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Mar 27th
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Features

Fallen Angel

Fallen Angel

David Bazan puts church, then state under microscope

 

Holidays with the family can be stressful. But they’re even worse when your parents think you’re a heretic. Such is life for David Bazan, former frontman of Pedro the Lion, a fringe Christian indie band active from 1995 to 2005, who was on his way to the airport in Nashville before flying home to Seattle for Thanksgiving when GT caught up with him.

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Love Your Local Band

Ariel Thiermann

Ariel Thiermann

It's a safe bet that Ariel Thiermann will have butterflies in her stomach when she takes the stage at Kuumbwa Jazz this Friday, and not because it will be her first major concert in four years. Thiermann says she always feels a great sense of anticipation and excitement before performing—she likes it that way.

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Features

Straight Strings

Straight Strings

 

Guitar legend Leo Kottke tells it like it is
Leo Kottke ignited the passion of guitar players and music enthusiasts with his 1969 release, 6- and 12-String Guitar. Never before had such a rich, intricate, textured, slightly otherworldly sound emanated from the hands of one man.

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Features

Hocus Folkus

Hocus Folkus

 

The Cave Singers hit stride on third effort, ‘No Witch’
When they first began composing the sparse folk tunes that would ultimately become The Cave Singers' first record, Pete Quirk and Derek Fudesco were just two fellow musicians looking to pass the time.

"We started playing music for kicks," says singer and guitarist Quirk, recalling the genesis of his current band. Back in 2006, he was playing keys and singing in a Seattle-based disco-punk outfit called Hint Hint and living with Fudesco, bassist and vocalist for progressive alt-rockers Pretty Girls Make Graves—also headquartered in that perpetually rainy northwestern city. "We didn't even think we were going to play shows."

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Love Your Local Band

Sista Monica

Sista Monica

 

The power of blues is derived from the raw expression of heartbreak and pain—something Sista Monica Parker is no stranger to. “As a blues singer and songwriter, you know, I’m quite familiar with unrequited love affairs,” she admits, adding that her latest release, Living in the Danger Zone, “is classic original blues, and it comes from my own experience of being in a love affair that actually ran the full range of emotions, from really being happy and in bliss, to having it go wrong and feeling the heartache of a breakup.

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Features

Sisterhood of the Traveling Performer

Sisterhood of the Traveling Performer

Ethiopia-born singer Meklit Hadero puts multicultural spin on jazz

Even through the haze of jetlag and cross-continental cellular static, Meklit Hadero’s presence is remarkable. Whether mesmerizing audiences in America or in her home country of Ethiopia, the singer/songwriter traces her confidence and charisma to her migrant life.

“I think moving around did two things: one was that it taught me how to make friends with a big variety of people and connect with people who didn’t have much in common with me, and it also taught me how to be comfortable in a huge variety of situations,” explains Hadero. “It gave me a real flexibility of living that I use all the time, and I also think it was great preparation for life on the road as a touring musician in general.”

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Features

Walk the Walk

Walk the Walk

Santa Cruz’s own Otayo Dubb brings blue collar hip-hop to the Lagoon

he name Otayo Dubb—a moniker taken from the Swahili term for “ambush”—connotes the effect of the rapper’s blue collar hip-hop style. Straddling the underground hemispheres of street and conscious hip-hop, Dubb’s musical ambush is a bumping meditation on the struggles and joys of everyday working-class people.

Though born in Oakland, Calif., Dubb was raised by two working-class jazz musicians on the west side of Santa Cruz. His hunger for rhythm was established before birth, as his mother, an avid musician of Caribbean and West African influence, played congas while pregnant with him.

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Love Your Local Band

Sirenz

Sirenz

On a crisp November morning at The Bagelry in downtown Santa Cruz, Heather Houston swoops in like a hippified Uma Thurman, or perhaps an urban sherpa on a vision quest. Her quartet of a cappella singers, Sirenz, whose music sounds like a cross between Zap Mama and a goddess choir, has been seeking higher ground together for three and a half years. The project grew out of an earlier band called Dis Moi, which featured Samantha Keller, Houston and Tamara Fogel. When Fogel moved back to Canada, Houston brought in friends Molly Hartwell and Amber Mendez, and Sirenz was born. The group performs original compositions, as well as traditional songs from different cultures with original arrangements. Not your typical a cappella group, Sirenz is fresh, real, and eclectic. Mendez provides a "steady percussive beat which is different then you would hear in most a cappella groups—a little heavier on the bass,” explains Houston, and their voices lift and twist like a Celtic knot. She adds that their friendship "informs the way we sing and write with each other." The women will write independently and then come together and mid-wife each other’s songs in a creative birthing process that supports one another’s vision.

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Features

Hey, Hey, We’re the Pixies

Hey, Hey, We’re the Pixies

Pixies’ Joey Santiago on the making of an alt-rock classic

Doolittle, arguably the definitive album by the Boston-based alternative rock band the Pixies, hasn’t just stayed fresh over time—it’s actually gotten better. Or so it would seem from two different Rolling Stone reviews of the album: Somewhere between 1989 and 2002, Doolittle apparently went from merely being an above-average effort (three-and-a-half-stars) to being a proto-grunge Sergeant Pepper’s (five stars). The record has only improved since then. In 2003, NME magazine named it the second-greatest album in history, and in 2005, it landed smack-dab in the middle of Rolling Stone’s 500 Greatest Albums of All Time list.

