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Mar 30th
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Features

There’s No Place Like Home

There’s No Place Like Home

Hometown heroes, Eisley, haven’t forgotten where they came from
Sherri DuPree is preparing to order food from one of her favorite restaurants when her phone rings. Asking her husband to grab something for her and apologizing for the background noise, DuPree—singer and songwriter for the Texas-based, indie-pop quintet Eisley—seeks out a quiet corner to talk about her band’s forthcoming tour in support of their third LP, The Valley, released March 1.

It’s just after 8 p.m. on a Wednesday in Tyler, Texas—a town of roughly 97,000 people, situated about 100 miles southeast of Dallas. This is where DuPree lives with her husband, and where she and her bandmates, all of whom are related, grew up. Tyler is also the city where the group recorded The Valley, and, if DuPree has her way, it will be her final resting place.

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Features

Guitar Hero

Guitar Hero

Hendrix doppelganger Eric Gales schools DQ’s in the blues
All too many blues rock albums consist exclusively of AAB lyric schemes slung over the same 12-bar pattern we’ve heard millions of times before. Holding it all together are guitar riffs so clichéd that the player might as well use air quotes before and after playing them. The only real surprises for the listener are what the key and tempo of the next song will be, and whether the singer will complain about romantic troubles, financial hardship, legal issues or health concerns.

While some such songs do inhabit blues guitar monster Eric Gales’ latest album, Relentless, they’re outnumbered by tunes with far more original melodic, harmonic and lyrical information. If there’s such a thing as “progressive blues rock,” Gales’ music might just fall under this category. The main attraction here is Gales’ fiery lead guitar playing: His triplet flurries, brazen double stops and demon-conjuring string bends led Guitarist magazine to name him Best Blues Player of 2010.

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Love Your Local Band

3UpFront

3UpFront

The goal of a “battle of the bands” contest seems straightforward: rock harder than the competition, woo the judges, earn the cash prize. But for local skate punk outfit 3upFront—named after the physical placement of their microphones onstage—Saturday’s annual Your Music Olympicks Finals at The Catalyst is important for two reasons: sticking it to the man and boobs. Now before you get your panties in a twist, consider this—should the foursome win the $5,000 grand prize, a sizable portion will go toward promoting their upcoming “Boobies or Bust” Breast Cancer Awareness Tour. Kicking off in July, the tour will benefit the Susan G. Komen and Breast Cancer Awareness Funds, with 100 percent of the profits going to education and research.

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Features

When Instruments Speak

When Instruments Speak

Hussain & Sharma return for an evening of energized Indian tabla and santoor
Mention Zakir Hussain and rhythmic magic comes to mind. He’s played percussion with Yo Yo Ma, Van Morrison and Pharoah Sanders, bringing an innovative approach to Indian tabla drumming. After growing up in Southern India with his father, legendary tabla player Ustad Alla Rakha, Hussain came to the US in 1970, and George Harrison invited him to play on Living In The Material World. Friday, the renowned cofounder of Shakti fusion band and music composer returns to The Rio.

Good Times: How it is performing with Shivkumarji Sharma?
Zakir Hussain: I must’ve been 15 when I first played with him, and he comes from the same part of India as my family. There’s this very instinctive reaction that we have that makes the music a lot of fun and a lot of joy.

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Features

Holy Hybrid

Holy HybridLa Santa Cecilia breaks the Latin music mold
Klezmer music? Gypsy jazz? Covers of Doors and Beatles tunes? Clearly, this isn’t your typical Latin music group. Yes, La Santa Cecilia plays its fair share of cumbia, bolero, bossa nova, tango and rumba, but rather than being mere preservers of tradition, these six Los Angeles musicians are purveyors of what they call a “modern-day creative hybrid of Latin culture, rock and world music.”
According to the ensemble’s guitarist, Gloria Estrada, the diversity of La Santa Cecilia’s repertoire is a reflection of its members’ backgrounds. “The great thing about L.A. is that you can go to one part of town, and you’re in Little Tokyo; you go a few blocks, and you’re in a Mexican community, or a Jewish, Korean, El Salvadoran or Central American community,” she says. The musician adds that five members of the group are of Mexican descent, and bassist Alex Bendana was born in Venezuela, “but he was raised in L.A. by Mexican people—L.A. has a lot of Mexicans—so he’s an honorary Mexican. So we’re definitely bicultural in the sense that we have our parents’ background and culture and so forth, and at the same time, we grew up with American influence, hearing all kinds of music, eating all kinds of food and seeing different holidays be honored around L.A.”
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Love Your Local Band

