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Oct 30th
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Music

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Love Your Local Band

Matador

Matador

With so many street performers on Pacific Avenue hacking their way through played-out classic rock covers, it takes a unique sound to even catch my attention. Take, for instance, Matador: I’m still captivated by its music almost two years after I first saw the duo perform. With Mathew on guitar and Dorota strumming the violin, both going only by first name, Matador formed by chance when Mathew was couch surfing at a mutual friend’s house. “It was just random,” says Dorota. “[We] happened to be at the same place on the same day.” That meeting resulted in the two writing music the very next day. Three years later, they are still at it. “Writing music is kind of like a science experiment,” Mathew states. “We start with a little piece and then we work on it,” explains Dorota. “We’ll try it a billion different ways until it grows into a complete mess, then we bring it back.” With this method of controlled chaos, Matador unleashes a river of melody that’s hauntingly beautiful one moment and dangerously explosive the next.

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Features

Casiotone for the Painfully Alone

Casiotone for the Painfully Alone

Owen Ashworth reflects on 13 years as Casiotone for the Painfully Alone
"I don’t think I’m a particularly good interview,” laments Owen Ashworth about halfway through my interview with the purveyor of indie electronic act Casiotone for the Painfully Alone—coming to the Crepe Place on Wednesday, Sept. 22 with opener Otouto.

This is a half-truth. It’s not so much that Ashworth isn’t a good interview—rather, I feel like I’ve learned a great deal about the Chicago-via-San Francisco musician during our 30 minutes. His answers are methodical, philosophical, and engaging. However, Ashworth is correct in asserting that his musings are distinct (read: much headier) from other indie pseudo-stars. And I feel like this is because he knows all my tricks and secrets.

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Features

Monterey Jazz Festival

Monterey Jazz Festival

All that jazz and more
The Monterey Jazz Festival is the West Coast equivalent of a jazz Stonehenge—a touchstone that has consistently provided the world with phenomenal acts since its inception in 1958 (featuring Billie Holiday, Louis Armstrong, Dave Brubeck, Dizzy Gillespie and others). Now in its 53rd year, nuzzled within the 22 oak-studded acres of the Monterey County Fairgrounds, the MJF has created a heavy weekend that defies and expands the notion of a jazz festival with a musical smorgasbord of auditory delights. For this year’s incarnation of the fest, 500 artists will share eight stages starting Friday night, Sept. 17 through Sunday night, Sept. 19. 

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Features

Jimmie Vaughan's Joy Ride

Jimmie Vaughan's Joy Ride

Jimmie Vaughan is still a blues speed racer
Getting a call from one Jimmie Vaughan on my cell phone at 8 a.m. recently had me doing a double take. “Hi, this is Jimmie Vaughan. I hope it’s OK that I’m calling this early, but I’m sitting in my hotel room with nothing to do and have time do the interview sooner if you can,” his message says after I let the unknown number hit my voicemail while brushing my teeth at home. When I checked it I had to wonder, was I awake or just groggily mishearing things? Blues legend, Vaughan is a founder of the hard-driving Fabulous Thunderbirds. The guy used to open for Jimi Hendrix—the two infamously swapped Wah pedals. Oh, and he’s the older brother and first mentor of the late Stevie Ray Vaughan. There’s more than four decades of blues and rock noodling filling his well-worn boots.

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Love Your Local Band

San Narciso

San NarcisoWhile having sushi dinner at Mobo recently, I mentioned San Narciso, to which my friend pondered aloud, “Why have I heard of them?” The reason is because a new 4-song EP, Friend Prices, confirms what many local show-goers have already discovered: San Narciso, the year-old local indie rock band, is fantastic.
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Features

Kuumbwa Jazz: Small But Mighty

Kuumbwa Jazz: Small But Mighty

Kuumbwa Jazz celebrates 35 years
Starting a nonprofit jazz organization in a little coastal town just south of San Francisco doesn’t seem too promising, and naming it an often mispronounced Swahili word can’t be the best marketing ploy. Still, in 1975, a 19-year-old Tim Jackson joined forces with KUSP programmers Rich Wills and Sheba Burney to do just that. The project would swell into the Kuumbwa Jazz Society, the Kuumbwa Jazz Center, and decades of hosting the top jazz musicians from town and from around the globe.

