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Oct 01st
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Music

beer STELLA


Features

By the Book

By the Book

Indie quartet Stories in Braille translates epic narratives into ambient rock

Four experimental, indie rockers of Christian faith dare you to quit judging books by their covers. Meet San Jose-based Stories in Braille: Curtis Kern (drums) and Brandon Wright (bass)—two full-time college students—Jala Tass (guitar), and college student pastor Jay Kim (vocals/lyrics/guitar). Since 2008, Stories in Braille’s page-turning tales of love, unity and valor have been articulated through meticulously crafted ambient music, into albums that are, essentially, a more entertaining version of audio books.

“That’s the idea behind the band,” says Kim. “To tell stories that people can feel.” That philosophy is reiterated on the band’s Facebook and Myspace pages, where a quote by author Jim Fiebig is prominently displayed: “There is a wonder in reading Braille that the sighted will never know: to touch words and have them touch you back.”

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Love Your Local Band

Nathan Dennen

Nathan Dennen

Like the ebb and flow of the tide, singer/songwriter Nathan Dennen keeps getting pulled back to Santa Cruz. In what he says feels like a past life, Dennen split his time between his home in Oakdale, and his grandfather’s house in Rio del Mar. Today, he lives in San Francisco, where he’s been inspired by “groovy music, with a lot more soul.” In the city, Dennen has created what he calls, a “little niche of music that I was really inspired to recreate and expand upon—taking old-timey music and giving it a modern flair.” To produce the ragtime saloon sound on his self-titled debut album, he used a piano built in the early 1900s, and even mixed the album on tape. “I would leave the little pops and buzzes in there to keep that raw sound,” he says. Focused on reviving Scott Joplin-esque northern jazz melodies first, and letting lyrics fall into place second, Dennen says he’s always surprised to get feedback from fans about his lyrics.

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Features

Southern Comfort

Southern Comfort

Mississippi-bred Paul Thorn sings of preachers, pimps, and small town America
One way to hear about the real-life effects of Capitol Hill rivalries is to read the newspaper. Or you could talk to somebody who travels to small towns for a living, entertaining the downtrodden and picking up fans along the way. Enter Paul Thorn—a Mississippi singer/songwriter who has been traversing America’s back roads for more than a decade, crafting musical stories based on the lives of the common man and pumping blood back into the heartland.

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Features

All Grown Up

All Grown Up

Indie-rap crew, Atmosphere, shows signs of evolution in sound and maturity
Upon listening to the latest effort from Minneapolis indie-rap crew Atmosphere, the word "maturity" comes to mind. And while it is arguably a fair adjective to describe the new album, The Family Sign, the group's front man, Sean Daley, doesn't like it.

"I make rap music, so 'mature' is kind of a bad word," says Daley, the MC better known as Slug. He prefers the word, “evolved.” "Ultimately, this is music for kids," he explains.

The group's sixth LP has passion, machismo and plenty of snark—only in a more grown-up kind of way. And Slug is fine with that.

"I can't freak the funk," he says. "I can't make another God Loves Ugly"—2002's ode to debauchery and depression, wherein Daley bemoans the loss of his fictional muse, Lucy Ford, while drowning in booze.

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Love Your Local Band

The Expendables

The Expendables

It’s ill-advised to get a tattoo of your lover’s name, but not the name of local reggae/ska/punk outfit, The Expendables. Despite the impermanence suggested by the moniker, many fans invested in Expendables-themed ink, long before the guys offered free tickets to the Vans Warped Tour in an online tattoo contest. Devotion to the band dates back to 1997, when guitarist Raul Bianchi, drummer Adam Patterson, bassist Ryan DeMars, and lead vocalist/guitarist Geoff Weers—now living on the same block in Pleasure Point—met in high school. Immediately, they began constructing feel-good jams about drinking (they’re sponsored by Jägermeister), smoking and partying, through optimistic and philosophical lyrics. “Positive people have a better time in life,” says Patterson. “It’s no fun being grumpy all the time. Don’t sweat the small things … there is a good side to everything, even if you don’t see it.”

