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Aug 05th
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Features

8-Bit Punks

8-Bit Punks

Anamanaguchi crafts jubilant, hard-hitting Nintendocore

Punk rock means many things to many people. For some it's a genre of music, for others it's a lifestyle. If you ask Luke Silas, drummer for Brooklyn-based quartet Anamanaguchi, he'll tell you that for him and his band mates there is nothing that captures the DIY aesthetic of the punk movement more than the low-fidelity sounds of early Nintendo games.

"You have a shitty guitar," Silas says, carrying on an imaginary conversation with Johnny Rotten or Joey Ramone. "Well, we have these shitty square waves."

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Features

Keeping Music Alive

Keeping Music Alive

Annual Sing For Your Life benefit raises funds for local music programs

It’s no secret that California’s budget crisis has had a deep impact on high school curriculum. With administrators struggling to balance their budgets, everything deemed “non-essential” has been cut—especially music. “Keeping any kind of music program going is a constant struggle for schools,” explains Beth Hollenbeck, music director at Scotts Valley High School. With minimal funding, teachers like her are often unable to afford sheet music and other necessary supplies, as well as chaperones to accompany students to competitions or concerts.

To keep music alive, The Gold Standard Barbershop Chorus—a local chapter of the nationwide Barbershop Harmony Society—has hosted “Sing For Your Life” for the past eight years. Since its inception, the annual choral concert benefit has raised more than $45,000 for local music programs.

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Love Your Local Band

Sun Hop Fat

Sun Hop Fat

The music of Sun Hop Fat is at once strange and soothing. The Oakland-by-way-of-Santa-Cruz jazz and funk ensemble employs Eastern scales that sound familiarly alien—the music you would expect to hear in an old adventure movie when the hero enters a smoky Arabic watering hole. Then again, maybe it is the soundtrack to Scooby and Shaggy skulking around some old haunted mansion: trill, snake-charmer flutes and horns that rise and fall in ominously ornate chords. Sun Hop Fat's tunes are heavily influenced by Ethiopian jazz and the music of Mulu Astatke, who championed the sound in his native Ethiopia and was instrumental in importing the music to America. Bass player and founding Sun Hop Fat member Jesse Toews (who also plays in Santa Cruz "psychedelic Motown throwdown" outfit, Harry and the Hitmen) says that he and his band were drawn to Ethiopian jazz and other East African sounds because of the "seductive" note choices and interesting polyrhythms. While the music originated from African traditions, Toews explains, "because it is so close to the Middle East, it has all these Eastern scales," which give the music a "haunting element," especially to Western ears. The spooky sounds of Ethiopian jazz, combined with the group's penchant for American funk and soul, make his band the perfect choice for Halloween night at The Crepe Place—or "Creepy Place," as Sun Hop Fat trombone player and Crepe bartender Nick Gyorkos has been known to call it.

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Features

The Swing Must Go On

The Swing Must Go On

Jazz luminary Dottie Dodgion celebrates 67 years of making music

A conversation with Dottie Dodgion is like walking into a library filled with stories about the golden era of jazz and her full and fortunate life, accented with winks and humor. At 82 years old, Dodgion continues to awe behind the drum kit that cooked up the fire and cooled off the harmony with such legendary musicians as Charles Mingus, Billy Mitchell, and Stanley Turrentine.

Born in 1929 in Brea, Calif., and raised in Woodland, near Sacramento, Dodgion’s childhood memories are seasoned with humor, adventure, and the limitless freedom that came with having a father who was a “swinging drummer.”

