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Nov 22nd
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Features

Kuumbwa Jazz: Small But Mighty

Kuumbwa Jazz: Small But Mighty

Kuumbwa Jazz celebrates 35 years
Starting a nonprofit jazz organization in a little coastal town just south of San Francisco doesn’t seem too promising, and naming it an often mispronounced Swahili word can’t be the best marketing ploy. Still, in 1975, a 19-year-old Tim Jackson joined forces with KUSP programmers Rich Wills and Sheba Burney to do just that. The project would swell into the Kuumbwa Jazz Society, the Kuumbwa Jazz Center, and decades of hosting the top jazz musicians from town and from around the globe.

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Love Your Local Band

Midnite Snack

Midnite Snack

In a world of disposable music in which many bands study fashion more than the songs they play, Denney Joints from the Midnite Snack has one thing to say to you: “Blow my head off with your guitar. Give me something moving, that’s how beauty should sound.” And the 26-year-old knows a little something about music. Besides being the lead singer-songwriter and guitar player for the Snack, he eats, breathes and studies music at Cabrillo College. It was there, in 2008, where he met drummer Trevor Hope (of the Vox Jaguars) and the two formed Midnite Snack, adding bassist Sam Copperman a year later and recording their first EP, Soup Samwich. “I wrote most of the stuff we play like four years ago, but I’ve been sitting on it because I didn’t have a band and I hated the way my voice sounded,” Joints explains with a smirk.

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Features

The Hold Steady: Fact or Fiction

The Hold Steady: Fact or FictionBloodshed, betrayal, and redemption are recurring themes in the band's songs
here was bloodshed in the streets. Charlemagne’s in sweatpants, looking over his shoulder; skinny, scared and off his game. Holly is as beautiful as ever, but now she’s crying hysterically in the corner because we can’t get as high as we got that first night. Meanwhile, Gideon and the shadow men with the same tattoos are partying in Ybor City, Fla., of course, with a pipe made from a Pringles can.
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Features

They Might Be Giants' Puppet Talk

They Might Be Giants' Puppet Talk

They Might Be Giants’ John Flansburgh on living with a split personality
"Can you call me back in 10 minutes? I just arrived, and I have to sort of de-pack my crap.” The statement is classic John Flansburgh, vocalist/guitarist for the jubilantly strange, lovably dorky alternative rock band They Might Be Giants. Since founding the group with vocalist/accordionist/keyboardist John Linnell in 1982, Flansburgh has practically built his career on the kind of pithy wording and amiably sardonic delivery he’s now displaying.

After liberating his crap, Flansburgh gets GT up to speed on a “misguided hand puppet project” that TMBG is currently working on. (Fans will soon see the results in the form of a slew of videos for the Web.) The 50-year-old musician explains that the puppets in question are “kind of angry, and that really speaks to adult audiences. They kind of feel put down by They Might Be Giants. They don’t want to be a part of the show; they feel like we’re holding them back.”

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Love Your Local Band

KZSC’s “The Rising Tide”

KZSC’s “The Rising Tide”

Video, Internet and the iPod did not kill the radio star. Lee Bedrouni and Michal Kamran are working to keep it that way. With Bedrouni acting as head DJ, the two are part of the inspired collective putting on KZSC’s “The Rising Tide.” If you know that fresh indie music is lapping onto our shores but you don’t always know where to find it (or you just don’t have the moolah to go out and catch a concert), set your dial to 88.1FM at 8:30 p.m. each Friday night. That’s when the radio show brings bands—local acts and those touring through town—to local airwaves. “We’re just trying to develop a community,” Kamran says. “Once I actually got involved with the show, I met so many people and Santa Cruz has suddenly become really small. People need to know that this welcoming music scene is out there.” Since January, “The Rising Tide” has been giving glimpses into the sounds and personalities of area musos and figures in the community helping to promote them. With the show being part chat, part on-air gig, a palette of musical tastes has struck the studio; Intergalactic Smugglers, San Narciso, Noise Clinic, Harlequin Baby, and Monsters Are Not Myths, to name a few. This Friday, Aug. 13, the show features Santa Cruz concert producer Keith Petrocelli, while the following Friday, Aug. 20, has The Terrible slated for an interrogation and live performance. It’s a revealing chance to explore the people whipping up the verses. “It’s one thing to really be into U2, but it’s another thing to really be into [Santa Cruz’s] Hermit Convention and be able to talk to Craig Prentice and be like, ‘This is the guy behind this music, this seems really genuine,’” Bedrouni says. “It might demystify certain aspects of the sound, but it makes it really personal.” He adds, “If at least one person listening to the show who never heard a certain artist before, picks up on them and then wants to go see them live, then I’ve succeeded.” Bands wanting to unmask on the mic alongside Bedrouni and Kamran should contact them at [email protected] And listeners should be forewarned: you might discover a local band you never knew you loved.

