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Aug 21st
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Features

Guitar Hero

Guitar Hero

Hendrix doppelganger Eric Gales schools DQ’s in the blues
All too many blues rock albums consist exclusively of AAB lyric schemes slung over the same 12-bar pattern we’ve heard millions of times before. Holding it all together are guitar riffs so clichéd that the player might as well use air quotes before and after playing them. The only real surprises for the listener are what the key and tempo of the next song will be, and whether the singer will complain about romantic troubles, financial hardship, legal issues or health concerns.

While some such songs do inhabit blues guitar monster Eric Gales’ latest album, Relentless, they’re outnumbered by tunes with far more original melodic, harmonic and lyrical information. If there’s such a thing as “progressive blues rock,” Gales’ music might just fall under this category. The main attraction here is Gales’ fiery lead guitar playing: His triplet flurries, brazen double stops and demon-conjuring string bends led Guitarist magazine to name him Best Blues Player of 2010.

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Love Your Local Band

3UpFront

3UpFront

The goal of a “battle of the bands” contest seems straightforward: rock harder than the competition, woo the judges, earn the cash prize. But for local skate punk outfit 3upFront—named after the physical placement of their microphones onstage—Saturday’s annual Your Music Olympicks Finals at The Catalyst is important for two reasons: sticking it to the man and boobs. Now before you get your panties in a twist, consider this—should the foursome win the $5,000 grand prize, a sizable portion will go toward promoting their upcoming “Boobies or Bust” Breast Cancer Awareness Tour. Kicking off in July, the tour will benefit the Susan G. Komen and Breast Cancer Awareness Funds, with 100 percent of the profits going to education and research.

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Features

When Instruments Speak

When Instruments Speak

Hussain & Sharma return for an evening of energized Indian tabla and santoor
Mention Zakir Hussain and rhythmic magic comes to mind. He’s played percussion with Yo Yo Ma, Van Morrison and Pharoah Sanders, bringing an innovative approach to Indian tabla drumming. After growing up in Southern India with his father, legendary tabla player Ustad Alla Rakha, Hussain came to the US in 1970, and George Harrison invited him to play on Living In The Material World. Friday, the renowned cofounder of Shakti fusion band and music composer returns to The Rio.

Good Times: How it is performing with Shivkumarji Sharma?
Zakir Hussain: I must’ve been 15 when I first played with him, and he comes from the same part of India as my family. There’s this very instinctive reaction that we have that makes the music a lot of fun and a lot of joy.

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Features

Holy Hybrid

Holy HybridLa Santa Cecilia breaks the Latin music mold
Klezmer music? Gypsy jazz? Covers of Doors and Beatles tunes? Clearly, this isn’t your typical Latin music group. Yes, La Santa Cecilia plays its fair share of cumbia, bolero, bossa nova, tango and rumba, but rather than being mere preservers of tradition, these six Los Angeles musicians are purveyors of what they call a “modern-day creative hybrid of Latin culture, rock and world music.”
According to the ensemble’s guitarist, Gloria Estrada, the diversity of La Santa Cecilia’s repertoire is a reflection of its members’ backgrounds. “The great thing about L.A. is that you can go to one part of town, and you’re in Little Tokyo; you go a few blocks, and you’re in a Mexican community, or a Jewish, Korean, El Salvadoran or Central American community,” she says. The musician adds that five members of the group are of Mexican descent, and bassist Alex Bendana was born in Venezuela, “but he was raised in L.A. by Mexican people—L.A. has a lot of Mexicans—so he’s an honorary Mexican. So we’re definitely bicultural in the sense that we have our parents’ background and culture and so forth, and at the same time, we grew up with American influence, hearing all kinds of music, eating all kinds of food and seeing different holidays be honored around L.A.”
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Love Your Local Band

Snail

Snail

In 1968, when Led Zeppelin, Black Sabbath and Deep Purple hit the world stage, there was a local group called Snail. Jamming at Harvey West Park, bandleader Bob O’Neill recalls not being the most hardened musicians: “We were like, ‘Would you like to use our equipment?’ We were very young and very nice.” Though not as renowned as their British brothers, Snail is infamous in Santa Cruz. “Our biggest influences were Jeff Beck, Jimi Page and Eric Clapton. We weren’t heavy metal exactly. We had the lyrical side of it with harmonies, so it was kind of a hybrid,” says guitarist Ken Kraft. With a division of harmonies and arrangements, Snail was more like Cream, rocking blues with a psychedelic twist. In 1970, Snail took out a loan, bought Marshall amplifiers and began playing major venues. Selling out the Santa Cruz Civic Auditorium and Selland Arena in Fresno with Santana, Snail became an arena band, still true to their roots. “We played a concert on the beach in Capitola, thousands showed up, but the police never did,” says Kraft, crediting huge turnouts in the ’70s to lack of TiVo. “There weren’t as many distractions back then—there were only three TV stations.” Forty years later, Kraft and O’Neill remain bandmates and friends. As songwriters, the Lennon/McCartney of the band, it’s no surprise that Kraft is currently the White Album Ensemble guitarist, singer and musical director.

