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Oct 22nd
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Music

beer STELLA


Features

Keeping Music Alive

Keeping Music Alive

Annual Sing For Your Life benefit raises funds for local music programs

It’s no secret that California’s budget crisis has had a deep impact on high school curriculum. With administrators struggling to balance their budgets, everything deemed “non-essential” has been cut—especially music. “Keeping any kind of music program going is a constant struggle for schools,” explains Beth Hollenbeck, music director at Scotts Valley High School. With minimal funding, teachers like her are often unable to afford sheet music and other necessary supplies, as well as chaperones to accompany students to competitions or concerts.

To keep music alive, The Gold Standard Barbershop Chorus—a local chapter of the nationwide Barbershop Harmony Society—has hosted “Sing For Your Life” for the past eight years. Since its inception, the annual choral concert benefit has raised more than $45,000 for local music programs.

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Love Your Local Band

Sun Hop Fat

Sun Hop Fat

The music of Sun Hop Fat is at once strange and soothing. The Oakland-by-way-of-Santa-Cruz jazz and funk ensemble employs Eastern scales that sound familiarly alien—the music you would expect to hear in an old adventure movie when the hero enters a smoky Arabic watering hole. Then again, maybe it is the soundtrack to Scooby and Shaggy skulking around some old haunted mansion: trill, snake-charmer flutes and horns that rise and fall in ominously ornate chords. Sun Hop Fat's tunes are heavily influenced by Ethiopian jazz and the music of Mulu Astatke, who championed the sound in his native Ethiopia and was instrumental in importing the music to America. Bass player and founding Sun Hop Fat member Jesse Toews (who also plays in Santa Cruz "psychedelic Motown throwdown" outfit, Harry and the Hitmen) says that he and his band were drawn to Ethiopian jazz and other East African sounds because of the "seductive" note choices and interesting polyrhythms. While the music originated from African traditions, Toews explains, "because it is so close to the Middle East, it has all these Eastern scales," which give the music a "haunting element," especially to Western ears. The spooky sounds of Ethiopian jazz, combined with the group's penchant for American funk and soul, make his band the perfect choice for Halloween night at The Crepe Place—or "Creepy Place," as Sun Hop Fat trombone player and Crepe bartender Nick Gyorkos has been known to call it.

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Features

The Swing Must Go On

The Swing Must Go On

Jazz luminary Dottie Dodgion celebrates 67 years of making music

A conversation with Dottie Dodgion is like walking into a library filled with stories about the golden era of jazz and her full and fortunate life, accented with winks and humor. At 82 years old, Dodgion continues to awe behind the drum kit that cooked up the fire and cooled off the harmony with such legendary musicians as Charles Mingus, Billy Mitchell, and Stanley Turrentine.

Born in 1929 in Brea, Calif., and raised in Woodland, near Sacramento, Dodgion’s childhood memories are seasoned with humor, adventure, and the limitless freedom that came with having a father who was a “swinging drummer.”

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Features

Movin’ On Up

Movin’ On Up

WebExclusive: ‘X Factor’ contestant and Santa Cruz local Chris Rene wows judges, advances to top 17

It’s been almost a month since 28-year-old Chris Rene brought “The X Factor” stadium audience to its feet during the TV series’ debut episode. Since that fateful performance of his original R&B/rap song, “Young Homey,” the Santa Cruz raised garbage collector and recovering drug addict has been consistently wowing the show’s judges—particularly Simon Cowell and L.A. Reid—with his onstage charisma, down-to-earth personality, and, most importantly, his voice. After performing “Everyday People” by Sly & The Family Stone for Reid and Rihanna on Sunday’s top 32 episode, Rene earned the opportunity to advance to the top 17, as part of the group set to perform live next week. Eager to enter the public-voting round of the competition, beginning Tuesday, Oct. 25, Rene took some time out of his busy schedule to chat with GT about his experience on “The X Factor,” performing in front of music superstars, how Santa Cruz has shaped him as a person, and what he plans to do if he wins.

