DJ Tom LG combines the past and the present
The annual Burning Man festival is a unique fusion of the ancient and futuristic, the human and the digital. The very nature of its Nevada desert location, which puts its participants face-to-face with many of the same basic survival issues with which our primitive ancestors grappled, ensures a somewhat archaic feel, yet the tribal festivities are enlivened by electronic music and state-of-the-art technology.
In short, it’s probably the only place in the world where you might see a robot cruising past a cluster of naked people dancing around a fire.
One would be hard-pressed to find a better DJ for a Burning Man after-party than Tom LG, whose musical tastes epitomize this synthesis of the archaic and modern. “Part of the electronic music scene is to be continually moving forward: Don’t look back; that record was played yesterday, therefore, it’s obsolete,” offers LG, who will be spinning records at this Wednesday’s post-Burning Man party at Moe’s Alley along with DJ Seek, Little John and Rob Monroy. In contrast to that, he notes, “I think the essence of what I’m about is this old and this new, this past and present. I ride this line back and forth, and when the two come together is when I think I’ve created the best experience for people.”
New West Guitar Trio proves that less is more.
Everybody’s familiar with that common affliction that plagues many bands. You know, the inherent case of the LGES, otherwise known as Lead Guitarist Ego Syndrome, which can breed head-to-head vying for the spotlight between singer and ripping soloist; that Catch-22 that can ultimately make and then break a band.
Taking lessons from Esperanza Spalding
Everyone knows that old saying “Those who can’t do, teach.” Well, in response to it, meet Esperanza Spalding. The standup bassist, composer, bandleader and multilingual vocalist is annihilating such skepticism left and right. At the age when most people begin their college pursuits, Spalding accomplished a jaw-dropping feat by becoming Berklee College of Music’s youngest professor ever—when she was merely 20 years old. For jazz’s sparkling up-and-coming gem it wasn’t a whirlwind, it was natural.
The Avett Brothers answer the varied calls of the wild
When it comes to North Carolina’s thunderous country rockers the Avett Brothers, younger brother Seth Avett confirms that what you see onstage is what you get in private: “Since Scott [Avett] was a little boy, he’s had the highest level of energy that you could imagine, it’s unbelievable,” the
Tiempo Libre’s Cuban sons fought the odds
Back in Cuba, Jorge Gomez had a lot of time on his hands. During the early ’90s when, he recalls, there was “no work, no food and no hope,” the pianist turned to music. All day.
“In Cuba, most of the time you don’t have anything to do,” Gomez says from his current home in Miami. “So, you rehearse from 9 a.m. to 9 p.m. looking for some hope. Nothing happens with your music, but you become a great musician. I only focused on rehearsing and finding a way to leave.”
Charlie Hunter and Ben Goldberg find out what's in store when accidents happen
Charlie Hunter just can’t stay away from home. The jazz funk guru who freakishly pulls triple duty on his custom-made seven and eight-string guitars, busting out bass, rhythm and solo magic, first left for the East Coast in 1996 because, he says, “I just had to go to New York to get my butt kicked, you know? I didn’t want to be 50 years old and feel like I didn’t do that.” Still, the Berkeley native hasn’t left us waning from his radar.
From backyard band to Santa Cruz bar stars, Sourgrass brings on the funk
Sourgrass has come a long way for a band that considered naming itself “Chocolate Subways and Marshmallow Overcoats.” In fact, they’ve come a long way since this time last year, when they were playing funk- and blues-fueled rock shows in backyards and garages. “This year is when we were really indoctrinated into the Santa Cruz music society, so to speak, because before this year we were just a whiskey band that played parties,” explains drummer Drew Cirincione.
STS9 proves you don’t need words to make a statement
Noam Chomsky is down with electronica. OK, so you might not see the revered scholar waving a glow stick at a Sound Tribe Sector 9 show anytime soon, but you will see him collaborating with our hometown boys in an upcoming documentary. That’s because STS9 walks the walk. Virtually all sound and no talk, the local 5-piece-gone-big, infamous for elaborate orchestrations of instrumental jam band rock with tech-savvy electronica, is all about getting the word out and giving back.