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Oct 21st
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beer STELLA


Love Your Local Band

Stryder Callison

Stryder Callison

Stryder Callison just got a new app for his iPhone. “Voice Tutor” is a vocal warm-up that helps singers like himself perfect pitch, and it’s a sign that the local rocker’s old habits—he “used to smoke cigarettes, stay up until six, and scream” the night before a show—are long gone. He’s finally taking himself seriously. After recording his first solo album, Years in the Making, Callison learned first hand what happens when you push your voice to its limit. “The more you abuse your vocal cords, it creates a little red bump,” he says. “When you sing or even talk, your vocal cords won't vibrate at the right speed.” Callison's late night jam sessions earned him a vocal polyp—a swollen growth on one of  his vocal cords—that Whitney Houston and Julie Andrews can sympathize with. Over the following year, Callison began repairing his voice by allowing himself to speak for only one minute every hour.

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Features

Black and Blue

Black and Blue

Regardless of life’s punches, Jesse Sykes stays committed to the music
For Jesse Sykes, a Sunday morning in Seattle is a walk in the park—more like the woods, actually. Once she returns home though, reality sets in for the 44-year-old vocalist/guitarist, and she’s faced with the question that has plagued her for the last three years: “How can you understand life, if you haven’t addressed death?”

The question stems from both the blissful and detrimental events that have come to define her Seattle-based band, Jesse Sykes and The Sweet Hereafter, during the extended recording period of their fourth LP, Marble Son, which began in September 2009. “We took our time because we didn’t even know if there would be an outcome,” says Sykes.

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Features

Blast from the ’90s

Blast from the ’90s

ONLINE EXCLUSIVE
Gin Blossoms guitarist, Jesse Valenzuela, talks cake, rituals and ESP

Their chart-topping hits “Hey Jealousy” and “Follow You Down” were the soundtrack to the ’90s, and this week, Gin Blossoms is headlining a free concert at The Boardwalk on Friday, August 5. On the eve of their performance, GT spoke with Jesse Valenzuela, guitarist for the Arizona-based rock outfit, about the band’s latest album, gridlock on the 405 freeway, chocolate cake, pre-show rituals, psychic powers, and more …

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Features

Finding Nirvana

Finding Nirvana

Composer Paul Dooley finds inspiration in film, math and grunge rock

When he was only 12, Paul Dooley felt transformed after watching Shine, an Australian film starring Oscar winner Geoffrey Rush, who plays a gifted but mentally mad pianist. Once the credits rolled, Dooley took to the piano, but instead of losing his mind, he found musical enlightenment by combining his two loves: classical music and raw, Seattle grunge sound.

“I taught myself how to play music by playing pieces by other people, and then changing them to make them my own—I improvised a lot,” recalls the 27-year-old composer and percussionist. He remembers his early piano days being jam-packed with countless renditions of Nirvana’s 1991 release Nevermind, particularly the song “Come As You Are.”

Dooley’s appreciation of both the classical and alternative rock genres sparked an unwavering interest in composition.

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Love Your Local Band

Ashwin Batish

Ashwin Batish

Ashwin Batish breathes sitar. He wakes up every morning, puts on his shirt, then grabs his eastern axe. Bringing his self-coined musical fusion, Sitar Power, to Don Quixote's this Sunday, Batish says he is excited to connect with the audience: “I think it’s the sharing of an experience. And there’s a lot of people, I believe, that live for that. Sharing an experience is seriously like bonding.” The Batish family is big on bonding. When he started playing music at 14, he would break from his sitar studies to sing along to Beatles records with his sister. Meanwhile, his father, S.D. Batish, was actually hanging out with the Fab Four in London, giving them sitar lessons. His father was later offered a teaching job in Santa Cruz, and the family quickly made it their home. In the ’70s, Batish and his father would play at their family's restaurant every night, in the same way that he and his son, tabla player Keshav, perform together today.

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Features

Rock the Vote

Rock the Vote

Local musicians vie for the 3rd annual Teen Battle of the Bands title
When teen librarian Matt Lorenzo realized in 2009 that many of his friends at the Branciforte Library played music together, he decided they needed a place to showcase their talent. After asking the library for sponsorship, Lorenzo created a Myspace page to generate interest, asked local businesses to donate recording time and music equipment for prizes, then found merchants to donate to a raffle—soon, the Santa Cruz Public Library Teen Battle of the Bands was born.