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Features

A Stitch in Time

A Stitch in Time

Michael Daugherty weaves orchestral music and electric guitar in ‘Gee’s Bend’
The electric guitar is an instrument seldom heard in symphonic music, but it’s the keystone of “Gee’s Bend,” the latest musical offering from renowned Ann Arbor, Mich., composer Michael Daugherty. Electric guitar and orchestra commingle in the piece, creating a timbral and stylistic patchwork in which rock, folk and contemporary classical music converge. “Gee’s Bend” makes its west coast premiere at the Civic on Saturday, Aug. 13 as part of this year’s Cabrillo Festival of Contemporary Music.

Daugherty, a longtime festival favorite, found inspiration for the piece in the quilters of Gee’s Bend, Ala. One of the poorest areas of the south, Gee’s Bend is populated mainly by African American descendents of slaves from the Civil War era. The town’s residents are known for their innovative style of quilting, noted for its vivid colors and unusual patterns.

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Love Your Local Band

Jerry and the Silly Monsters

Jerry and the Silly Monsters

Although Juicy Fruit no longer wafts throughout the Westside, a sweetness still lingers about the Wrigley Building’s successor, The Digital Media Factory, thanks to Jerry and the Silly Monsters, and its delectable blend of bubbly, children’s pop-rock. “I’ve listened to a lot of bad children’s music over the years,” says lead vocalist/guitarist Toby Salciccia, otherwise known as “Jerry.” Desiring to change the genre’s reputation, Salciccia turned to his day job—co-manager of Happy Days Children’s Learning Center—for inspiration to create songs that are “positive and educational for kids, and fun for parents.” There, he befriended parent Craig Comstock, who introduced Salciccia to his future bandmates: bassist Ian Babcock (“Bob”) and drummer Scott McPherson (“Murray”) of Ribsy’s Nickel; McPherson’s daughter, Ashley (“Gigi” on stage); and vocalist/ukulele player Moreah Walker (“Gigi” in the studio). The result? Jerry and the Silly Monsters—a mix of clever, motivational lyrics and complex rock music. “We’re really starting to take on more of a family-like nature, now that we’ve had the opportunity to work [together] and know each other,” says Salciccia of their chemistry.

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Features

Odd Man Out

Odd Man Out

Electric guitarist D.J. Sparr mixes things up at The Cabrillo Festival
Imagine a musician showing up to a symphony rehearsal with a Marshall amplifier in tow, and an electric guitar strapped to his back—the string players brace themselves, the violist covers her ears. It’s hard to be a rocker in a classical environment—but it’s just another day in the life of D.J. Sparr.

The guitarist/composer loves a good riff, but he also has a doctorate in composition and is well-versed in symphony rehearsal etiquette. After all, no classically-trained musician wants to be blown off stage by a guy who sounds like he belongs at Lollapalooza.

From outside Chautauqua Auditorium in Boulder, Colo., Sparr reflects, “You have to know how to adjust your volume, and it sounds silly, but there aren’t many electric guitarists who could come to a symphonic rehearsal and know how to deal with that—outside a couple of guys in New York, Chicago and LA.”

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Love Your Local Band

Stryder Callison

Stryder Callison

Stryder Callison just got a new app for his iPhone. “Voice Tutor” is a vocal warm-up that helps singers like himself perfect pitch, and it’s a sign that the local rocker’s old habits—he “used to smoke cigarettes, stay up until six, and scream” the night before a show—are long gone. He’s finally taking himself seriously. After recording his first solo album, Years in the Making, Callison learned first hand what happens when you push your voice to its limit. “The more you abuse your vocal cords, it creates a little red bump,” he says. “When you sing or even talk, your vocal cords won't vibrate at the right speed.” Callison's late night jam sessions earned him a vocal polyp—a swollen growth on one of  his vocal cords—that Whitney Houston and Julie Andrews can sympathize with. Over the following year, Callison began repairing his voice by allowing himself to speak for only one minute every hour.

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Features

Black and Blue

Black and Blue

Regardless of life’s punches, Jesse Sykes stays committed to the music
For Jesse Sykes, a Sunday morning in Seattle is a walk in the park—more like the woods, actually. Once she returns home though, reality sets in for the 44-year-old vocalist/guitarist, and she’s faced with the question that has plagued her for the last three years: “How can you understand life, if you haven’t addressed death?”

