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Apr 25th
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Features

Wisdom without Words

Wisdom without Words

Red Sparowes give history lessons through instrumental music
Post-rock is challenging music. It’s not exactly jazz, and it doesn’t take the same kind of abstract understanding to wrap one’s head around; but still, instrumental music can often initially be outside of the comfort zone of many rock faithful who eventually gravitate from the softer croons of Death Cab towards the drifting soundscapes and sludgy guitars of acts like Mogwai and Explosions in the Sky.

Moreover, there’s the confusing issue of how music without lyrics is used to express specific thematic elements that a vocalist might directly address. If Explosions’ “Six Days at the Bottom of the Ocean” is about a sunken Russian Submarine, do specific movements in the song correlate to specific happenings on board? Or is it a more general inspiration?

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Features

The Great Liberator

The Great Liberator

Is Stanley Clarke the Rosa Parks of the electric bass?
With all the Victor Wootens, Michael Manrings and Marcus Millers out there, it’s easy to forget that not so very long ago, the electric bass was relegated to the back of the musical bus: While the lead instrumentalists frolicked in the spotlight, the bassist’s job was to do little more than keep time with the drummer and lay down simple grooves.

Then came Stanley Clarke. With the possible exception of Jaco Pastorius, no musician has done more than Clarke to help establish the bass guitar as a lead instrument in its own right. In the early ’70s, Clarke—previously known for his work with the fusion group Return to Forever as well as with jazz players like Joe Henderson, Dexter Gordon, Stan Getz, Art Blakey and Pharoah Sanders—took flight as a solo artist. Though it was almost unheard-of for a bass player to act as the leader of a band, Clarke’s undeniable skills made short work of the naysayers’ prejudices. 

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Love Your Local Band

Audiafauna

Audiafauna

“None of us have ever played anything like this before,” singer Kelly Koval says of her five bandmates in Audiafauna and the surprising folktronica sound they’ve stumbled upon. “There’s no real lead instrument,” she continues. “It all just builds into one. We are one big instrument.” And as one big instrument, the 22-year-old and her cohorts are making one big impression. A fresh mosaic of acoustic strings, electronic soundscapes, dreamy vocals and brash hip-hop nuances, Audiafauna combines the classical with the cutting-edge—and it’s making plenty of ears perk up around town.

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Features

Metal Machine Music

Metal Machine Music Pat Metheny’s robot band rocks the Civic
In the music documentary film Dig!, a member of the neo-psychedelic rock band The Brian Jonestown Massacre comments that the group’s vocalist, Anton Newcombe, would love to be able to clone himself so as to be able to play all the instruments himself. Science might have a little way to go before such a scenario can be actualized, but the ever-inventive Pat Metheny, a pioneering jazz guitarist who’s won no less than 17 Grammy Awards in 12 different categories, has done the next best thing: He’s created the “New Orchestrion,” a device that uses the technology of solenoid switches and pneumatics to control instruments such as vibraphones, percussion, keyboards, glass jugs and a “guitar-bot” with four single-stringed necks. By commanding his robot army via a MIDI-equipped guitar and programmed computer sequences, Metheny has the enviable ability to be his own backup band.
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Love Your Local Band