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Features

Rebel with a Cause

Rebel with a Cause

Hauschka adds ping-pong balls and beautiful chaos to the piano
It’s a rare sight, but at a Hauschka concert, hipsters and classical enthusiasts really do collide. So do ping-pong balls, beer bottle caps, marbles, vibrators, tape, and anything else the German musician—whose real name is Volker Bertelmann—thinks will dutifully accessorize his piano strings.

“Normal classical pianists use the piano as a tempered instrument, but I don’t like the attitude that that’s the only thing you can do with it and nothing else,” the 44-year-old says from his home in Dusseldorf.

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Features

Return of ‘The Original Slacker’

Return of ‘The Original Slacker’

Like a good wine, J. Mascis gets better with age
In some ways, Several Shades of Why sounds like the kind of record J. Mascis should have been making all along. The laid-back acoustic strumming, lazy guitar slides and general folk lethargy of the album seem to be a better fit than the music Mascis became famous for crafting during the ’90s.

Back then, the founder and front man of Dinosaur Jr. was busy constructing massive squalls of feedback, jangling, overdriven guitar and fuzzed-out bass lines that were barely held together by propulsive and highly compressed drums.

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Love Your Local Band

Matt Masih and The Messengers

Matt Masih and The Messengers

Santa Cruz is indubitably a town that takes to a certain thread of fusion jam bands. Whether they be local products or artists coming through on tour, head out to any given Santa Cruz venue on any given night, and there’s a good chance you’re going to cross something funky, something danceable and (perhaps) something reggae-derived. Matt Masih and The Messengers is a band which easily falls into this category upon first inspection, but the six-piece’s frontman insists there’s much more to the equation. “There’s definitely a singer-songwriter background,” explains multi-instrumentalist Matt Masih. “The lyrics are involved with the shape and outline of the song,” more than most jam bands. Indeed, the project began about two years ago as the sort-of bedroom songs of Masih, who retains most of the creative control in the band. Though there’s room for the rest of the group to inject its own funky flavor—particularly the relatively new horn section—Masih’s songwriting process clearly keeps The Messengers grounded in pop sensibilities.

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Features

Teach the Children Well

Teach the Children Well

Rock duo Tartufi spreads DIY expertise
We all know that sharing is caring. Though if you’re a starving musician with little to share but your inherent melodic gifts, it’s easy to turn into a hoarder squirreling away any post-success wealth and industry wisdom. But for the two members of San Francisco’s exporters of dynamic angular rock, Tartufi, it’s always been about imparting lessons learned. According to Lynne Angel, vocalist, guitarist and looping maestro, there is no competition.

“I think a lot of people can get pretty selfish when it comes to music and can have kind of an ‘In It to Win It’ attitude,” the singer says. “We just like playing music with our friends and helping other people play music.”

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Love Your Local Band

Santa Cruz Jazz 2011

Santa Cruz Jazz 2011

Though it’s not a local band per se, the Jazz Society of Santa Cruz, as an institution, has served as an incubator for many local swing, big band, ragtime and cool jazz outfits since it was established in 2000. The nonprofit hosts a four-hour open jam session for local jazz musicians every Sunday at Bocci’s Cellar and has spawned many local bands by bringing together professionals and weekend warriors—giving people who might not otherwise meet, the opportunity to play in front of a relaxed, fun-loving crowd. Local jazz musician Stella D’Oro—who mesmerizes with Italian “Meglio Stasera”—says that the atmosphere on Sundays at Bocci’s Cellar—a 100-year-old former Italian restaurant at 140 Encinal St.—helped her hone her craft. “People there are very supportive,” D’Oro says, referring to both the musicians and patrons. “They’re great for supporting new musicians and people learning how to get started.” Steve Newman, president of the Jazz Society and master saxophonist, has been with the organization since the beginning. He describes the venue as a “time warp”—a modern day speakeasy where people go once a week to swing dance and get lost in the sounds. “It’s not just the musicians,” Newman says.

