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Nov 23rd
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Love Your Local Band

The Best Friends

The Best Friends

“Who threw away a perfectly good white boy?!” screams a rowdy passerby on Haight Street in San Francisco, addressing The Best Friends vocalist/guitarist, Aiden Ward. Ward yells back for a high-five. Having chopped off his shoulder-length blond locks, Ward does seem clean-cut now, but don't let his ’do fool you. Fans fall for The Best Friends’ melodic dance funk with every shout: “booty scones,” “give me back my grandma!,” “I need another drink,” and “wahahaha,” are just a few of the lyrics chanted during their concerts. Bassist Derek Burte compares the spectacle to their banner: “We have a big sign. It's been caught in the rain, run over a few times. It says The Best Friends, with two dinosaurs high-five-ing.” Sometimes on stage, when they play their song “Dinosaurs,” keyboardist Benjamin Einstein and Ward “have a dinosaur battle,” says Ward. “I imagine myself as a T-Rex,” Ward admits. “I'm more of a Velociraptor,” counters Einstein.

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Features

Living in the Shadow

Living in the Shadow

Picture Atlantic tosses ‘that band that opened for Coldplay’ title, forges own path
When asked about the time his band opened for Coldplay, Nikolaus Bartunek deflects the question with a languid, matter-of-fact, “We won this contest,” then adds, “We were one of three final contestants, and Coldplay chose us.”

Nothing more. Nothing less.

Bartunek isn’t too-cool-for-school, or feigning humility. The singer and songwriter for Picture Atlantic, a San Jose-based alt-rock outfit, is concerned that he and his band are living in the shadow of the gig.

“It was a show,” Bartunek says of the 2008 performance at the HP Pavilion in San Jose. “At the time that it happened, it was great. I'm really glad we got to play it.” Then again, he worries that when his band's name is mentioned at a party, or in a bar or coffee shop, they will simply be that band that opened for Coldplay.

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Features

By the Book

By the Book

Indie quartet Stories in Braille translates epic narratives into ambient rock

Four experimental, indie rockers of Christian faith dare you to quit judging books by their covers. Meet San Jose-based Stories in Braille: Curtis Kern (drums) and Brandon Wright (bass)—two full-time college students—Jala Tass (guitar), and college student pastor Jay Kim (vocals/lyrics/guitar). Since 2008, Stories in Braille’s page-turning tales of love, unity and valor have been articulated through meticulously crafted ambient music, into albums that are, essentially, a more entertaining version of audio books.

“That’s the idea behind the band,” says Kim. “To tell stories that people can feel.” That philosophy is reiterated on the band’s Facebook and Myspace pages, where a quote by author Jim Fiebig is prominently displayed: “There is a wonder in reading Braille that the sighted will never know: to touch words and have them touch you back.”

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Love Your Local Band

Nathan Dennen

Nathan Dennen

Like the ebb and flow of the tide, singer/songwriter Nathan Dennen keeps getting pulled back to Santa Cruz. In what he says feels like a past life, Dennen split his time between his home in Oakdale, and his grandfather’s house in Rio del Mar. Today, he lives in San Francisco, where he’s been inspired by “groovy music, with a lot more soul.” In the city, Dennen has created what he calls, a “little niche of music that I was really inspired to recreate and expand upon—taking old-timey music and giving it a modern flair.” To produce the ragtime saloon sound on his self-titled debut album, he used a piano built in the early 1900s, and even mixed the album on tape. “I would leave the little pops and buzzes in there to keep that raw sound,” he says. Focused on reviving Scott Joplin-esque northern jazz melodies first, and letting lyrics fall into place second, Dennen says he’s always surprised to get feedback from fans about his lyrics.

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Features

Southern Comfort

Southern Comfort

Mississippi-bred Paul Thorn sings of preachers, pimps, and small town America
One way to hear about the real-life effects of Capitol Hill rivalries is to read the newspaper. Or you could talk to somebody who travels to small towns for a living, entertaining the downtrodden and picking up fans along the way. Enter Paul Thorn—a Mississippi singer/songwriter who has been traversing America’s back roads for more than a decade, crafting musical stories based on the lives of the common man and pumping blood back into the heartland.