Flash forward two years and the battle is still going strong, with attendance skyrocketing from 300 spectators during its pilot year, to 700 in 2010. This year’s battle goes down on July 23, at the City of Santa Cruz parking lot, next to the Central Library, and will be judged by local musicians, Stormy Strong and Alan Heit of the White Album Ensemble, plus Spilly Chili from Community TV.

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Love Your Local Band

The Coffis Brothers & The Mountain Men

The Coffis Brothers & The Mountain Men

For Ben Lomond brothers Jamie and Kellen Coffis—the former, a 25-year-old keyboardist and singer, and the latter, a 21 year-old vocalist, guitarist and harmonica player—it’s not a matter of what life has to offer, but when they’ll get it. On “Love On My Side,” off of their debut album, they wonder, if “life is really just a battle with time, and I’m sick and tired of waiting in line, when will that arrow point at me?” Turns out they don’t need Cupid’s assistance, since locals have fallen fast for these budding folk rockers. The Coffis Brothers & The Mountain Men was released on June 17, after four days in Gadgetbox Recording Studio, with the help of producer Andy Zenczak and friends, The Mountain Men: bassist Mason Hutchinson, drummer Henry Chadwick, and guitarist Kyle Poppen. “We are all more than satisfied with the results because there is a nice mix of impatience and spontaneity on the record, which gives it a kind of personality,” says Jamie.

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Features

The Changing Landscape

The Changing Landscape

Sleepy Sun talks touring Europe, and staying true to your roots
A cross-country road trip is the closest I’ll ever get to understanding the grueling life of touring in a band like Sleepy Sun. As it happens, I’m riding shotgun in a car headed westward and marveling at the flat landscape near the Nebraska border.

“I like the U.S. because the landscape changes so much,” says Bret Constantino, singer of the Santa Cruz-born psychedelic five-piece, coming to Don Quixote’s on Wednesday. “You have the desert, you have the mountains, you have the South and humid swamps, big cities—seeing the U.S. feels more like an intense, epic journey.”

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Features

Jingle Boy Rock

Jingle Boy Rock

Christmas comes early when The Yule Logs hit Crepe Place
It turns out the North Pole is a whole lot closer than you think. In a humble cottage in Chico, referred to as “The Yule Lodge,” four loyal elves spread Christmas cheer year-round through song. And this week, the pop-rock outfit, led by frontman Marty Parker, brings glad tidings to The Crepe Place.

Decking the halls has been The Yule Logs’ M.O. since 2005, when Parker befriended Chico State alumnus and drummer Jake Sprecher. Soon, two more Chico State alumni, bassist Kirt Lind and guitarist Maurice Spencer, joined, sharing what Sprecher refers to as Parker’s “bizarre affinity for the holiday spirit.”

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Love Your Local Band

Yuji Tojo

Yuji Tojo

As a young man in Tokyo, guitar master Yuji Tojo’s life was filled with non-stop touring and too many Japanese talk show appearances to count. “Everything became too much,” says Tojo. So, he went to India on a spiritual journey. Upon his return, the musician began playing in a new way. Tojo describes his newfound spiritual sound as, “a really magical thing. It can have a healing energy too. I always write or play with energy and love and peace. I try to make people happy—it's my destination.” It seems he's finally reached that destination in our beach town, where he moved in the late ’70s. Playing bi-weekly at The Crow's Nest and monthly at Paradise Beach Grille, the self-proclaimed “Nice Guy from the East” is content to groove with the locals. Performing covers of artists like Ben Harper in his own style, jamming to reggae and flamenco guitar, Tojo’s music is ever-evolving. “I have a lot of influences from traditional Japanese music, to Indian music, European music and American music,” he says. During his live shows, his eccentric guitar work—tapping, slapping, harmonics, and somersaults on the guitar (he often plays behind his back and upside down)—adds to the fun, and contrasts with looped rhythmical patterns.