Snail

Snail

In 1968, when Led Zeppelin, Black Sabbath and Deep Purple hit the world stage, there was a local group called Snail. Jamming at Harvey West Park, bandleader Bob O’Neill recalls not being the most hardened musicians: “We were like, ‘Would you like to use our equipment?’ We were very young and very nice.” Though not as renowned as their British brothers, Snail is infamous in Santa Cruz. “Our biggest influences were Jeff Beck, Jimi Page and Eric Clapton. We weren’t heavy metal exactly. We had the lyrical side of it with harmonies, so it was kind of a hybrid,” says guitarist Ken Kraft. With a division of harmonies and arrangements, Snail was more like Cream, rocking blues with a psychedelic twist. In 1970, Snail took out a loan, bought Marshall amplifiers and began playing major venues. Selling out the Santa Cruz Civic Auditorium and Selland Arena in Fresno with Santana, Snail became an arena band, still true to their roots. “We played a concert on the beach in Capitola, thousands showed up, but the police never did,” says Kraft, crediting huge turnouts in the ’70s to lack of TiVo. “There weren’t as many distractions back then—there were only three TV stations.” Forty years later, Kraft and O’Neill remain bandmates and friends. As songwriters, the Lennon/McCartney of the band, it’s no surprise that Kraft is currently the White Album Ensemble guitarist, singer and musical director.

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Features

Rebel with a Cause

Rebel with a Cause

Hauschka adds ping-pong balls and beautiful chaos to the piano
It’s a rare sight, but at a Hauschka concert, hipsters and classical enthusiasts really do collide. So do ping-pong balls, beer bottle caps, marbles, vibrators, tape, and anything else the German musician—whose real name is Volker Bertelmann—thinks will dutifully accessorize his piano strings.

“Normal classical pianists use the piano as a tempered instrument, but I don’t like the attitude that that’s the only thing you can do with it and nothing else,” the 44-year-old says from his home in Dusseldorf.

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Features

Return of ‘The Original Slacker’

Return of ‘The Original Slacker’

Like a good wine, J. Mascis gets better with age
In some ways, Several Shades of Why sounds like the kind of record J. Mascis should have been making all along. The laid-back acoustic strumming, lazy guitar slides and general folk lethargy of the album seem to be a better fit than the music Mascis became famous for crafting during the ’90s.

Back then, the founder and front man of Dinosaur Jr. was busy constructing massive squalls of feedback, jangling, overdriven guitar and fuzzed-out bass lines that were barely held together by propulsive and highly compressed drums.

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Love Your Local Band

Matt Masih and The Messengers

Matt Masih and The Messengers

Santa Cruz is indubitably a town that takes to a certain thread of fusion jam bands. Whether they be local products or artists coming through on tour, head out to any given Santa Cruz venue on any given night, and there’s a good chance you’re going to cross something funky, something danceable and (perhaps) something reggae-derived. Matt Masih and The Messengers is a band which easily falls into this category upon first inspection, but the six-piece’s frontman insists there’s much more to the equation. “There’s definitely a singer-songwriter background,” explains multi-instrumentalist Matt Masih. “The lyrics are involved with the shape and outline of the song,” more than most jam bands. Indeed, the project began about two years ago as the sort-of bedroom songs of Masih, who retains most of the creative control in the band. Though there’s room for the rest of the group to inject its own funky flavor—particularly the relatively new horn section—Masih’s songwriting process clearly keeps The Messengers grounded in pop sensibilities.

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Features

Teach the Children Well

Teach the Children Well

Rock duo Tartufi spreads DIY expertise
We all know that sharing is caring. Though if you’re a starving musician with little to share but your inherent melodic gifts, it’s easy to turn into a hoarder squirreling away any post-success wealth and industry wisdom. But for the two members of San Francisco’s exporters of dynamic angular rock, Tartufi, it’s always been about imparting lessons learned. According to Lynne Angel, vocalist, guitarist and looping maestro, there is no competition.

“I think a lot of people can get pretty selfish when it comes to music and can have kind of an ‘In It to Win It’ attitude,” the singer says. “We just like playing music with our friends and helping other people play music.”

