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Apr 24th
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Love Your Local Band

Shotgun Suitor

Shotgun Suitor

In a dimly lit bar a band is in full swing, busting out a hip-shaking honky tonk ballad. Out of nowhere, the lead guitarist starts traveling outside of the song, the standup bassist grabs a bow and, in a matter of seconds, the band is diving through a classical piece before finishing the set with a jazz standard. Welcome to the world of Shotgun Suitor. “I think we’re bringing a missing genre that a lot of original bands only touch on,” explains keyboardist Kyle Hamood. “We cover all of the bases.” And they certainly do, from original pieces to standard rock covers with a twist. It’s an impressive feat considering that Shotgun Suitor is still stretching its musical legs; forming only two and a half months ago, after singer and rhythm guitarist Chas Crowder moved to Santa Cruz from the soulful streets of Memphis. “[Bassist Paul Gerhardt] started calling me a couple of months ago saying, ‘You’ve got to get out here!’ So, I did,” Crowder says nonchalantly. Gerhardt and Hamood already had a budding musical friendship, so with Crowder in the mix they decided to call upon drummer Dallas Ezell, lead guitarist Wes Davis and vocalist Emily Gold.

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Features

Batman Returns

Batman ReturnsDark entries from the Gothfather himself, Peter Murphy
Mainstream American audiences got their first glimpse of Peter Murphy via his appearance in the 1983 vampire flick The Hunger, whose opening scene found the British vocalist performing inside a cage with his trailblazing post-punk band Bauhaus. Murphy delivered the cold, reptilian “Bela Lugosi’s Dead” in a tone bled dry of all human compassion, yet increasingly pleading. Grasping the wires of his enclosure, his eyes reflecting the urgency of the film’s title, the sleek, dapper frontman looked like the quintessential rising star, desperate to escape the confinement of day-to-day life and feed on the adulation of the masses.
It’s fitting that Murphy—who came full circle last year by appearing as a vampire in the film Twilight: Eclipse—is paying a visit to Santa Cruz, where The Lost Boys was filmed nearly 25 years ago. Those who attend the 53-year-old singer’s Rio Theatre show on Thursday, March 10 will witness a consummate showman at work: The man is blessed with a rich, regal baritone voice, a darkly gallant stage presence and a true flair for theatrics.
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Love Your Local Band

Ploughman

PloughmanMost bands can speak volumes of their humble beginnings, but few will tell you of a genesis as abrupt and haphazard as Ploughman's, whose first practice session was a live performance at The Red last year. Almost as if acting out a band's version of a love story, Ploughman is slated to play The Catalyst Atrium for its CD-release party on the night of its first anniversary. Romance aside, the foursome's soulful improvisation and laid-back brand of bluesy rock may not melt hearts, but it will surely set toes tapping. Ploughman's upcoming album, Scratching the Surface, is a subtly polished collection of mellow, well-aged rock with harder moments taking you back to the Toadies and softer ones revisiting the Grateful Dead, although neither bands are mentioned when singer Eric Smith talks inspiration.
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Features

A Whale of a Time

A Whale of a Time

Or, the Whale prefers a little bit country, a little bit rock ’n’ roll
Back in the early aughts, when he was studying for his bachelor’s degree in history, Alex Robins was playing in a punk band. He recalls—with a chuckle—his passion for a decidedly heavier genre of music than the sometimes woeful, sometimes rollicking brand of alt-country for which his San Francisco group, Or, The Whale, is now known.

“I was super into metal in college,” Robins says. “I was like, ‘More solos! More time changes!’”

These days, while he certainly still appreciates “the physical capabilities of humans being able to shred that hard,” you won’t hear an Or, The Whale song featuring blistering Phrygian sweeps and pinch harmonics screaming out of Mesa Boogie half stacks.

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Love Your Local Band

Local Acts Done Good

Local Acts Done Good

Think Santa Cruz is soundproofed by the surrounding mountains, one snaky Highway 17, and that thing called the Pacific Ocean? Think again. A couple of acts have eschewed the confines of small town beach living and taken their big sounds to some big Hollywood spotlights. Congrats are in order to Wooster and James Durbin, two very different acts whose musical pursuits have recently put a star next to our town on the musical map.

Shuffling together a taut rock and reggae concoction that pops with tasty nuggets of suave blues, seductive soul and edgy funk, Wooster took the Ford-sponsored “Gimme the Gig” national contest by storm. Out of 2,500 applicants, the septet led by Brian Gallagher was chosen as one of the top seven finalists to hit the infamous Whiskey A Go Go stage in Los Angeles last month to strut some serious goods in an attempt to win a recording session with no other than Don Was. Though it returned sans a contract, Wooster’s rise in the ranks during the seven-month contest and subsequent Hollywood exposure have added to the local band’s sweltering reputation. 