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Features

Movin’ On Up

Movin’ On Up

WebExclusive: ‘X Factor’ contestant and Santa Cruz local Chris Rene wows judges, advances to top 17

It’s been almost a month since 28-year-old Chris Rene brought “The X Factor” stadium audience to its feet during the TV series’ debut episode. Since that fateful performance of his original R&B/rap song, “Young Homey,” the Santa Cruz raised garbage collector and recovering drug addict has been consistently wowing the show’s judges—particularly Simon Cowell and L.A. Reid—with his onstage charisma, down-to-earth personality, and, most importantly, his voice. After performing “Everyday People” by Sly & The Family Stone for Reid and Rihanna on Sunday’s top 32 episode, Rene earned the opportunity to advance to the top 17, as part of the group set to perform live next week. Eager to enter the public-voting round of the competition, beginning Tuesday, Oct. 25, Rene took some time out of his busy schedule to chat with GT about his experience on “The X Factor,” performing in front of music superstars, how Santa Cruz has shaped him as a person, and what he plans to do if he wins.

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Features

Audacious Americana

Audacious Americana

Jeffrey Foucault talks Top Ramen living and touring 200 nights per year

I would [sooner] have a loaded gun in my home [than] a television—you can teach a kid how to use a gun but you can’t teach a kid how to use a TV,” says singer/songwriter Jeffrey Foucault when asked about the meaning behind “Last Night I Dreamed of Television,” one of the darker songs off his latest effort, Horse Latitudes. Foucault’s poetic flair and bold approach to songwriting are evident in the track’s mysteriously atmospheric chords and powerful lyrics: “Last night I dreamed of television and I wept for break of day.”

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Love Your Local Band

The Devil Himself

The Devil Himself

Five years ago, The Devil Himself got its start while playing cards. “We got formed around a poker table,” recalls guitarist/singer Dave Christensen. “We all used to play and it kept coming up in conversation that we all played different instruments. We kept saying we should jam, but our lives wouldn’t allow it. Finally it came together and we haven’t stopped playing since.” Flash forward to today, and the Santa Cruz-based alternative metal band—also featuring guitarist Dan Burnham, drummer Jason Goldberg, and bass guitarist Austin Wilhoit—has just released its fifth album and third full-length, Speak No Evil, on Oct. 8. The record is the final segment in a three-part series, also featuring See No Evil and Hear No Evil, that sounds like a thundering bastard child of Tool, with electric surges and hauntingly heavy vocals that mirror a grittier Chevelle. Frequently packing local venues with head-banging moshers, the band hopes to become the voice of a generation looking for answers to hypocrisy and freedom from despair.

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Features

Looped In

Looped In

Percussionist Nat Grant talks live looping and the local festival that gives it a voice

If you’re a live music buff, chances are you’ve seen a band or two incorporate a loop pedal. Most of the time it’s used to sustain a rhythm, or just sample some background noise, but who knew there was a whole community of musicians forming around the technology?

If anyone can speak to the beauty of the instrument and the community it has spawned, it’s Nat Grant. The Australian percussionist, who just completed her master’s degree in music performance, is one of the headliners of this year’s Y2KX+1 International Live Looping Festival—one of many annual events in town that has helped put Santa Cruz on the music map—taking place this weekend at Pearl Alley Studios in Santa Cruz.

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Features

Rising From the Ashes

Rising From the Ashes

Ryan Adams invokes the past in his latest effort, ‘Ashes & Fire’

Ryan Adams doesn’t always make it easy to be a Ryan Adams fan. After capturing indie souls with Heartbreaker in 2000, and then the world’s attention with 2001’s Gold, the 36-year-old North Carolina native has been playing Russian roulette with his musical style.

From honky-tonk, to a sci-fi metal concept album, to a few hip-hop tracks released on his website, Adams has wandered far from the alt-country genre he helped establish with his band, Whiskeytown, in the mid- to late-’90s. His prolificacy was legendary, averaging 1.3 albums a year. Then came a few books of poetry, followed by the announcement that he had sworn off touring altogether and was moving to the south of France with his new wife Mandy Moore.

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Love Your Local Band

Stan Soroken

Stan Soroken

If you’ve visited Severino’s Bar and Grill on a Thursday evening in the last decade, you know that no one pours smooth jazz from the bell of a trumpet quite like Stan Soroken. This month, Soroken joins the long list of esteemed musicians—including Velzoe Brown and Don McCaslin—to receive a Brownie Award by the Santa Cruz Jazz Society for his contributions to the local scene. It’s been a long journey for Soroken, who spent three weeks just trying to produce noise from his horn as an 8-year-old in Salinas. Eventually he found his groove with the help of Spike Jones’ tuba player and a member of the San Francisco Symphony.

