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Nov 23rd
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Music

bud Shocktop


Features

Mr. Granger’s Opus

Mr. Granger’s Opus

Maestro John Larry Granger bids a fond farewell to the symphony

The Santa Cruz County Symphony’s 2011/2012 season will be one to remember—and not just for its inclusion of masterful works by Brahms, Mendelssohn, Beethoven and Tchaikovsky. It also happens to be the farewell season for Maestro John Larry Granger, who has served as the Symphony’s conductor and music director for the past two decades.

“It’s been a great joy and privilege to be the music director, but I felt that I wanted to retire like Johnny Carson did, rather than Hosni Mubarak,” the conductor jokes. “I didn’t want to stay too long.”

Though he’s retiring as conductor at the end of the season, Granger will stay on as music director for an additional season to help with auxiliary SCCS programs, such as youth concerts and pop concerts. He also plans to assist with the process of selecting his successor.

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Love Your Local Band

Eliquate

Eliquate

Elliot Wright, the mastermind behind local hip-hop outfit Eliquate, has discovered that a live performance becomes especially explosive when combined with the lyrical swagger of sharp rhymes. What started out as a two-man operation—himself and producer/guitarist Jamie Schnetzler—evolved into something greater after the pair ran into technical difficulties at a show. With a broken iPod and no song to play over, Wright, “basically turned to the guys, and said, ‘play a groove in [the key of] G.’” Schnetzler and two sit-in musicians ended up improvising the rest of the show, giving Wright the opportunity to freestyle all night. He had the time of his life, and has been liberated from the shackles of digital beats ever since—fans have been responding too, with crowds multiplying since the group became a five-man band.

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Features

The Sonny Side of Life

The Sonny Side of Life

Sonny Rollins resurrects the golden era of jazz at the 54th Monterey Jazz Festival

There are music fans that travel the globe like surfers looking for the perfect wave, and this year at the Monterey Jazz Festival there is depth, height and a wide selection of acts to please the most ardent jazz aficionado, or those just looking for a fun ride. Now in its 54th year and located on the Monterey Fairgrounds, this is one festival that provides entertainment for all levels of listeners: discussions of jazz in film with Clint Eastwood, a tribute to soul music with Huey Lewis and the News, a peek into the funkified world of Herbie Hancock, plus Terence Blanchard in a tribute to Miles Davis, to name a few.

A Grounds Pass will get you the Motown groove of Mitch Woods and his Rocket 88’s, the New Orleans sounds of Ivan Neville’s Dumpstaphunk, and The Soul Rebels Brass Band—or you can upgrade to an Arena Pass to catch the bigger names like Huey, Herbie and India.Arie. All will enjoy tasty food and artistry at vendor booths, but be warned, once you leave your patch of grass, navigating back through the crowds will be a challenge.

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Features

Texas Mojo

Texas Mojo

Tales of top hats, medicine men and synchronicity from The Band of Heathens

Gordy Quist is praying for a Texas flood. “It’s an outdoor gig here in Austin, and it’s like 110 degrees!” laments the singer-songwriter/guitarist. It seems Quist has just finished up a soundcheck for a hometown show with his quintet, The Band of Heathens.

The Heathens are set to appear at Kuumbwa Jazz on Saturday, Sept. 17 in support of their new Americana album, Top Hat Crown & the Clapmaster’s Son. While still peppered with the influences of bands like The Grateful Dead, The Band and The Black Crowes, the disc places a little more emphasis on the blues and R&B, than the group’s previous efforts.