The question stems from both the blissful and detrimental events that have come to define her Seattle-based band, Jesse Sykes and The Sweet Hereafter, during the extended recording period of their fourth LP, Marble Son, which began in September 2009. “We took our time because we didn’t even know if there would be an outcome,” says Sykes.

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Features

Blast from the ’90s

Blast from the ’90s

ONLINE EXCLUSIVE
Gin Blossoms guitarist, Jesse Valenzuela, talks cake, rituals and ESP

Their chart-topping hits “Hey Jealousy” and “Follow You Down” were the soundtrack to the ’90s, and this week, Gin Blossoms is headlining a free concert at The Boardwalk on Friday, August 5. On the eve of their performance, GT spoke with Jesse Valenzuela, guitarist for the Arizona-based rock outfit, about the band’s latest album, gridlock on the 405 freeway, chocolate cake, pre-show rituals, psychic powers, and more …

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Features

Finding Nirvana

Finding Nirvana

Composer Paul Dooley finds inspiration in film, math and grunge rock

When he was only 12, Paul Dooley felt transformed after watching Shine, an Australian film starring Oscar winner Geoffrey Rush, who plays a gifted but mentally mad pianist. Once the credits rolled, Dooley took to the piano, but instead of losing his mind, he found musical enlightenment by combining his two loves: classical music and raw, Seattle grunge sound.

“I taught myself how to play music by playing pieces by other people, and then changing them to make them my own—I improvised a lot,” recalls the 27-year-old composer and percussionist. He remembers his early piano days being jam-packed with countless renditions of Nirvana’s 1991 release Nevermind, particularly the song “Come As You Are.”

Dooley’s appreciation of both the classical and alternative rock genres sparked an unwavering interest in composition.

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On the Waterfront

As the wharf celebrates its centennial, a personal reflection on its essential place in Santa Cruz’s history

 

Rosh Hashanah

Rosh Hashanah, the Jewish New Year, occurs this year during Libra, the sign of creating right relations with all aspects life and with earth’s kingdoms. We contemplate (the Libra meditation) forgiveness, which means, “to give for another.” Forgiveness is not pardon. It’s a sacrifice (fire in the heart, giving from the heart). Forgiveness is giving up for the good of the other. This is the law of evolution (the path of return).

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of September 26

Santa Cruz area movie theaters >
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Melinda’s

New Capitola bakery takes gluten-free goods to the next level

 

Do you think you are addicted to technology?

Santa Cruz  |  Unemployed

 

Best of Santa Cruz County

The 2013 Santa Cruz County Readers' Poll and Critics’ Picks It’s our biggest issue of the year, and in it, your votes—more than 6,500 of them—determined the winners of The Best of Santa Cruz County Readers’ Poll. New to the long list of local restaurants, shops and other notables that captured your interest: Best Beer Selection, Best Locally Owned Business, Best Customer Service and Best Marijuana Dispensary. In the meantime, many readers were ever so chatty online about potential new categories. Some of the suggestions that stood out: Best Teen Program and Best Web Design/Designer. But what about: Dog Park, Church, Hotel, Local Farm, Therapist (I second that!) or Sports Bar—not to be confused with Bra. Our favorite suggestion: Best Act of Kindness—one reader noted Café Gratitude and the free meals it offered to the Santa Cruz Police Department in the aftermath of recent crimes. Perhaps some of these can be woven into next year’s ballot, so stay tuned. In the meantime, enjoy the following pages and take note of our Critics’ Picks, too, beginning on page 91. A big thanks for voting—and for reading—and an even bigger congratulations to all of the winners. Enjoy.  -Greg Archer, EditorBest of Santa Cruz County Readers’ Poll INDEX

 

Apricot Wine for Dessert

Thomas Kruse Winery, a participant in the new Santa Clara Wine Trail, has been around for a long time—since 1971, to be exact. When our little group arrived to try some wine at the Kruses’ low-key tasting room, Thomas Kruse and his wife Karen were there to greet us. Theirs is a small operation, and they’re proud to offer quality wine at affordable prices. “Because we are small and low-tech, it’s easy to relate to the whole winemaking process,” says Karen—and the Kruses take pride in making wine “just like it has been made for centuries.”