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Love Your Local Band

Midnite Snack

Midnite Snack

In a world of disposable music in which many bands study fashion more than the songs they play, Denney Joints from the Midnite Snack has one thing to say to you: “Blow my head off with your guitar. Give me something moving, that’s how beauty should sound.” And the 26-year-old knows a little something about music. Besides being the lead singer-songwriter and guitar player for the Snack, he eats, breathes and studies music at Cabrillo College. It was there, in 2008, where he met drummer Trevor Hope (of the Vox Jaguars) and the two formed Midnite Snack, adding bassist Sam Copperman a year later and recording their first EP, Soup Samwich. “I wrote most of the stuff we play like four years ago, but I’ve been sitting on it because I didn’t have a band and I hated the way my voice sounded,” Joints explains with a smirk.

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Features

The Hold Steady: Fact or Fiction

The Hold Steady: Fact or FictionBloodshed, betrayal, and redemption are recurring themes in the band's songs
here was bloodshed in the streets. Charlemagne’s in sweatpants, looking over his shoulder; skinny, scared and off his game. Holly is as beautiful as ever, but now she’s crying hysterically in the corner because we can’t get as high as we got that first night. Meanwhile, Gideon and the shadow men with the same tattoos are partying in Ybor City, Fla., of course, with a pipe made from a Pringles can.
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Features

They Might Be Giants' Puppet Talk

They Might Be Giants' Puppet Talk

They Might Be Giants’ John Flansburgh on living with a split personality
"Can you call me back in 10 minutes? I just arrived, and I have to sort of de-pack my crap.” The statement is classic John Flansburgh, vocalist/guitarist for the jubilantly strange, lovably dorky alternative rock band They Might Be Giants. Since founding the group with vocalist/accordionist/keyboardist John Linnell in 1982, Flansburgh has practically built his career on the kind of pithy wording and amiably sardonic delivery he’s now displaying.

After liberating his crap, Flansburgh gets GT up to speed on a “misguided hand puppet project” that TMBG is currently working on. (Fans will soon see the results in the form of a slew of videos for the Web.) The 50-year-old musician explains that the puppets in question are “kind of angry, and that really speaks to adult audiences. They kind of feel put down by They Might Be Giants. They don’t want to be a part of the show; they feel like we’re holding them back.”

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Love Your Local Band

KZSC’s “The Rising Tide”

KZSC’s “The Rising Tide”

Video, Internet and the iPod did not kill the radio star. Lee Bedrouni and Michal Kamran are working to keep it that way. With Bedrouni acting as head DJ, the two are part of the inspired collective putting on KZSC’s “The Rising Tide.” If you know that fresh indie music is lapping onto our shores but you don’t always know where to find it (or you just don’t have the moolah to go out and catch a concert), set your dial to 88.1FM at 8:30 p.m. each Friday night. That’s when the radio show brings bands—local acts and those touring through town—to local airwaves. “We’re just trying to develop a community,” Kamran says. “Once I actually got involved with the show, I met so many people and Santa Cruz has suddenly become really small. People need to know that this welcoming music scene is out there.” Since January, “The Rising Tide” has been giving glimpses into the sounds and personalities of area musos and figures in the community helping to promote them. With the show being part chat, part on-air gig, a palette of musical tastes has struck the studio; Intergalactic Smugglers, San Narciso, Noise Clinic, Harlequin Baby, and Monsters Are Not Myths, to name a few. This Friday, Aug. 13, the show features Santa Cruz concert producer Keith Petrocelli, while the following Friday, Aug. 20, has The Terrible slated for an interrogation and live performance. It’s a revealing chance to explore the people whipping up the verses. “It’s one thing to really be into U2, but it’s another thing to really be into [Santa Cruz’s] Hermit Convention and be able to talk to Craig Prentice and be like, ‘This is the guy behind this music, this seems really genuine,’” Bedrouni says. “It might demystify certain aspects of the sound, but it makes it really personal.” He adds, “If at least one person listening to the show who never heard a certain artist before, picks up on them and then wants to go see them live, then I’ve succeeded.” Bands wanting to unmask on the mic alongside Bedrouni and Kamran should contact them at [email protected] And listeners should be forewarned: you might discover a local band you never knew you loved.