Hold on … Top Hat and the who?
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Love Your Local Band

Taylor Rae

Taylor Rae

In June next year, after the San Lorenzo Valley High School graduates toss their caps, 17-year-old Taylor Rae Vencill will head for the stars—on Hollywood Boulevard, that is. But Vencill doesn’t aspire to be the next Julia Roberts, rather she hopes to end up .2 miles east of Grauman’s Chinese Theater at Musicians Institute, the college of contemporary music that birthed Jeff Buckley and Weezer bassist, Scott G. Shriner. There, the Ben Lomond singer-songwriter—who has taken vocal lessons since age 8 and taught herself guitar at 12—hopes to become immersed in music. “It’s something I have to do,” Vencill says of songwriting. “I don’t feel good until it’s done.” Inspired by nature and Santa Cruz’s residents, Vencill writes mature songs for her age—lyrics off her self-titled album, like “Will you ever come back around and tell me the truth, because falling in love with thin air isn’t so hard to do,” prove she’s well beyond her years. Asked about her songwriting process, Vencill explains, “I get into a zone, almost like a coma, and then when I come out of it, I can’t believe I came up with it.”

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Features

Six String Sting

Six String Sting

WebExclusive: Pacific Grove guitar maven brings finger-picking magic to The Crepe

“I guess I always loved music my entire life,” says guitarist Sean Smith, recalling the Fisher-Price toy music kit he had as a toddler, which had horns, whistles, tambourines and drums. “There is this picture of me freaking out over it. Music has always been a huge part of my life, from before I can remember.”

After playing in rock bands growing up, doing the solo acoustic bit in his early 20s, and playing for influential San Francisco indie rockers Citay, Smith left to pursue the “doom metal, Krautrock, dark folk” style found on his latest record, Huge Fluid Freedom, which dropped Aug. 30.

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Features

Forever Young

Forever Young

The 56th annual Santa Cruz Follies proves that age is just a number

When third generation Santa Cruzan Jim Idleman steps onstage, Jim Idleman no longer exists. In his place stands a tattered Fred Astaire from the 1948 musical film, Easter Parade. At his side, Barbara Wright stands tall, with the grace of Judy Garland. Together, the two perform “A Couple of Swells,” one of several songs that will anchor the 56th annual Santa Cruz Follies, kicking off Sept. 14 at The Civic Auditorium.

“We tried to get this [piece] as authentic as we can,” says Idleman. “We are actually characters in those costumes—we become somebody other than who we are.”

Offering an escape for locals age 50 and up since 1955, the musical revue—a fundraiser for Senior Citizens Opportunities, Inc. (SCO), produced by The Market Street Theatre—gives 40 people the opportunity to showcase their talents in front of a live audience.

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Love Your Local Band

The Chop Tops

The Chop Tops

Santa Cruz psychobilly veterans The Chop Tops are in the midst of an insane 10,000 mile tour—35 shows across 20 states, in just five weeks. Having survived the East Coast earthquake, the band now finds itself driving into the keister of one of the biggest hurricanes in recent memory, Irene. Putting the “psycho” in rockabilly is nothing new for these road warriors who eschew the corporate model of rock and roll and live every day grateful for the opportunity to be independent working musicians. Stand-up guy and drummer (a la Slim Jim Phantom of The Stray Cats) Sinner started the band 16 years ago and is currently enjoying his eleventh U.S. tour.

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Features

In their Footsteps

In their Footsteps

Zimbabwean ensemble Mbira dzeMuninga honors the past, inspires the future

Remember concerts before artists teamed up with Ticketmaster and Live Nation? Mbira dzeMuninga sure does. Band members of the Zimbabwean ensemble recreate the mbira and hosho-laden music of their Shona ancestors: inhabitants of southern Mozambique and northeastern Botswana, who once performed in the most intimate and dimly lit of venues—caves.

Although no longer performing “in the cave,” as the second half of their name, “dzeMuninga,” suggests—the well-sought-after act journeyed as far as Oregon, for the 2011 Zimbabwean Music Festival, Zimfest, in August—the five gwenyambiras, or “master mbira players,” make their own instruments, wear clothes made of cheetah, goat, and cow skins combined with buckskin leather, and mesmerize audiences with their musical narratives, inspired by the experiences of their ancestors.

