No longer under construction, Man/Miracle’s debut takes shape
At first glance, Oakland-based rock quartet Man/Miracle may seem the complete opposite of North Korea’s Ryugyong Hotel, better known as the “Hotel of Doom” because it’s remained unfinished since 1987; it’s a 105-story pyramid admonished as an eyesore and modern architectural disaster. Drummer Tyler Corelitz, however, disagrees. Corelitz, who founded Man/Miracle in Santa Cruz with childhood friend Dylan Travis fronting, says the ominous building now gracing the cover of the band’s debut album, The Shape of Things, “matches visually what we had in our heads.”
Why is that confusing? Because Man/Miracle gets in your head via a rapid firing of bright pop melodies and dance-heavy energy crashing together in hand clapping, crowd chorusing and garage rock madness. Travis often convulses at the mic with his pipes wailing like Erasure’s Andy Bell (or the way Morrissey would if he were ever uncontrollably happy), and the band’s songs tend to be of the kind you want to avoid listening to on Highway 17 when it’s raining; their high-octane momentum follows a stop-and-start zeal that compels you to do the same. Bouncy, uptempo, uplifting. No oppressive communist regime or drab building in sight.