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Features

All Grown Up

All Grown Up

Indie-rap crew, Atmosphere, shows signs of evolution in sound and maturity
Upon listening to the latest effort from Minneapolis indie-rap crew Atmosphere, the word "maturity" comes to mind. And while it is arguably a fair adjective to describe the new album, The Family Sign, the group's front man, Sean Daley, doesn't like it.

"I make rap music, so 'mature' is kind of a bad word," says Daley, the MC better known as Slug. He prefers the word, “evolved.” "Ultimately, this is music for kids," he explains.

The group's sixth LP has passion, machismo and plenty of snark—only in a more grown-up kind of way. And Slug is fine with that.

"I can't freak the funk," he says. "I can't make another God Loves Ugly"—2002's ode to debauchery and depression, wherein Daley bemoans the loss of his fictional muse, Lucy Ford, while drowning in booze.

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Love Your Local Band

The Expendables

The Expendables

It’s ill-advised to get a tattoo of your lover’s name, but not the name of local reggae/ska/punk outfit, The Expendables. Despite the impermanence suggested by the moniker, many fans invested in Expendables-themed ink, long before the guys offered free tickets to the Vans Warped Tour in an online tattoo contest. Devotion to the band dates back to 1997, when guitarist Raul Bianchi, drummer Adam Patterson, bassist Ryan DeMars, and lead vocalist/guitarist Geoff Weers—now living on the same block in Pleasure Point—met in high school. Immediately, they began constructing feel-good jams about drinking (they’re sponsored by Jägermeister), smoking and partying, through optimistic and philosophical lyrics. “Positive people have a better time in life,” says Patterson. “It’s no fun being grumpy all the time. Don’t sweat the small things … there is a good side to everything, even if you don’t see it.”

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Features

A Stitch in Time

A Stitch in Time

Michael Daugherty weaves orchestral music and electric guitar in ‘Gee’s Bend’
The electric guitar is an instrument seldom heard in symphonic music, but it’s the keystone of “Gee’s Bend,” the latest musical offering from renowned Ann Arbor, Mich., composer Michael Daugherty. Electric guitar and orchestra commingle in the piece, creating a timbral and stylistic patchwork in which rock, folk and contemporary classical music converge. “Gee’s Bend” makes its west coast premiere at the Civic on Saturday, Aug. 13 as part of this year’s Cabrillo Festival of Contemporary Music.

Daugherty, a longtime festival favorite, found inspiration for the piece in the quilters of Gee’s Bend, Ala. One of the poorest areas of the south, Gee’s Bend is populated mainly by African American descendents of slaves from the Civil War era. The town’s residents are known for their innovative style of quilting, noted for its vivid colors and unusual patterns.

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Love Your Local Band

Jerry and the Silly Monsters

Jerry and the Silly Monsters

Although Juicy Fruit no longer wafts throughout the Westside, a sweetness still lingers about the Wrigley Building’s successor, The Digital Media Factory, thanks to Jerry and the Silly Monsters, and its delectable blend of bubbly, children’s pop-rock. “I’ve listened to a lot of bad children’s music over the years,” says lead vocalist/guitarist Toby Salciccia, otherwise known as “Jerry.” Desiring to change the genre’s reputation, Salciccia turned to his day job—co-manager of Happy Days Children’s Learning Center—for inspiration to create songs that are “positive and educational for kids, and fun for parents.” There, he befriended parent Craig Comstock, who introduced Salciccia to his future bandmates: bassist Ian Babcock (“Bob”) and drummer Scott McPherson (“Murray”) of Ribsy’s Nickel; McPherson’s daughter, Ashley (“Gigi” on stage); and vocalist/ukulele player Moreah Walker (“Gigi” in the studio). The result? Jerry and the Silly Monsters—a mix of clever, motivational lyrics and complex rock music. “We’re really starting to take on more of a family-like nature, now that we’ve had the opportunity to work [together] and know each other,” says Salciccia of their chemistry.