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Features

Little Dualities

Little Dualities

Sweden’s Little Dragon spreads its wings

During the latter stages of August, Little Dragon suffered through the kind of routing that would make even the most grizzled tour veteran groan. Playing a few record release shows in support of the brand-spanking-new Ritual Union, the Swedish foursome—coming to Big Sur’s Henry Miller Library on Tuesday, Sept. 6—made stops in Los Angeles, Brooklyn and Belgium over the span of four days.

“It was very tight scheduling, but it was also very inspiring,” says drummer Erik Bodin.

“Those shows were really for the fans,” breaks in singer Yukimi Nagano. “The tickets were really cheap, and the fans were really up for it.”

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Love Your Local Band

The Best Friends

The Best Friends

“Who threw away a perfectly good white boy?!” screams a rowdy passerby on Haight Street in San Francisco, addressing The Best Friends vocalist/guitarist, Aiden Ward. Ward yells back for a high-five. Having chopped off his shoulder-length blond locks, Ward does seem clean-cut now, but don't let his ’do fool you. Fans fall for The Best Friends’ melodic dance funk with every shout: “booty scones,” “give me back my grandma!,” “I need another drink,” and “wahahaha,” are just a few of the lyrics chanted during their concerts. Bassist Derek Burte compares the spectacle to their banner: “We have a big sign. It's been caught in the rain, run over a few times. It says The Best Friends, with two dinosaurs high-five-ing.” Sometimes on stage, when they play their song “Dinosaurs,” keyboardist Benjamin Einstein and Ward “have a dinosaur battle,” says Ward. “I imagine myself as a T-Rex,” Ward admits. “I'm more of a Velociraptor,” counters Einstein.

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Features

Living in the Shadow

Living in the Shadow

Picture Atlantic tosses ‘that band that opened for Coldplay’ title, forges own path
When asked about the time his band opened for Coldplay, Nikolaus Bartunek deflects the question with a languid, matter-of-fact, “We won this contest,” then adds, “We were one of three final contestants, and Coldplay chose us.”

Nothing more. Nothing less.

Bartunek isn’t too-cool-for-school, or feigning humility. The singer and songwriter for Picture Atlantic, a San Jose-based alt-rock outfit, is concerned that he and his band are living in the shadow of the gig.

“It was a show,” Bartunek says of the 2008 performance at the HP Pavilion in San Jose. “At the time that it happened, it was great. I'm really glad we got to play it.” Then again, he worries that when his band's name is mentioned at a party, or in a bar or coffee shop, they will simply be that band that opened for Coldplay.

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Pop Life

The pop-up dining trend is freeing culinary imaginations and creating a guerilla version of event dining around Santa Cruz

 

Over Hills and Plains, Riding a White Horse, Bow and Arrows in Hand

Saturday, early morning, the sun enters and radiates the light of Sagittarius. Three hours later, the Sagittarius new moon (0.07 degrees) occurs. “Let food be sought,” is the personality-building keynote. “Food” means experiences; all kinds, levels and types. It also means real food. Sag’s secret is their love of food. Many, if not musicians, are chefs. Some are both. The energies shift from Scorpio’s deep and transformative waters to the “hills and plains of Sagittarius.” Sag is the rider on a white horse, eyes focused on the mountain peaks of Capricorn (Initiation) ahead. Like Scorpio, Sagittarius is also the “disciple.” Adventure, luck, optimism, joy and the beginnings of gratitude are the hallmarks of Sagittarius. Sag is also one of the signs of silence. The battle lines were drawn in Libra and we were asked to choose where we stood. The Nine Tests were given in Scorpio and we emerged “warriors triumphant.” Now in Sag, we are to be the One-Pointed Disciple, riding over the plains on a white horse, bow and arrows in hand, eyes focused on the Path of Return ahead. Sagittarians are one-pointed (symbol of the arrow). Sag asks, “What is my life’s purpose?” This is their quest, from valleys, plains, meadows and hills, eyes aimed always at the mountaintop. Sag emerges from Scorpio’s deep waters, conflict and tests into the open air. Sag’s quest is humanity’s quest. Sag’s quest, however, is always accompanied by music and good food.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of November 21

Santa Cruz area movie theaters >
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