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Features

The Walking Dead

The Walking Dead

Furthur guitarist John Kadlecik talks Deadheads, psychic spaceships, and rocking in the shadow of Jerry Garcia

In the film Rock Star, Mark Wahlberg sings in a tribute band—through happenstance, he eventually takes over the position of lead singer in the genuine band. Although the story is based on heavy metal mavens Judas Priest, it is also the tale of John Kadlecik. After years in Grateful Dead tribute band Dark Star Orchestra, Kadlecik got the tap on the shoulder to replace the empty Jerry Garcia spot in the newly incarnated Dead band, Furthur, featuring original members Bob Weir and Phil Lesh.

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Features

The Lone Wolf

The Lone Wolf

Radio Moscow cranks up the fuzz, channels old garage tunes

At times it is difficult to follow what Parker Griggs is saying—and not only because of the patchy cell phone reception he gets at his remote Northern California hideout.

It is entirely possible that Griggs, front man and lead songwriter for garage-psych revivalists Radio Moscow, is extremely baked as he mumbles on, sometimes inaudibly, about The Great Escape of Leslie Magnafuzz—a piping hot batch of overdriven, wah-wah-, and THC-soaked jams that his trio will kick out at the Blue Lagoon on Oct. 14.

The new record, Magnafuzz, which drops Oct. 11 on Alive Naturalsound Records, is Griggs' third such homage to the heavier sounds of the Age of Aquarius.

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Health Screening

Santa Cruz wellness expert releases app to improve workplace well-being

 

Leo Sun; Full Moon, Venus Retro in Leo; Saturn Direct

It’s a complex week of planetary movements, challenges, demands and callings. We’re in the time of the Leo Sun. Leo—fixed fire, gold, the heart, generous, strong, noble, the king/queen—needs appreciation and praise from everyone in order to move forward. During Leo we gain a greater sense of self-identification by recognizing our creativity. It’s therefore a perfect time for Venus retrograding in Leo. In Venus retrograde we review and re-assess values. Venus retro in Leo concerns our self as valuable, acknowledging talents, gifts, abilities and offerings. Friday, Venus re-enters Leo (29 degrees, a critical degree) continuing the retrograde to 14 degrees Leo on Sept. 6. Friday (Full Moon) is also the (8 degrees) Leo solar festival, Festival of the Future. Leo is the heart of the sun, the heart of all that matters. When attuned to this heart, we have understanding and inclusivity. The heart of the Lion is Mitra (think “Maitreya,” the coming World Teacher). Leo prepares humanity to receive divine love from subtle sources and later to radiate that love to the kingdoms. Sirius, Ray 2, where love originates, streams through Regulus (heart of Leo), into the heart of the sun (Ray 2) and into all hearts. The heart of Leo is Regulus. Joining Venus, the love underlying all of creation appears. Saturday is Sun/Neptune (confusion or devotion) with late night Saturn turning stationary direct. Ideas, plans and structures held long in abeyance (since March 14) slowly move forward. (Read more on Leo and the week at nightlightnews.org and Risa D’Angeles’ Facebook page, accessed through my website.)

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of July 31

Santa Cruz area movie theaters >
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Holy Cannoli

New bakery opens in Ben Lomond, plus Randall Grahm’s quest to grow 10,000 new grape varieties, and Mexican cooking classes

 

Is Santa Cruz turning into Malibu North?

It's got a ways to go before it gets wrecked like Malibu, but I think we need to be very careful about growth. Maria Mattioli, Santa Cruz, Psychotherapist

 

Bargetto Winery

A much-anticipated annual event at Bargetto Winery is the release of their very special La Vita red wine. June 7 was the day to be heralded this year, and I happily squeezed my car into their overloaded car park in eager anticipation of tasting the new La Vita nectar.

 

Margaritaville

Popular Capitola spot gets new owner and complete makeover