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Features

Odd Man Out

Odd Man Out

Electric guitarist D.J. Sparr mixes things up at The Cabrillo Festival
Imagine a musician showing up to a symphony rehearsal with a Marshall amplifier in tow, and an electric guitar strapped to his back—the string players brace themselves, the violist covers her ears. It’s hard to be a rocker in a classical environment—but it’s just another day in the life of D.J. Sparr.

The guitarist/composer loves a good riff, but he also has a doctorate in composition and is well-versed in symphony rehearsal etiquette. After all, no classically-trained musician wants to be blown off stage by a guy who sounds like he belongs at Lollapalooza.

From outside Chautauqua Auditorium in Boulder, Colo., Sparr reflects, “You have to know how to adjust your volume, and it sounds silly, but there aren’t many electric guitarists who could come to a symphonic rehearsal and know how to deal with that—outside a couple of guys in New York, Chicago and LA.”

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Love Your Local Band

Stryder Callison

Stryder Callison

Stryder Callison just got a new app for his iPhone. “Voice Tutor” is a vocal warm-up that helps singers like himself perfect pitch, and it’s a sign that the local rocker’s old habits—he “used to smoke cigarettes, stay up until six, and scream” the night before a show—are long gone. He’s finally taking himself seriously. After recording his first solo album, Years in the Making, Callison learned first hand what happens when you push your voice to its limit. “The more you abuse your vocal cords, it creates a little red bump,” he says. “When you sing or even talk, your vocal cords won't vibrate at the right speed.” Callison's late night jam sessions earned him a vocal polyp—a swollen growth on one of  his vocal cords—that Whitney Houston and Julie Andrews can sympathize with. Over the following year, Callison began repairing his voice by allowing himself to speak for only one minute every hour.

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Features

Black and Blue

Black and Blue

Regardless of life’s punches, Jesse Sykes stays committed to the music
For Jesse Sykes, a Sunday morning in Seattle is a walk in the park—more like the woods, actually. Once she returns home though, reality sets in for the 44-year-old vocalist/guitarist, and she’s faced with the question that has plagued her for the last three years: “How can you understand life, if you haven’t addressed death?”

The question stems from both the blissful and detrimental events that have come to define her Seattle-based band, Jesse Sykes and The Sweet Hereafter, during the extended recording period of their fourth LP, Marble Son, which began in September 2009. “We took our time because we didn’t even know if there would be an outcome,” says Sykes.

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Pop Life

The pop-up dining trend is freeing culinary imaginations and creating a guerilla version of event dining around Santa Cruz

 

Over Hills and Plains, Riding a White Horse, Bow and Arrows in Hand

Saturday, early morning, the sun enters and radiates the light of Sagittarius. Three hours later, the Sagittarius new moon (0.07 degrees) occurs. “Let food be sought,” is the personality-building keynote. “Food” means experiences; all kinds, levels and types. It also means real food. Sag’s secret is their love of food. Many, if not musicians, are chefs. Some are both. The energies shift from Scorpio’s deep and transformative waters to the “hills and plains of Sagittarius.” Sag is the rider on a white horse, eyes focused on the mountain peaks of Capricorn (Initiation) ahead. Like Scorpio, Sagittarius is also the “disciple.” Adventure, luck, optimism, joy and the beginnings of gratitude are the hallmarks of Sagittarius. Sag is also one of the signs of silence. The battle lines were drawn in Libra and we were asked to choose where we stood. The Nine Tests were given in Scorpio and we emerged “warriors triumphant.” Now in Sag, we are to be the One-Pointed Disciple, riding over the plains on a white horse, bow and arrows in hand, eyes focused on the Path of Return ahead. Sagittarians are one-pointed (symbol of the arrow). Sag asks, “What is my life’s purpose?” This is their quest, from valleys, plains, meadows and hills, eyes aimed always at the mountaintop. Sag emerges from Scorpio’s deep waters, conflict and tests into the open air. Sag’s quest is humanity’s quest. Sag’s quest, however, is always accompanied by music and good food.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of November 21

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