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Features

Audacious Americana

Audacious Americana

Jeffrey Foucault talks Top Ramen living and touring 200 nights per year

I would [sooner] have a loaded gun in my home [than] a television—you can teach a kid how to use a gun but you can’t teach a kid how to use a TV,” says singer/songwriter Jeffrey Foucault when asked about the meaning behind “Last Night I Dreamed of Television,” one of the darker songs off his latest effort, Horse Latitudes. Foucault’s poetic flair and bold approach to songwriting are evident in the track’s mysteriously atmospheric chords and powerful lyrics: “Last night I dreamed of television and I wept for break of day.”

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Love Your Local Band

The Devil Himself

The Devil Himself

Five years ago, The Devil Himself got its start while playing cards. “We got formed around a poker table,” recalls guitarist/singer Dave Christensen. “We all used to play and it kept coming up in conversation that we all played different instruments. We kept saying we should jam, but our lives wouldn’t allow it. Finally it came together and we haven’t stopped playing since.” Flash forward to today, and the Santa Cruz-based alternative metal band—also featuring guitarist Dan Burnham, drummer Jason Goldberg, and bass guitarist Austin Wilhoit—has just released its fifth album and third full-length, Speak No Evil, on Oct. 8. The record is the final segment in a three-part series, also featuring See No Evil and Hear No Evil, that sounds like a thundering bastard child of Tool, with electric surges and hauntingly heavy vocals that mirror a grittier Chevelle. Frequently packing local venues with head-banging moshers, the band hopes to become the voice of a generation looking for answers to hypocrisy and freedom from despair.

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Features

Looped In

Looped In

Percussionist Nat Grant talks live looping and the local festival that gives it a voice

If you’re a live music buff, chances are you’ve seen a band or two incorporate a loop pedal. Most of the time it’s used to sustain a rhythm, or just sample some background noise, but who knew there was a whole community of musicians forming around the technology?

If anyone can speak to the beauty of the instrument and the community it has spawned, it’s Nat Grant. The Australian percussionist, who just completed her master’s degree in music performance, is one of the headliners of this year’s Y2KX+1 International Live Looping Festival—one of many annual events in town that has helped put Santa Cruz on the music map—taking place this weekend at Pearl Alley Studios in Santa Cruz.

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Features

Rising From the Ashes

Rising From the Ashes

Ryan Adams invokes the past in his latest effort, ‘Ashes & Fire’

Ryan Adams doesn’t always make it easy to be a Ryan Adams fan. After capturing indie souls with Heartbreaker in 2000, and then the world’s attention with 2001’s Gold, the 36-year-old North Carolina native has been playing Russian roulette with his musical style.

From honky-tonk, to a sci-fi metal concept album, to a few hip-hop tracks released on his website, Adams has wandered far from the alt-country genre he helped establish with his band, Whiskeytown, in the mid- to late-’90s. His prolificacy was legendary, averaging 1.3 albums a year. Then came a few books of poetry, followed by the announcement that he had sworn off touring altogether and was moving to the south of France with his new wife Mandy Moore.

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Love Your Local Band

Stan Soroken

Stan Soroken

If you’ve visited Severino’s Bar and Grill on a Thursday evening in the last decade, you know that no one pours smooth jazz from the bell of a trumpet quite like Stan Soroken. This month, Soroken joins the long list of esteemed musicians—including Velzoe Brown and Don McCaslin—to receive a Brownie Award by the Santa Cruz Jazz Society for his contributions to the local scene. It’s been a long journey for Soroken, who spent three weeks just trying to produce noise from his horn as an 8-year-old in Salinas. Eventually he found his groove with the help of Spike Jones’ tuba player and a member of the San Francisco Symphony.