 


INFO: 8:30 p.m. Fridays. 88.1FM. therisingtidekzsc.blogspot.com. Photo Credit: Brian Baumgartner
Features

Michael Shapiro's Adrenaline Rush

Michael Shapiro's Adrenaline Rush

Composer Michael Shapiro finds inspiration at the Beach Boardwalk
Whether you know everything or nothing about contemporary orchestral music, Santa Cruz locals will appreciate the West Coast premiere of world-renowned composer Michael Shapiro’s latest work, “Roller Coaster,” when it’s performed at the Cabrillo Festival of Contemporary Music on Saturday, Aug. 14. The four-minute piece, inspired by the Giant Dipper roller coaster at the Santa Cruz Beach Boardwalk and The Cyclone at Coney Island, mimics the noises, emotions and overall atmosphere that we experience at a theme park.

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Features

Her Name Is Rio

Her Name Is Rio

On The Rio Theatre’s 10th anniversary as a music venue, owner Laurence Bedford reflects on its dramatic transformation
At the beginning of the present millennium, Soquel Avenue’s Rio Theatre was about to be knocked down. Though the venue had been a local landmark since the late ’40s, resistance to its demolition was less than overwhelming: Locals had long bemoaned the venue’s sticky floors and crud-encrusted carpets, which were held together with duct tape.

But then Laurence Bedford, a San Francisco mortgage banker who did guerilla theater by night, made an unexpected move: He purchased the building from the soon-to-be-bankrupt United Artists. A day or so after getting the keys to the place, Bedford, who had recently relocated to Santa Cruz with his daughter, paid a visit to the local community fixture known as Chip. “I told him what I’d just done, and he laughed for a little bit, ’cause he thought I was kidding,” Bedford recalls.

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Jawing

Monterey Bay scientists are working to crack the mysteries of—and dispel the myths about—great whites. But in the highly contentious world of shark experts, there’s a fin line between love and hate

 

Altars of Remembrance, Forgiveness & Rapprochement

We’re in Scorpio now—things mysterious, ageless, hidden, sometimes scary. Friday is Halloween; Saturday, All Saints Day; Sunday, All Soul’s Day. Sunday morning at 2 a.m. (after midnight), Daylight Savings Time ends. Clocks are turned back. Tuesday is the General Election. Our vote is our voice. Each vote matters. Applying freedom of choice—Libra’s teachings. It’s time to build Halloween, All Saints and All Souls altars—with marigolds, pumpkins, sugar skeletons, copal (incense), pomegranates, persimmons, candy corn and cookies, orange and black. It’s so Saturn (now in Scorpio). Saturn is the dweller on the threshold (like St. Peter at the gates of heaven). Saturn can look like a Halloween creature—a gargoyle—a fantastic dragon-like creature protecting sacred sites. The dweller (Saturn) stands at the door or threshold of sacred mysteries, wisdom temples, inner sanctums of churches, offering protection, scaring evil away. The last day of October and first two days of November, when veils between worlds thin and spirits roam about, are times of remembrance, forgiveness, reconciliation and rapprochement. These actions liberate us. At death, when reviewing our lives and the consequences of our actions if we have forgiven, then we are free, less encumbered with grief and sadness. We place forgiveness on our altars. Happy Halloween, everyone! It’s good to dress up as what we’re afraid of. Or whom we would mentor. Then we become one with them. Note to readers: by Thanksgiving I will need a place to live (with purpose). Please contact me if you know of a place where I can rest for awhile. Teach and build community. [email protected] I will be leaving my mother’s home for the last time.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Not Cool

Even Bill Murray’s hipster cred can’t elevate ‘St. Vincent’
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