 


INFO: 8:30 p.m. Fridays. 88.1FM. therisingtidekzsc.blogspot.com. Photo Credit: Brian Baumgartner
Features

Michael Shapiro's Adrenaline Rush

Michael Shapiro's Adrenaline Rush

Composer Michael Shapiro finds inspiration at the Beach Boardwalk
Whether you know everything or nothing about contemporary orchestral music, Santa Cruz locals will appreciate the West Coast premiere of world-renowned composer Michael Shapiro’s latest work, “Roller Coaster,” when it’s performed at the Cabrillo Festival of Contemporary Music on Saturday, Aug. 14. The four-minute piece, inspired by the Giant Dipper roller coaster at the Santa Cruz Beach Boardwalk and The Cyclone at Coney Island, mimics the noises, emotions and overall atmosphere that we experience at a theme park.

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Features

Her Name Is Rio

Her Name Is Rio

On The Rio Theatre’s 10th anniversary as a music venue, owner Laurence Bedford reflects on its dramatic transformation
At the beginning of the present millennium, Soquel Avenue’s Rio Theatre was about to be knocked down. Though the venue had been a local landmark since the late ’40s, resistance to its demolition was less than overwhelming: Locals had long bemoaned the venue’s sticky floors and crud-encrusted carpets, which were held together with duct tape.

But then Laurence Bedford, a San Francisco mortgage banker who did guerilla theater by night, made an unexpected move: He purchased the building from the soon-to-be-bankrupt United Artists. A day or so after getting the keys to the place, Bedford, who had recently relocated to Santa Cruz with his daughter, paid a visit to the local community fixture known as Chip. “I told him what I’d just done, and he laughed for a little bit, ’cause he thought I was kidding,” Bedford recalls.

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Features

Free Bird

Free Bird

eighth blackbird’s rock ’n’ roll business plan
For audiophiles, it’s an immutable truth that there’s no experience quite like listening to music in a car, which is why driving I-5 between Los Angeles and the Bay is a favorite experience of mine: the 300-or-so Midwest-flat miles make the perfect environment for cochlea-rupturing audio levels. And indeed, I recently found myself on this (relatively) desolate stretch of road, when my copilot decided to co-opt my car stereo for his own purposes: experimental composer Steve Reich.

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Features

Place Your Vote

Place Your Vote

In bands and on ballots, Kinky Friedman makes his mark
Author, musician, sometime-politician and all-around American raconteur, Kinky Friedman doesn’t mince words when it comes to pontificating on just about any subject near and dear to his heart. His takes on life are often delivered in a humorous, satirical manner, but the 65-year-old tackles a lot of serious issues and themes, much like the manner in which Mark Twain presented his opinions and views to readers. Still, Friedman is clearly on a level all his own today.

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Love Your Local Band

Nordic Forge

Nordic Forge

“Man is wolf to man.” Not only is this a quote from the Roman playwright Plautus, one of the earliest known Latin authors, but it is also the title of the earliest known demo recording from local metal slayers Nordic Forge. “[The title track] is a song Jimi wrote almost all at once,” explains the vocalist, Rueben. “Then, I wrote the lyrics after listening to the hymn ‘O Rubor Sanguinis’ by Saint Hildegard Von Bingen.” Determined not to be just another scrawled name in the metal world, the guys in Nordic Forge draw their creativity from classics such as Shakespeare (“Throne of Blood”) and saintly hymns, to an array of bands from the early days of thrash metal and the extremes in Scandinavia. Mario, the act’s guitarist, cites atmospheric and melodic groups like Dissection, At the Gates, and Darkthrone as influences. “Always Darkthrone,” he emphasizes. Only known by their first names, the band of intellectual malcontents consists of Reuben on flesh-curling vocals, brothers Mario and Jimi decimating the guitar scales, Ben on thunderous bass, and Andrew manning the rapid-firing drums.