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Love Your Local Band

The Huxtables

The Huxtables

The Huxtables have been around. As in, lots of local bands now DIY-ing it were still diapering it when these guys went from playing their first show 16 years ago—a McKinleyville house party—to dicing up local stages. Somehow, the dust has never managed to settle on the band’s frenetic rock that bounces with more pop than your last illegal fireworks display. And in all these years, the only thing missing in the career of a veteran band that needs no introduction is … a debut album. Say what? You read it correctly: Despite a parade of EPs and 2003’s Fire is Sabotage compilation, The Hux never managed to package one proper full-length CD. None, zilch, nada. Until now. “We’d always been a side project for the first 10 years of our existence, so we never had the drive to get into the studio to record a full-length until three years ago,” says founding bassist AJ Marquez, formerly of Slow Gherkin.

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Love Your Local Band

Art Museums

Art Museums

If John Hughes’ film, The Breakfast Club, takes the Saturday morning shift of depicting the angst of a disenchanted teen world, then Art Museums—the wonky flashback pop duo of Josh Alper and Glenn Donaldson sharing guitar and vocal chops—happily picks up the slack for the nightcap, creating a fun and carefree refuge of old-school adolescent solace. A colorful kaleidoscope of timbre, Art Museums paint a lo-fi retro soundscape of pastel pop and bubblegum fun. “It’s a jangle shirt with a post-punk scarf,” Donaldson emails to Good Times. Part ’60s mod wrapped in the magnetic tape of C-86 and topped by twee, Art Museums meld various feel-good jams under the fuzzy buzz of an analog 8-track. “There’s a certain gauze the Tascam 388 puts over the music,” Alper muses, referencing the layer of haze mulling throughout the group’s first full-length, Rough Frame, echoing the D.I.Y. punk mentality of the ’80s. For Alper, the ’80s was a time of musical self-realization. Going to the record store and mining through the vaulted cassette and vinyl stacks was an escape.

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Features

Conspiracy Theory

Conspiracy Theory

The recruits and rumors behind a Disco Biscuits side-project
What does a working musician do during downtime? If you ask Conspirator founder and bassist Marc Brownstein, the words “down” and “time” exist in his vocabulary but never combine into one.

When not on the road with his home project, Philadelphia electronic jam band Disco Biscuits, Brownstein is a father of three and co-chair of the voter registration group Headcount, all while nurturing numerous side projects—one of which is Conspirator, the brainchild of Brownstein and Disco Biscuits keyboardist Aron Magner. Since 2004, Brownstein and Magner have been creating instrumental electronic jams slightly more stern than the playful Biscuits sound.

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Features

It’s Not Easy Being Three

It’s Not Easy Being Three

Wilco guitarist Nels Cline takes on his own trio
I’ve just caught veteran guitarist Nels Cline in a Chicago studio in between takes with none other than Wilco, but, quite frankly, Cline’s biggest project is furthest away from my mind.

Though he’s been best known as the lead guitarist of Wilco since joining Jeff Tweedy’s rotating cast in 2004, Cline’s career stands amongst some of the most prolific musicians ever; he’s recorded with such an array of collaborators that the word ‘eclectic’ doesn’t even begin to describe it. He’s also probably one of the most affable artists around, as our chat confirms, and the experimenter’s jazzy Nels Cline Singers (joined this week by Cline’s wife, former Cibo Matto member Yuka C. Honda) will be descending upon Don Quixote’s this Friday, Feb. 4.

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Features

Alive and Well

Alive and Well

The Dead Kennedys return with punk compassion
In 1980, I came upon the first Dead Kennedys album, Fresh Fruit For Rotting Vegetables, with my outcast friends and soon discovered that the DKs were a gateway band into a new experience called punk rock. The band played energized, socially conscious songs of hidden histories and political critique, often served up with a twist of humor. Thirty years later, we can still dance to live versions of “California Uber Alles” and “Holiday in Cambodia” with the Dead Kennedys, which will be blasting the Catalyst on Saturday, Feb. 5, with The Disciples and Ol' Cheeky Bastards opening.

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Love Your Local Band

Hurricane Roses

Hurricane Roses

There was never any question as to what kind of songs Angelina Lemucchi would end up writing. As a child, the 33-year-old singer remembers, “I’d sit in the back of my grandparents’ house listening to Merle Haggard and Loretta Lynn.” Growing up with a pastor as a father during a strict religious upbringing, she wasn’t allowed to buy CDs other than gospel or Christian music until she was 17. But she’d always find a way to sneak in some country western crooning, which she says still makes her feel “warm and at home.” Tugging at her ears from an early age, it’s easy to see why that same kind of country storytelling and twanging swagger would make their way onto the debut, self-titled album from Lemucchi’s latest band, Hurricane Roses. Sometimes gently ambling with brooding ballads and other times romping with unmitigated rock swiftness, the six-piece transforms Lemucchi’s cache of personal lyrics—deeply cathartic in nature—into rumbling toe-tappers. This week at Moe’s Alley, on Saturday, Feb. 5, Lemucchi and Co. will celebrate the release of an eight-track CD that she describes is infused with the themes of “discovery, loss and change.”