Vibrant EYEris

Vibrant EYEris

Vibrant EYEris isn’t just about music, it’s about a movement to open the third eye with heavy dubstep beats. “Hip-Hop has become a divine element in my life,” states lyricist Numerous. “It’s strength through struggle,” agrees co-founder and beats maestro Enthusiast, “It symbolizes freedom and the human desire to expand consciousness.” With this mission in mind, Vibrant EYEris has already dropped two albums; 2010’s EP U>F>E>P, and last year’s debut full-length, Hip Hop Don’t Stop. It all started in early 2009. “I had been looking for a permanent beat producer for a while,” Numerous explains, “and when Enthusiast played me his latest work I started busting some intense freestyles.” Thus began a powerful and productive collaboration. By fusing thick dubstep beats with the flow of conscious hip-hop, Vibrant EYEris has created a unique sound of smart dance music—a party with a message. Since forming, the ensemble has played more than a hundred shows, everywhere from house parties to opening up for hip-hop veterans and fellow conscious rappers, Dead Prez, this last February. Boasting musical influences spanning Jimi Hendrix to Gift of Gab, and political influences like Ron Paul, Vibrant EYEris uses music as a way to transcend the barriers of everyday society. Making big plans for 2010, the group is getting  ready to drop a second full-length, Illadellica, later this year. For now,  the pair’s included a drummer, Rosta, for a rare mix of live and digital beats with each performance, which it will bring to this week’s Your Music Magazine Olympicks on Friday, April 23, at Cypress Lounge. While it’s too early to tell just where Vibrant EYEris is headed, the guys are keeping all options open. “As far fetched as it sounds,” Numerous says with a cracked smile, “I’m hoping technology will advance quickly enough so that we can rock on another planet or galaxy, maybe at some crazy intergalactic space rave.” Time will only tell, but until then keep your EYEris open for the next generation of hip-hop. | Mat Weir

 

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Features

Deer in Spotlights

Deer in Spotlights

Rhode Island’s Deer Tick works hard, plays harder
There are certain bands which just beg to be played in a raucous drinking establishment: glasses banging, cigarettes glowing, hips shaking. With its worn-in sound, dusty country aura, and vocalist John McCauley’s raspy drawl, Providence, R.I.’s Deer Tick is the kind of act which could challenge The Hold Steady for the title of World’s Greatest Bar Band.

Coming around to the Crepe Place on Saturday, April 24, Deer Tick has already made waves with its rick-rollicking live show, which—as attendees at their March show at San Francisco’s Independent discovered—may or may not include male nudity.

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Features

Music for the Future

Music for the Future

Two worlds collide for PremaSoul’s universal appeal
What do you get when you combine Southern soul music, jazz rhythms and Hindu devotional chanting? It could be called universal love. In fact that’s what Sheela Bringi and Clinton Patterson call their band: PremaSoul. “Prema is a sanskrit word that means universal love,” says Bringi, whose parents moved to the United States from India in the ’70s. She explains further, “My first love of music came from devotional singing, or bajans. It’s infused into everything I do musically. I love to take these old melodies and play them in new ways, in new settings, for new audiences.”

PremaSoul combines Bringi on vocals, flute and harp, with Clinton Patterson singing, playing keyboards and trumpet. The band also includes a divine rhythm section of bass, tabla and drumkit. PremaSoul will be performing that unique blend in a concert to benefit Haiti relief efforts at 8 p.m. on Saturday, April 24, at Kuumbwa Jazz. Tickets are $20 in advance and available at Gateways Books. All proceeds will help fund a new orphanage for Haitian children whose parents were killed in the recent earthquake. For more information about humanitarian efforts in Haiti and worldwide by Amma and the MA Center, see embracingtheworld.org.

How did Bringi, an Indian flute player from Colorado, meet Patterson, a jazz keyboardist from Georgia? Both were students at California Institute for the Arts in Southern California. “I was playing music at a Thai restaurant,” Clinton reminisces. “I played music there for two years and one evening Sheela came in and we started talking. Eventually we got together and started playing music.” Their first album was titled Sound Travels and their new EP is A Shrine to All Things.

“I’ve always been interested in pulling music together from different places.” says Clinton. “A vast majority of significant things in American music have come from Black American culture, or people’s perspectives on that culture. I’m bringing my own personal connection to blues, rock ’n’ roll and R&B.”

“PremaSoul is about breaking down boundaries,” adds Bringi, who studied piano and classical Indian vocals as a child. “Early on my mom and dad encouraged me in any kind of artistic pursuit that I wanted. I began piano lessons when I was 4 or 5. Later I took flute lessons and fell in love with Indian flute. In high school I played piano in the jazz band.” She also honed her musical skills at Mills College in Oakland. “It just blew my musical world right open,” she remembers. “I came into contact with so many great musicians, like Fred Frith and Cecil Taylor. It was all based in improvisation. It got me in touch with a musical sense that can only happen when you get together with a group of people and don’t know what you’re going to create, but do it in the moment.”