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Features

Rock ’n’ Read

Rock ’n’ Read

Local library wants teens to get loud at its Battle of the Bands
Let’s face it, the last place you’d think to unleash a rock band is at a public library. Making noise at a building of books isn’t exactly known as kosher because we’ve all grown accustomed to that stereotypical image of the grumpy librarian—glasses low on the bridge of her nose, fingers up to her lips shush-ing away, white hair knotted in a bun, and seriously lacking any cool factor.

Think again, says Santa Cruz’s Matt Lorenzo, a former library’s assistant and coordinator of the 2010 Teen Battle of the Bands on Saturday, July 24 at 1 p.m. Organizing the teen music competition for a second year in a row, the 32-year-old (whose mom is a local librarian) is giving the library a facelift and turning it into a temporary rock venue at the behest of the Santa Cruz Public Library system itself. (Insert voice of Gary Coleman doing a ‘What’choo talkin’ ’bout Willis?’ doubletake here.)

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Love Your Local Band

Honeymoon

Honeymoon

A girls’ night in can do wonders. Just ask Honeymoon. For a band whose first jam session started out haphazardly as an excuse for a bunch of talented ladies to casually hang out and drink wine at home last November, the band has snowballed into an intoxicating musical force. A powerful brigade of four singer-songwriters coalescing into a fresh new project that wields a juggler’s dream of instrumental variation, a cappella magic, and endearing familial chemistry, the ensemble is on the rise. Lauren Shera, Andrea Blunt, Christina Bailey and Sara Bollwinkel have each made their mark solo or in other bands before stumbling upon Honeymoon—in which they’re now fueling each other’s fires as a standout Americana-folk act.

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Pop Life

The pop-up dining trend is freeing culinary imaginations and creating a guerilla version of event dining around Santa Cruz

 

Over Hills and Plains, Riding a White Horse, Bow and Arrows in Hand

Saturday, early morning, the sun enters and radiates the light of Sagittarius. Three hours later, the Sagittarius new moon (0.07 degrees) occurs. “Let food be sought,” is the personality-building keynote. “Food” means experiences; all kinds, levels and types. It also means real food. Sag’s secret is their love of food. Many, if not musicians, are chefs. Some are both. The energies shift from Scorpio’s deep and transformative waters to the “hills and plains of Sagittarius.” Sag is the rider on a white horse, eyes focused on the mountain peaks of Capricorn (Initiation) ahead. Like Scorpio, Sagittarius is also the “disciple.” Adventure, luck, optimism, joy and the beginnings of gratitude are the hallmarks of Sagittarius. Sag is also one of the signs of silence. The battle lines were drawn in Libra and we were asked to choose where we stood. The Nine Tests were given in Scorpio and we emerged “warriors triumphant.” Now in Sag, we are to be the One-Pointed Disciple, riding over the plains on a white horse, bow and arrows in hand, eyes focused on the Path of Return ahead. Sagittarians are one-pointed (symbol of the arrow). Sag asks, “What is my life’s purpose?” This is their quest, from valleys, plains, meadows and hills, eyes aimed always at the mountaintop. Sag emerges from Scorpio’s deep waters, conflict and tests into the open air. Sag’s quest is humanity’s quest. Sag’s quest, however, is always accompanied by music and good food.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of November 21

Santa Cruz area movie theaters >
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Pie Fidelity

A little Thanksgiving help, plus sip and shop locally at the Art, Wine and Gift Bazaar

 

What should be on everyone’s bucket list?

Hang gliding, because you're free as a bird. Jenni, Santa Cruz, Student/Administrative Assistant

 

Soquel Vineyards

Thanksgiving is just around the corner, so it’s time to be thinking about the wine you’re going to serve with that special dinner, be it turkey, ham, a roast, or something vegetarian or vegan.

 

The Kitchen

Chef Santos Majano talks beer-friendly food at Discretion Brewery