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Love Your Local Band

The Cranks

The Cranks

To say the players in Aptos’ raging psychobilly duo, The Cranks, wear dedication on their sleeves would be a major understatement, overlooking a key detail surrounding the crew of Mike Hilden (guitars/vocals) and Américo Castillo (drums). It’s actually worn tattooed to their sleeve—The Cranks logo sprawled across Castillo’s forearm, leaving no doubt of his hardcore loyalty to the music. “We may not be the best musicians,” Castillo admits, “but no one can do what The Cranks do.” Rattling on a hybrid blend of Mexican corridos, Norteño rhythms, rockabilly rags and hard-nosed, foot-stomping Led Zeppelin rock, The Cranks are six-year veterans to the Santa Cruz scene—having  emerged from the ashes of the enigmatic trio, Sapos Muertos. After releasing a second album, The Cranks II, in October (only to rush back to the studio to start recording a third full-length, The Cranks III) the group has solidified its sound of organic, gritty, in-the-trenches roots rock that’s simultaneously perfect for the smoky dim aura of a grungy bar and the down-home warmth of a sunny Sunday barbecue. “We like to play with a lot of roots ideas,” Hilden raps, “but [we] don’t confine ourselves to one style.”

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Best of Santa Cruz County 2014

The 2014 Santa Cruz County Readers' Poll Come on in, and have a look around. There’s a lot to see—hundreds of winners selected by thousands of GT readers across Santa Cruz County. So if some of this looks familiar, it’s probably because you helped make it happen. But there are always new things to discover, too—you could go to a different winner or runner-up every day in the Food and Drink category alone, and you’d be booked just about until next year’s Best of Santa Cruz County issue comes out.

 

Something Essential Disappears

Lunar and solar eclipses follow one another. Lunar eclipses occur at full moons, and solar eclipses at new moons. Two weeks ago at the full moon we had the blood red moon—a total lunar eclipse (the next one is Oct. 8). On Monday night, April 28 (new moon), as the Sun, Moon and Earth align, a solar eclipse (Sun obscured) occurs. Eclipses signify something irrevocably is changed in our world. The Sun is our essential life force. Monday’s new moon, 9 degrees Taurus, is also an annular solar eclipse when the Moon moves centrally in front of the Sun, yet does not cover the Sun completely. The Sun's outer edges, still visible, form a “ring of fire” around the Moon.

 

Sugar: The New Tobacco?

Proposed bill would require warning labels on sugary drinks Will soda and other saccharine libations soon come with a health warning? They will if it’s up to our state senator, Bill Monning (D-Carmel). On Feb. 27, Monning proposed first-of-its-kind legislation that would require a consumer warning label be placed on sugar-sweetened beverages sold in California. SB 1000, also known as the Sugar-Sweetened Beverages Safety Warning Act, was proposed to provide vital information to consumers about the harmful effects of consuming sugary drinks, such as sodas, sports drinks, energy drinks, and sweetened teas.

 

Film, Times & Events: Week of April 24

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Palate-Stretching 101

A wine education with Soif’s experts As a veteran of many weekend wine “seminars” at Soif, I have to confess that I’ve never known less (going in) and learned more (coming out) than I did last week at the Spanish Wine Tasting with ace rep Brian Greenwood. These are classy, casual events and it’s hard to imagine having this much flavor fun anywhere for $20.

 

Martin Ranch Winery

Sauvignon Blanc 2011 One of my favorite wines is Sauvignon Blanc, and this one made by Martin Ranch is particularly lovely. Bright, crisp and refreshing, it’s perfect to pair with fish and shellfish—and good for picnics as it has an easy screw-cap bottle. There’s nothing worse than setting down your blanket, pulling out your sandwiches—and then realizing you don’t have a corkscrew.

 

Foodie File: Red Apple Cafe

Breakfast takes center stage at Gracia Krakauer's Red Apple Cafe Before they moved to Aptos, Gracia and her husband Dan Krakauer would visit friends in Santa Cruz County and eat at the Red Apple Café all the time. Then they moved up here from Santa Monica five years ago, and bought the Aptos location (there’s a separate one in Watsonville) from the family who owned it for two decades.

 

How would you feel about a tech industry boom in Santa Cruz?

I feel like it would ruin the small old-town feeling of Santa Cruz. It wouldn’t be the same Surf City kind of vacation town that it is. Antoinette BennettSanta Cruz | Construction Management