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May 03rd
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Love Your Local Band

Malima Kone

Malima Kone

At age 5, Salifou Kone’s grandfather gave him the nickname “Malima,” meaning “the way it is.” Twenty three years later, the nickname has taken on new meaning as the West African-born musician writes songs that tell stories of orphans, peace, love, humanity, daily life, and experiences in his homeland. “I write about what I see,” he explains.

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Features

Forward Ever, Backwards Never

Forward Ever, Backwards Never

D.C.-based SOJA lifts roots reggae to new heights

Reggae music has found itself a new beacon of hope, justice, and equal rights in Washington D.C.-based outfit SOJA (Soldiers of Jah Army). The group, whose humble beginnings can be traced back to high school talent shows, now sells out venues with its conscious lyrics and feel-good rhythms.

For lead singer and guitarist Jacob Hemphill, music has always been at the source of his being.

“I’ve been singing songs since I was 5 years old,” he says. “It’s just always been there, since before I could talk even.”

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Love Your Local Band

Mr Free

Mr Free

Geoff Gary, known to most by his stage name, Mr Free, has lived everywhere from Cairo to Tokyo and held many diverse jobs along the way—one valet job at a Kauai hotel even led him to freestyle rap for the rock band Creed. “They came to stay at the hotel and we ended up kickin’ it,” remembers Free. “One thing led to another, and I rhymed for them.” Free, who first began dabbling in hip-hop during his time at the University of Maine, was moved by the band’s response to his lyrics. “I never really took it too seriously until I met Creed,” he says. “They even said to me, before they even heard my music, ‘Do you do anything musical? Because you have the presence of a star.’ … That’s what got me started—kind of this belief in me that transcended my own belief.” Following their serendipitous meeting, Creed’s lead vocalist/lyricist, Scott Stapp, took Free under his wing—a mentorship that would eventually lead to Free opening for Creed and rapper Common on tour. Currently based in Santa Cruz, Free’s energetic reggae-infused tracks are reminiscent of the boom bap-style prevalent in East Coast hip-hop, which is characterized by a hard bass drum and snapping snare. Thought-provoking lyrical content is the foundation for his danceable hits, like “Not Guilty” off his latest album, Edge. In the song, Free puts the planet on trial, and everyone—from Bob Marley to Gandhi—comes to testify. While he acknowledges that dirty club bangers are often the big money-makers, Free favors quality over quantity. “As a writer, there’s times when I’m listening to a beat and I’m like, I could easily make a raunchy song to this,” he explains, “but no, let me choose a different path and really stand firm and say something.”

 INFO: 8 p.m. Thursday, Mar. 8. The Crow's Nest, 2218 E. Cliff Drive, Santa Cruz. $5. 476-4560.

Features

It’s (Not) Always Sunny

It’s (Not) Always Sunny

Colorado band, Bad Weather California, embraces chaos, crafts accidental rock masterpieces

"I died once," Chris Adolf says matter of factly. It was the winter of 1999 as best he can recall. While winding down Highway 65 from Mesa, Colo. on the way to Grand Junction, the driver of the Jeep Cherokee he was in overcorrected and sent the vehicle rolling. He flew out of the sunroof and landed 30 feet from the vehicle, airways clogged with mud and snow, his face mangled, struggling to escape the clutch of death that ultimately came, if only fleetingly.

Adolf, lead singer and songwriter for the Denver-based band Bad Weather California, can hardly recall what happened next. Apparently, a team of ski patrol medics and vacationing doctors came upon the accident and kept him alive until the helicopter lifted him from the cold, icy road.

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Features

Homeward Bound

Homeward Bound

Girls’ J.R. White talks about his formative years in Santa Cruz

s with any artistically inclined town, the music venues in Santa Cruz are of a cyclical nature, spaces opening and closing, scenes and genres moving from one locale to another. But aside from its annual New Year’s Eve galas, the Cocoanut Grove—a local institution of 105 years—has stood outside it all, reveling in the quiet dignity of its big band and swing roots of the ’30s and ’40s.

That’s all about to change—and there couldn’t be a more appropriate act to usher in a new era for the venue than Girls, an indie rock band clearly harkening back to an older one. The duo, made up of singer/guitarist Christopher Owens and bassist Chet “J.R.” White, leans toward Buddy Holly sensibilities (if Buddy Holly used opiates as a creative catalyst), and will bring the time warp with it when it visits the venue on March 1.