Playing a concert to benefit children in Haiti seems perfectly in sync with the deeper meaning of PremaSoul. “I was excited when this opportunity came up for us,” reflects Bringi. Patterson agrees; “When things are happening anywhere in the world and people need support, there is no difference between helping someone in Haiti or helping someone that lives next door. That’s also the way that I think about making music. I try to ignore artificial barriers between different musical cultures and traditions.”

Bringi concisely explains her motivation for creativity: “I express my love for the world through music. It’s a way of opening the heart, expressing devotion and calming the mind.” Patterson, her musical partner, adds, “PremaSoul is a way of taking things I really love, putting them together and hopefully making something new, making some progress. It’s music for the future.”


PremaSoul performs at 8 p.m. Saturday, April 24, at Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. Tickets are $20. For more information, call 427-2227. John Malkin is a local writer, musician and host of The Great Leap Forward each Wednesday at 7 p.m. on Free Radio Santa Cruz, 101.1 FM and freakradio.org. Read about the poverty and political instability contributing to the aftermath of the earthquake in Haiti in Paul Farmer’s The Uses of Haiti and Noam Chomsky’s forthcoming Hopes and Prospects (Haymarket).

Features

The French Connection

The French Connection

Composer Yann Tiersen finds crossover success
In 2001, Amélie was the kind of movie which popularized the indie cinema archetype that’s been so prevalently peddled today by Fox Searchlight. And at the center of the movie’s emotional lift was its endearing, quirky score composed by Frenchman Yann Tiersen, who will bring his foreign arrangements to the Rio Theatre on Friday, April 16.

At the time Amélie came out, Tiersen was a complete unknown outside of France, and even within his own country was something of an up-and-comer despite having released three albums prior to Le Fabuleux Destin d'Amélie Poulain. However, the attention that the movie garnered, and the acclaim that Tiersen received for the soundtrack, pushed him into a new realm of critical success that is difficult to define, but undeniably influential.

“This huge success showed me that my music was a bit universal and not so discreet like most people believed it at this time,” explains Tiersen about his mainstream breakthrough. “Obviously it was a big surprise and a pleasure to see this … [and] quite embarrassing to be permanently glued to the movie because it only shows a part of myself and an age that was obviously evolving at the same time.”

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Features

Warehouse Music

Warehouse Music

Beats Antique blends the urban with the urbane
To the casual observer, the tough city of Oakland might seem like an unlikely birthplace for a group like Beats Antique, whose fusion of Middle Eastern, gypsy, electronica and hip-hop music sounds more inspired by DMT than DMX. But Beats Antique drummer/keyboardist/producer Sidecar Tommy (a.k.a. Tommy Cappel) says he and his bandmates—guitarist/violist/saz player/producer David Satori and composer/arranger/producer/belly dancer Zoe Jakes—are right at home in Oakland’s vibrant warehouse scene, which also includes conscious-minded electronic musicians like Bassnectar and Heyoka.

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Features

Going Rogue

Going Rogue

How Zach Rogue bucked the norm, and paralysis, for his music
In a college town like Santa Cruz, Zach Rogue has the kind of story that many recent graduates can relate to. Having finished a political science degree at UC Davis, Zach Schwartz (as he was then known) saw the same future that many others deal with upon coming face to face with the ‘real world’: get a job. Also much like the stereotypical graduate, Rogue was the victim of college apathy, having admittedly never found what his passion was.

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Love Your Local Band

Trip Delight Fantastic

Trip Delight Fantastic

A group of people stand in line waiting for popcorn at last year’s Burning Man Decompression party in San Francisco—organized, calm and fixating on their next salty snack fix. Flash forward 20 minutes later to a scene in which said popcorn line has morphed into an all-out dance party in which any remaining “line” is buried beneath an amorphous unit of booty-shakers and stilt-walkers crowding around one feverish Santa Cruz ensemble, Trip Delight Fantastic. “

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Features

One Busy Slacker

One Busy Slacker

The Santa Cruz Jazz Festival will run 8 a.m.-10 p.m.
Friday and Saturday, March 26-27, at Cabrillo College

Ken Emerson brings the islands to this year’s Santa Cruz Jazz Festival

The last time Ken Emerson performed in town, it was the ‘70s and he was sharing an informal public stage with a historical figure. Back then he was studying art history and psychology at Cabrillo College and frequenting Pacific Avenue for busking sessions with some other notable locals—including one saw player, Tom Scribner. Yes, the saw player now immortalized with a statue in front of Bookshop Santa Cruz.