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Love Your Local Band

Santa Cruz Jazz 2011

Santa Cruz Jazz 2011

Though it’s not a local band per se, the Jazz Society of Santa Cruz, as an institution, has served as an incubator for many local swing, big band, ragtime and cool jazz outfits since it was established in 2000. The nonprofit hosts a four-hour open jam session for local jazz musicians every Sunday at Bocci’s Cellar and has spawned many local bands by bringing together professionals and weekend warriors—giving people who might not otherwise meet, the opportunity to play in front of a relaxed, fun-loving crowd. Local jazz musician Stella D’Oro—who mesmerizes with Italian “Meglio Stasera”—says that the atmosphere on Sundays at Bocci’s Cellar—a 100-year-old former Italian restaurant at 140 Encinal St.—helped her hone her craft. “People there are very supportive,” D’Oro says, referring to both the musicians and patrons. “They’re great for supporting new musicians and people learning how to get started.” Steve Newman, president of the Jazz Society and master saxophonist, has been with the organization since the beginning. He describes the venue as a “time warp”—a modern day speakeasy where people go once a week to swing dance and get lost in the sounds. “It’s not just the musicians,” Newman says.

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Features

Getting Vocal

Getting Vocal

 

Sweet Honey in the Rock voices its opposition to racial profiling
The all-female, all-African-American vocal group Sweet Honey in the Rock has never shied away from tackling social and political issues. In the four decades since the D.C.-based ensemble’s inception, its members have used blues, reggae, African chanting, jazz improv and gospel styles as a platform for their views on everything from civil rights to domestic violence.

It was no surprise then, that when the controversial anti-illegal immigration act known as Arizona Senate Bill 1070 passed last year, Sweet Honey responded not only by joining the international Sound Strike boycott of Arizona, but also by releasing the song and video “Are We a Nation?” (Sample lyrics: “Does the color of your skin determine how and when you can be stopped and booked for the way that you look? Racial profile—this is not freedom’s style.”)

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Best of Santa Cruz 2015

In 40 years of publishing, Good Times has seen a lot of “bests.”

 

Spring Triangle: Three Spring Festivals—Aries, Taurus, Gemini

The Spring signs Aries, Taurus and Gemini constitute a triangle of force that sets the template for the nine signs that follow and the template for the entire year (Spring 2015 - Spring 2016) ahead. Aries initiates new ideas, Taurus stabilizes the new thinking of Aries and Gemini takes the initiating stabilized ideas of Aries/Taurus and disperses them to all of humanity. It is in this way that humanity learns new things, with the help of Mercury, the messenger. As Spring unfolds, three elements emerge: the Fire of Aries (initiating new ideas), the Earth of Taurus (anchoring the ideas of God through Mercury) and the Air of communicating Gemini. These three signs/elements are the Three Spring Festivals. They are the “triangle of force” forming the template (patterns) of energy for the upcoming new year. After these three we then have the soothing, calming, warming, nurturing and tending waters of the mother (Cancer). Cancer initiates our next season under the hot suns of summer. Planets, stars and signs create the Temple of Light directing humanity towards all things new. March 29 is Palm Sunday, when the Christ, World Teacher, was led into Jerusalem (City of Peace) on a donkey (humility). Palms waving above His head, signified recognition of the Christ’s divinity. Palm Sunday is the Sunday before the Easter (Resurrection Festival). Palm Sunday begins Holy Week, the week of capture, imprisonment, passion, sacrifice, crucifixion, death and resurrection of the christ. All events in the Christ’s life represent events (initiations) that humanity experiences through many lifetimes. We turn our attention to these holy events this week. Their concepts portray and reveal to us greater spiritual understanding. Then, Aries, the “light of life itself” shines through us.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Best of Santa Cruz 2015 Editor's Picks

BEST NIGHT CAP WARSAW MULE AT SHADOWBROOK
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Latest Comments

 

Spring Spirits

Sean Venus’ gin straight up, remembering Rosa’s and a tasting of Hungarian wines

 

What’s your favorite most recent outdoor discovery in Santa Cruz?

A hike that’s across from Waddell Beach. I didn’t realize you could go across the highway and do a super simple loop, and it’s beautiful. You can see the coastline. Liz Porter, Santa Cruz, Community Outreach

 

Martin Ranch Winery

Muscat 2012

 

Front Street Kitchen

Pop-up spot attracts paleo crowd with locally sourced low-carb meals