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Features

The Walking Dead

The Walking Dead

Furthur guitarist John Kadlecik talks Deadheads, psychic spaceships, and rocking in the shadow of Jerry Garcia

In the film Rock Star, Mark Wahlberg sings in a tribute band—through happenstance, he eventually takes over the position of lead singer in the genuine band. Although the story is based on heavy metal mavens Judas Priest, it is also the tale of John Kadlecik. After years in Grateful Dead tribute band Dark Star Orchestra, Kadlecik got the tap on the shoulder to replace the empty Jerry Garcia spot in the newly incarnated Dead band, Furthur, featuring original members Bob Weir and Phil Lesh.

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Features

The Lone Wolf

The Lone Wolf

Radio Moscow cranks up the fuzz, channels old garage tunes

At times it is difficult to follow what Parker Griggs is saying—and not only because of the patchy cell phone reception he gets at his remote Northern California hideout.

It is entirely possible that Griggs, front man and lead songwriter for garage-psych revivalists Radio Moscow, is extremely baked as he mumbles on, sometimes inaudibly, about The Great Escape of Leslie Magnafuzz—a piping hot batch of overdriven, wah-wah-, and THC-soaked jams that his trio will kick out at the Blue Lagoon on Oct. 14.

The new record, Magnafuzz, which drops Oct. 11 on Alive Naturalsound Records, is Griggs' third such homage to the heavier sounds of the Age of Aquarius.

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Love Your Local Band

The McCoy Tyler Band

The McCoy Tyler Band

After years of playing in rock and metal bands, guitarist McCoy Tyler decided to pursue his own sound. “I had a vision in my head of something a little more roots- and acoustic-based,” he says. His new trio, The McCoy Tyler Band, is the realization of that vision. And though the project is extremely young—a mere four months—the band already has a well-developed sound, an EP called What the Mountains Have Seen, a backlog of all new material ready to take on tour, and a definite direction: keep it simple and sweet. To achieve its signature sound, the band incorporates a slightly unusual set of instrumentation for folk: a small drum set, an upright bass, a lone guitar, and subtle use of acoustic amplification. Tyler admits the instrumentation choice was difficult, but worth the challenge, “one thing that was a concern to me, [was] how to incorporate a drum kit into the style of music and songs that I was writing … but a full band has more presence, and to have an upright bass makes us feel more legit.”

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Santa Cruz Restaurant Week

A huge part of Santa Cruz Restaurant Week has always been about offering a great dining experience for an affordable price. For some locals, the $25 flat-rate cost has provided the opportunity (or the excuse!) to try new spots, and indulge in Santa Cruz fine dining in a way they might have thought too pricey before.

 

Scorpio Sun, New Moon Eclipse, Mercury Direct

The Sun enters Scorpio’s mysteries Thursday under a new moon and partial solar eclipse (something essential has come to an end, its purpose completed). In Scorpio we harbor secrets, are devoted to something deep, dark and hidden. Sometimes it’s ourselves. We can bring great suspect to our assessment of others. Scorpio is the scorpion, the serpent and the eagle—three levels of development. As the serpent we take shelter in our beliefs. Sometimes we bite (or sting). The eagle vanquishes old beliefs through its sharp intellect, soaring high in the air, seeking to understand through perspective. Understanding releases us from the bondage of fear. The eagle is like the mother soothing feelings of mistrust, offering protection. Knowledge does this, too.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Docs Without Borders

United Nations Association Film Festival showcases documentaries from around the globe
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Latest Comments

 

Back Porch

Austin Kaye on backyard dinners and why it’s his favorite time of year to be a chef

 

What’s the most outrageous situation you ever saw at a restaurant?

Damani Thomas, Santa Cruz, Chef/Owner

 

Wine Lust

The Spanish Godello grape, plus arancinis, tender butter lettuce and pork schnitzel at Soif

 

What artist or artists participating in the encore weekend of Open Studios should not be missed?

Santa Cruz | Teacher