, giving from the heart). Forgiveness is giving up for the good of the other. This is the law of evolution (the path of return).

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of September 26

Santa Cruz area movie theaters >
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Wurst Case Scenario

Venus Spirits releases agave spirit, Renee Shepherd on planting garlic, Sausagefest 2014, and wine harvest in full swing

 

Do you think you are addicted to technology?

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Best of Santa Cruz County

The 2013 Santa Cruz County Readers' Poll and Critics’ Picks It’s our biggest issue of the year, and in it, your votes—more than 6,500 of them—determined the winners of The Best of Santa Cruz County Readers’ Poll. New to the long list of local restaurants, shops and other notables that captured your interest: Best Beer Selection, Best Locally Owned Business, Best Customer Service and Best Marijuana Dispensary. In the meantime, many readers were ever so chatty online about potential new categories. Some of the suggestions that stood out: Best Teen Program and Best Web Design/Designer. But what about: Dog Park, Church, Hotel, Local Farm, Therapist (I second that!) or Sports Bar—not to be confused with Bra. Our favorite suggestion: Best Act of Kindness—one reader noted Café Gratitude and the free meals it offered to the Santa Cruz Police Department in the aftermath of recent crimes. Perhaps some of these can be woven into next year’s ballot, so stay tuned. In the meantime, enjoy the following pages and take note of our Critics’ Picks, too, beginning on page 91. A big thanks for voting—and for reading—and an even bigger congratulations to all of the winners. Enjoy.  -Greg Archer, EditorBest of Santa Cruz County Readers’ Poll INDEX

 

Apricot Wine for Dessert

Thomas Kruse Winery, a participant in the new Santa Clara Wine Trail, has been around for a long time—since 1971, to be exact. When our little group arrived to try some wine at the Kruses’ low-key tasting room, Thomas Kruse and his wife Karen were there to greet us. Theirs is a small operation, and they’re proud to offer quality wine at affordable prices. “Because we are small and low-tech, it’s easy to relate to the whole winemaking process,” says Karen—and the Kruses take pride in making wine “just like it has been made for centuries.”