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Love Your Local Band

The Joni Show

The Joni Show

For Jayme Kelly Curtis, the inspiration for “The Joni Show”—a Joni Mitchell tribute concert at Kuumbwa Jazz on March 3—reaches back to Curtis’ girlhood in an artist colony on Cape Cod. The Felton-based singer-songwriter remembers herself as a 15-year-old putting on headphones with one of Mitchell’s double records open on her lap, and reading along with the hand-written lyrics. “Directly connecting the eye and the ears to the brain in an intimate, closed-in experience like that—it was just a magical refuge to be with her,” she says. Mitchell continues to affect Curtis’s life today. “There’s not a day that goes by that I’m in a conversation or dealing with some situation that one of her lyrics doesn’t pop into my head,” says Curtis. An accomplished musician in her own right with three albums, including 2008’s Mid Life Chrysalis, Curtis hopes to share that “magical refuge” with the community with the help of 19 local musicians.

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Features

Synthetic Soul

Synthetic Soul

Denver disco and electro-funk trio Juno What?! will move you

When Joey Porter sings onstage, it’s easy to get distracted by the giant straw that stretches from his mouth all the way down to the effects pedal sitting beside his vintage keyboard, a 1982 Roland Juno-106. Porter—one-third of the far-out funk collective from Denver, Colo., known as Juno What?!—isn’t sipping on anything but his own feel-good lyrics, voiced like a robot thanks to this ingenious and manipulative contraption: the talk box.

“I’ve been using the talk box for 20 years,” says Porter, a Tennessee native. “I really like soulful music, but I don’t have a soulful singing voice. A white boy in Nashville turns funk musician … doesn’t make sense to me either.”

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Features

The Power of Positive Thinking

The Power of Positive Thinking

Ladysmith Black Mambazo’s Albert Mazibuko opens up

More than 40 years ago, Joseph Shabalala had a series of dreams that manifested in the path and sound of his choral group Ladysmith Black Mambazo. Incredibly, Shabalala’s vision of a 10- to 30-member a cappella group that tours the globe singing dreamy harmonies and uniting people of all ages and backgrounds came to fruition. Now, Ladysmith is internationally recognized as the world’s foremost ambassadors of South African music, and along for the entire ride has been Albert Mazibuko.

Since the group’s inception in 1960, Mazibuko has been a core member. It took 20 years of playing before Ladysmith’s first album went gold, and 30 years before Paul Simon helped make the band a household name with Graceland. More amazing than the incredible obstacles the band has overcome or its mind-blowing musical offering, is how mellow Mazibuko is.

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Love Your Local Band

New World Ape

New World Ape

Cole Berry currently serves as world-fusion/funk band New World Ape’s percussion virtuoso, but if his passion for their eclectic brand of music ever wanes, he’s got other plans. “If I wasn’t in this band right now, I’d probably just be in the Andes,” he admits. Fortunately, it’s that immutable wanderlust that feeds his band’s musical fire. The core five of the seven- to eight-piece ensemble met while studying at UC Santa Cruz. In 2009, a year after graduating, Berry was contacted by drummer Beaumont Bradbury. “I was actually in La Paz, Bolivia, recovering from some intestinal issues,” recalls Berry, “and I got this email from him saying he wanted to kind of put together this serious progressive dance band, and I said yeah, count me in.”

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Features

Attack of the Gypsies

Attack of the Gypsies

Diego’s Umbrella brings the heat—sometimes naked

If you mixed a gallon of coffee with a ball of fire and a fifth of tequila and slammed the whole thing in one gulp, you’d have one hell of a night—but if you prefer a blown mind to a ruptured stomach, you should see Diego’s Umbrella instead. They seem to have a similar effect on fans.

 “[It’s funny to see] people’s reactions to the show,” says Tyson Maulhardt, one of the band’s guitarists. “They lose control of their limbs sometimes and kind of flail around. Even when we’re playing for people who’ve never heard us before, by the end they’re definitely dancing and having a great time. I don’t think we’ve ever met an audience that wasn’t there with us by the end.”