“In the mid-‘70s [the Pacific Avenue mall] was incredible and Santa Cruz was so happening!” Emerson remembers, his voice blown out from a Bay Area gig the night before our chat. “I played out there on guitar, Tom played saw, and another guy played plectrum guitar. Tom knew all these Hawaiian songs from the 1915 period so I learned quite a bit of Hawaiian music from him. I owe a lot to that guy.”

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Best of Santa Cruz County 2014

The 2014 Santa Cruz County Readers' Poll Come on in, and have a look around. There’s a lot to see—hundreds of winners selected by thousands of GT readers across Santa Cruz County. So if some of this looks familiar, it’s probably because you helped make it happen. But there are always new things to discover, too—you could go to a different winner or runner-up every day in the Food and Drink category alone, and you’d be booked just about until next year’s Best of Santa Cruz County issue comes out.

 

Something Essential Disappears

Lunar and solar eclipses follow one another. Lunar eclipses occur at full moons, and solar eclipses at new moons. Two weeks ago at the full moon we had the blood red moon—a total lunar eclipse (the next one is Oct. 8). On Monday night, April 28 (new moon), as the Sun, Moon and Earth align, a solar eclipse (Sun obscured) occurs. Eclipses signify something irrevocably is changed in our world. The Sun is our essential life force. Monday’s new moon, 9 degrees Taurus, is also an annular solar eclipse when the Moon moves centrally in front of the Sun, yet does not cover the Sun completely. The Sun's outer edges, still visible, form a “ring of fire” around the Moon.

 

Sugar: The New Tobacco?

Proposed bill would require warning labels on sugary drinks Will soda and other saccharine libations soon come with a health warning? They will if it’s up to our state senator, Bill Monning (D-Carmel). On Feb. 27, Monning proposed first-of-its-kind legislation that would require a consumer warning label be placed on sugar-sweetened beverages sold in California. SB 1000, also known as the Sugar-Sweetened Beverages Safety Warning Act, was proposed to provide vital information to consumers about the harmful effects of consuming sugary drinks, such as sodas, sports drinks, energy drinks, and sweetened teas.

 

Film, Times & Events: Week of April 24

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Palate-Stretching 101

A wine education with Soif’s experts As a veteran of many weekend wine “seminars” at Soif, I have to confess that I’ve never known less (going in) and learned more (coming out) than I did last week at the Spanish Wine Tasting with ace rep Brian Greenwood. These are classy, casual events and it’s hard to imagine having this much flavor fun anywhere for $20.

 

Martin Ranch Winery

Sauvignon Blanc 2011 One of my favorite wines is Sauvignon Blanc, and this one made by Martin Ranch is particularly lovely. Bright, crisp and refreshing, it’s perfect to pair with fish and shellfish—and good for picnics as it has an easy screw-cap bottle. There’s nothing worse than setting down your blanket, pulling out your sandwiches—and then realizing you don’t have a corkscrew.

 

Foodie File: Red Apple Cafe

Breakfast takes center stage at Gracia Krakauer's Red Apple Cafe Before they moved to Aptos, Gracia and her husband Dan Krakauer would visit friends in Santa Cruz County and eat at the Red Apple Café all the time. Then they moved up here from Santa Monica five years ago, and bought the Aptos location (there’s a separate one in Watsonville) from the family who owned it for two decades.

 

How would you feel about a tech industry boom in Santa Cruz?

I feel like it would ruin the small old-town feeling of Santa Cruz. It wouldn’t be the same Surf City kind of vacation town that it is. Antoinette BennettSanta Cruz | Construction Management