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Love Your Local Band

The Juncos

The Juncos

There’s a homegrown sensibility about The Juncos. Perhaps it’s their name—a little local bird that’s busy, territorial, not particularly shy, but also not well known. Or perhaps it’s the resonant chord that strikes deep within the band: no matter what befalls the world at large, The Juncos will keep playing. Spearheaded by locals Josh Lowe (banjo, guitar and vocals) and Jeff Kissell (double bass and vocals), The Juncos are the assimilation of indie roots, Americana, old jazz standards, jug band, honky-tonk, bluegrass, field hollers, and the occasional Pogues tune. Gathered around a wooden table, cluttered with tattooed forearms and beer, at one of their favorite haunts—The Crepe Place—Lowe and Kissell drop knowledge like a junco drops eggs. Kissell finds parallels for their timeless acoustic tunes: “I think there is a strong connection between punk and American roots music.

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Features

Easy Breezy Ballyhoo!

Easy Breezy Ballyhoo!These reggae groove masters school Cruzans on relaxation
Ballyhoo! is a band that wants your attention. Not because the members are needy or dependent, feeding off attention in a desperate attempt to fill some hole of self doubt. They are not that way at all—in fact, they are just the opposite.    
These guys want your attention because they think you might actually enjoy yourself for once, if you would only listen to their music. Maybe you'll get a laugh out of them, or a sense of satisfaction from their beachside tunes.
It’s no wonder, then, that they named the band Ballyhoo! Bassist J.R. Gregory describes the word as, “a loud expression. Like at a carnival—the announcer shouts a bunch of ballyhoo to get you over, to get your attention."
Amidst all the chaos of this modern world, with everyone running around to do work and chores and errands, sometimes we forget to take a moment to breathe, relax, and soak up some rays. Ballyhoo! hopes to change that, by saying, "Hey, it's alright to relax. Come with us, we'll show you how!" And with their Sublime/Incubus/311-inspired ska reggae dub grooves, it’s easy to just slip away to some imaginary beach paradise.
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Field Work

Santa Cruz Mountain winemakers explain how the harvest works, and what kind of wine to expect from this year's crop

 

Libra's Two Choices

Libra (our last week) is the sign of creating right relations and values. In Libra we are asked to choose how to be, our identity in the world. We can maintain a hermetic sealed-off attitude (my life, my work, my money, etc.) or we can gain knowledge of world events and learn more about those in need. Libra is a group sign—self with others. Here are some events occurring in our world this week concerning food, poverty, spirituality, values and global realities. The UN (a spiritual experiment) each month places a “light” upon world problems. This week a light shines on Rural Women, Farms, Food & Poverty. Before we choose to respond we must have knowledge. “So we can each do our part.” Oct. 15 - International Day of Rural Women (unrecognized with few resources); Oct. 16 - World Food Day & Family Farming: Feeding the World, Caring for the Earth; Oct. 17 - Eradication of Poverty Day (international). During the month of Libra (with Saturn exalted), we pause, contemplate and assess what it is we know, don’t know, and need to know. Libra receives and distributes Ray 3 of divine intelligence, right relations, right choice and right economy (Venus). Use your intelligence “tips the Libran scales” in terms of being able to see and then choose between the two paths Libra offers (return to the past or step forward into Scorpio’s Discipleship). Libra (the oscillating light) prepares us for the great tests and conflicts in Scorpio. In Libra we are subtly tested as we learn the nature of polarized energies (s/he loves me, s/he loves me not). In Libra we learn more about ourselves through others. Libra’s Ray 3 asks us to become more adaptable and skillful. And then we are to teach each other what we know. In Libra, we all become teachers. In all these ways love is cultivated.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Docs Without Borders

United Nations Association Film Festival showcases documentaries from around the globe
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Nut Kreations

Co-owner Craig Olsen goes nuts over nuts

 

What artist or artists participating in the encore weekend of Open Studios should not be missed?

Santa Cruz | Teacher

 

Martin Ranch Winery

Friends who are wine club members of Martin Ranch invited us to the winery’s fun and festive annual barbecue, where the wine is flowing and the food just keeps on coming. Music and dancing are part and parcel of the action, and a good time is guaranteed.

 

Beer Bus

Santa Cruz’s new Brew Cruz, award winning ales, mole by el Jardín, and Wildcat Ridge Chardonnay