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Features

From Angels to Skeletons

From Angels to Skeletons

JGB frontman Melvin Seals discusses his gospel roots, and the memory of Jerry Garcia

Born into a sheltered life of church and gospel in Berkeley, Calif., soulful organist Melvin Seals seemed like a promising candidate to back up the likes of Stanley Cooke or Aretha Franklin. It’s funny how life throws curve balls at you.

Seals would eventually tour and record with Jerry Garcia, frontman of the Grateful Dead, for 15 years until Garcia’s untimely passing in 1995. Since then, Seals has worked diligently to honor the memory and music of his dear friend with the help of the JGB.

Though Seals was surrounded by hippies, living in San Francisco during the 1960s, he maintained his musical roots.

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Love Your Local Band

Boostive

Boostive

A few weeks ago, seven experimental trip-hoppers could be seen walking the streets of Market and 6th in San Francisco. Sage, the producer, bassist, and founder of this all-male collective of students, called Boostive, refers to that area as “the ghetto” and “the crack block.” But beneath the tough exterior is the group’s studio. For Sage, the streets provide “that vibe of being real—that whole vibe is going to be in our album just from recording there.” Their self-titled EP marks the debut of Sage’s collaboration with several friends: Dylan Webber (guitar), Nathan Kocivar (saxophone, keys), Andrew Hawes (drums), Mulligan B (engineer, guitar), Travis Gibbs (trombone), and Al Bundi (MC). “We use a lot of vinyl chops to get our sound and overdub some real instruments and drums,” says Sage. “The vinyl [is] for old school sound [such as] ’90s hip-hop. You can hear the crackle of the records in our recordings …

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Mountain Mystic

When Cora Evans died in Boulder Creek in 1957, her thousands of pages of religious writings hadn’t yet been published. More than a half a century later, Evans’ fiery visions and spiritual devotion have inspired a crusade within Catholicism to make her the Santa Cruz Mountains’ first saint

 

Wesak (Water) Taurus Solar Festival, Buddha Blesses the Earth

A most important celebration occurs Sunday, May 3—the Wesak Taurus Buddha Solar Festival/full moon. At the moment of the full moon the Buddha’s presence enters the Earth plane for eight minutes. He brings the Will-to-Good from the Father, which, when reaching humanity becomes goodwill (Mother Principle). Held yearly in a valley hidden deep within the Himalayas, the Wesak festival is prepared for for months in advance (beginning at Winter Solstice). On festival day, amidst pilgrims, disciples and Holy Ones gathered in the valley, the Buddha is invoked through movement, symbols and mantrams. At the moment of the full moon, hearing the words, “We are ready, Buddha, come,” the Lord of Illumination (brother of the Christ) appears in the clouds above the altar to emanate forth the will and purpose of God to earth. The blessing of the father is then held in safekeeping for distribution at the June full moon Goodwill Festival. The day of Wesak (May 3, 8:42 p.m. West Coast) all disciples (east and west) place crystal vessels filled with pure water outside (in gardens, on rooftops, porches and steps) under the heavens. As the Buddha blesses the world, all waters, including waters within our bodies, are blessed. The Buddha is accompanied by the Forces of Enlightenment to illuminate humanity’s minds. Humanity then begins to express new constructive, productive and beneficial ways of the Art of Livingness. Wesak covers five days—two days (before) of dedicated preparation, the actual festival “Day of Safeguarding,” and two days (after) distributing goodwill (the NGWS to humanity). Join us in the Valley by reciting the Great Invocation, mantra of direction for humanity.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of May 1

Santa Cruz area movie theaters >
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Hole in the Wall

Popular Aptos spot opens for dinner

 

How do you connect with the natural world?

My connection to the natural world is through my art. I totally feel it there very physically in nature and even right here on the street. Jonathan Rosen, Felton, Pastor

 

Hess Collection Winery

My friend Emma from London came to visit for a few days in early March, so I took her wine tasting in the Santa Cruz Mountains—a rare treat for her, as there aren’t too many vineyards in the middle of London. Her visit reminded me how fortunate we are to live in this paradise of ultra-fresh produce, with grapes growing in wild profusion.

 

Springtime Walkabout

May Day Flower Festival, free tours of the UCSC Farm, and a nondairy chocolate indulgence