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Love Your Local Band

At Risk

At Risk

With a physique that suits a hardcore frontman and a security guard equally well, Spencer Biddiscombe has an intense presence. And when you consider that during At Risk’s farewell concert in 2006, he roared lyrics over exploding drums and crashing guitars as windmilling teenagers rushed the stage, he might seem a bit intimidating to meet for coffee. In reality, Biddiscombe is a well-spoken man who claims his passion for the hardcore scene comes from “the energy and the honesty of the music.” He explains: “Generally it traces back as a more aggressive offshoot of punk. It tends to be a bit heavier and more aggressive. A lot of it is the energy and the community, at most of the shows most of the people know each other. It’s a different vibe than a big show with anonymous faces. There’s a lot of energy, and not a lot of separation—we’ll be playing on the floor wherever possible. Kids respond to that because it’s a lot different.” At Risk—whose current lineup includes Biddiscombe (vocals), Jim Sandeen (guitar), Donald Scully (guitar), Tom Arnott (bass), and Dustin Roth (drums)—emerged from multiple hardcore groups in 2002. After playing for five years together, releasing a full-length album, and earning a huge following, the band broke up in 2006. But after endless requests from fans, the guys have reunited to play an all-ages show at The 418 Project this Saturday.

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Features

The Sun Also Rises

The Sun Also RisesWebExclusive: In times of famine and feast Rich Robinson is under the same sun

Rich Robinson’s dad is dying. And his newborn son, Bleu, is a mere three months old. Experiencing grief and happiness simultaneously has become a strange constant in Robinson’s life. At 25, he had everything: as a member of the blues-rock outfit The Black Crowes, Robinson was in a “comfortable state” financially, married to a beautiful wife, and playing shows around the world.

But even at the peak of the Crowes’ popularity in the early- to mid-’90s, something was off. “I was living this life that was askew,” says Robinson, now 42. “My relationships with the people that were supposed to be my closest seemed damaged. My marriage was not a good fit for either of us and we weren’t facing up to that. Though I love my brother [Chris, co-founder of The Black Crowes], the fact that my working environment can be challenging has been well-chronicled. Nothing was working like it should have been, but by many people’s standards, it was a dream come true.”

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Features

On a Tear

On a Tear

San Diego blues/rock duo Little Hurricane rips its way into the music scene

Little Hurricane—the volatile yet smooth rock duo headed to The Crepe Place Thursday—plays what they refer to as “dirty blues”: “We say it’s blues, but it’s dirty with distortion and a little bit of grunge,” explains lead guitarist and vocalist Anthony Catalano (a.k.a. Tone). “I was in a rock band in high school and some of college, and there’s some influence from that. We try to bring a lot of extra energy when we play live.”

True to his word, Catalano blazes huge guitar riffs—with or without a slide, over the complex rhythms and alluring vocals of his rocking female accomplice, drummer Celeste Spina (a.k.a. CC). Though the band has been together for only a short time—forming in January of 2010—they’ve already earned acclaim in their hometown of San Diego, winning Best Alternative Band, and both Album of the Year, and Best Alternative Album with their debut effort Homewrecker, at the 21st annual San Diego Music Awards.

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Best of Santa Cruz 2015

In 40 years of publishing, Good Times has seen a lot of “bests.”

 

Spring Triangle: Three Spring Festivals—Aries, Taurus, Gemini

The Spring signs Aries, Taurus and Gemini constitute a triangle of force that sets the template for the nine signs that follow and the template for the entire year (Spring 2015 - Spring 2016) ahead. Aries initiates new ideas, Taurus stabilizes the new thinking of Aries and Gemini takes the initiating stabilized ideas of Aries/Taurus and disperses them to all of humanity. It is in this way that humanity learns new things, with the help of Mercury, the messenger. As Spring unfolds, three elements emerge: the Fire of Aries (initiating new ideas), the Earth of Taurus (anchoring the ideas of God through Mercury) and the Air of communicating Gemini. These three signs/elements are the Three Spring Festivals. They are the “triangle of force” forming the template (patterns) of energy for the upcoming new year. After these three we then have the soothing, calming, warming, nurturing and tending waters of the mother (Cancer). Cancer initiates our next season under the hot suns of summer. Planets, stars and signs create the Temple of Light directing humanity towards all things new. March 29 is Palm Sunday, when the Christ, World Teacher, was led into Jerusalem (City of Peace) on a donkey (humility). Palms waving above His head, signified recognition of the Christ’s divinity. Palm Sunday is the Sunday before the Easter (Resurrection Festival). Palm Sunday begins Holy Week, the week of capture, imprisonment, passion, sacrifice, crucifixion, death and resurrection of the christ. All events in the Christ’s life represent events (initiations) that humanity experiences through many lifetimes. We turn our attention to these holy events this week. Their concepts portray and reveal to us greater spiritual understanding. Then, Aries, the “light of life itself” shines through us.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

The Magic Touch

Stage magician vs. charlatans in engaging ‘An Honest Liar’
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Spring Spirits

Sean Venus’ gin straight up, remembering Rosa’s and a tasting of Hungarian wines

 

What’s your favorite most recent outdoor discovery in Santa Cruz?

A hike that’s across from Waddell Beach. I didn’t realize you could go across the highway and do a super simple loop, and it’s beautiful. You can see the coastline. Liz Porter, Santa Cruz, Community Outreach

 

Martin Ranch Winery

Muscat 2012

 

Front Street Kitchen

Pop-up spot attracts paleo crowd with locally sourced low-carb meals