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Features

Getting Vocal

Getting Vocal

 

Sweet Honey in the Rock voices its opposition to racial profiling
The all-female, all-African-American vocal group Sweet Honey in the Rock has never shied away from tackling social and political issues. In the four decades since the D.C.-based ensemble’s inception, its members have used blues, reggae, African chanting, jazz improv and gospel styles as a platform for their views on everything from civil rights to domestic violence.

It was no surprise then, that when the controversial anti-illegal immigration act known as Arizona Senate Bill 1070 passed last year, Sweet Honey responded not only by joining the international Sound Strike boycott of Arizona, but also by releasing the song and video “Are We a Nation?” (Sample lyrics: “Does the color of your skin determine how and when you can be stopped and booked for the way that you look? Racial profile—this is not freedom’s style.”)

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Love Your Local Band

Birdhand

Birdhand

While most people were fighting fax machines at 9-5 jobs, Birdhand spent the first week of April destroying an abandoned church in Monterey. Shooting a music video to promote their new self-titled EP, produced by Darryl Jenifer of Bad Brains, the Santa Cruz rockers were armed with 10-foot poles and told to go wild. What should have been a dream come true, turned into a strange experience. “There were 15 uncomfortable film students watching us the whole time without saying anything,” says bassist Mason Rothschild. “It was the most awkward thing ever!” But according to singer/songwriter/guitarist Joey Weed, awkward moments make the band tick. “Before each show, we huddle up and get really weird—we talk about normal stuff, like how my stomach hurts or who didn’t take out the trash,” says Weed. Once the lights come on, though, the foursome delivers hard-hitting rock ‘n’ roll, with Queens of the Stone Age-like punk riffs and occasional violin and pan flute solos.

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Trending Now

Whether you live by the Vogue bible or choose to go into your day wearing what you slept in, odds are you wear clothes.

 

The Thought Form of Solution

It’s our last week of Leo before the sun enters Virgo (next Friday/Saturday). The planets this week make complex patterns and relationships (vibrational cadences and rhythms) with the outer planets, mainly Neptune—the planet that veils, obscures, protects and finally refines us. Neptune offers us entrance into a deeply spiritual sense of comfort and solace. Neptune is the personality ruler of Pisces (saviors of the world) and soul ruler of Cancer (world mother). “The fish goddesses who leapt from earth (Virgo) to water (Pisces) unitedly give birth to the Fish God (Christ, the Soul) who introduces the waters of life  (Neptune & Aquarius) into the ocean of substance (matter, mother bringing light to the world. Thus does Neptune work.” (Esoteric Astrology).

 

Final Cut

Cedar Street Video to close after 10 years at downtown location

 

Cultures Collide

No surprises, but lots to savor in foodie film ‘The Hundred-Foot Journey’
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Foodie File: Kauboi

Japanese-Western themed unites sushi with whiskey and beefgrill

 

How should Santa Cruz develop downtown around the San Lorenzo River?

Santa Cruz | Artist/Show Promoter

 

Best of Santa Cruz County

The 2013 Santa Cruz County Readers' Poll and Critics’ Picks It’s our biggest issue of the year, and in it, your votes—more than 6,500 of them—determined the winners of The Best of Santa Cruz County Readers’ Poll. New to the long list of local restaurants, shops and other notables that captured your interest: Best Beer Selection, Best Locally Owned Business, Best Customer Service and Best Marijuana Dispensary. In the meantime, many readers were ever so chatty online about potential new categories. Some of the suggestions that stood out: Best Teen Program and Best Web Design/Designer. But what about: Dog Park, Church, Hotel, Local Farm, Therapist (I second that!) or Sports Bar—not to be confused with Bra. Our favorite suggestion: Best Act of Kindness—one reader noted Café Gratitude and the free meals it offered to the Santa Cruz Police Department in the aftermath of recent crimes. Perhaps some of these can be woven into next year’s ballot, so stay tuned. In the meantime, enjoy the following pages and take note of our Critics’ Picks, too, beginning on page 91. A big thanks for voting—and for reading—and an even bigger congratulations to all of the winners. Enjoy.  -Greg Archer, EditorBest of Santa Cruz County Readers’ Poll INDEX

 

Have Mercy!

Looking for a frisky summer wine at a reasonable price? Look no further than Mercy Vineyards’ 2013 Sauvignon Blanc ($20). Richly textured “with an exotic flavor profile,” the wine reveals aromas of honeydew melon and honeysuckle, with anise appearing as a star attraction. Smidgeons of pineapple and honeycomb add a touch of sexiness to this well-balanced, easy-drinking wine, which pairs well with a variety of cuisine —especially ceviche, calamari and other not-too-heavy foods.