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Oct 20th
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Music

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Features

Walk the Lineage

Walk the Lineage

Warren Hood and band come from Texas royalty
There’s something about hearing Warren Hood’s Texas drawl that is gracious and inviting—as he speaks about his recent experience at Merlefest, you can almost imagine his spurs spinning with excitement. “I got to play with Elvis Costello and Little Feat,” relays Hood from his home in Austin. “It was not just business as usual.”

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Love Your Local Band

Your Music Olympicks

Your Music Olympicks

Tin and aluminum are the traditional gifts for a 10-year anniversary, but Your Music Magazine is seeing gold, silver and bronze. For a decade now, YMM has been sponsoring Your Music Olympicks, a battle of the bands bringing out some of the hardest hitting unsigned local musicians from the Bay and Sacramento. Each year bands compete to earn the title of “best band” not only by earning points at specific YMO events based on audience vote, but individual members can also raise their band’s standing by winning in categories such as Best Vocals, Best Guitar Solo, and more.

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Features

Out of Africa

Out of Africa

Sierra Leone’s Refugee All Stars survived war and bring the spotlight home
It’s a peculiar thing how it’s often those in positions of the greatest suffering who find the means to extol higher spiritual powers, radiate the brightest light, and dance as though there lies no problem at their feet. Take for example the spiritual songs of slaves, the hymns and folk songs of America during segregation and the anti-war era, or the political songs of South Africa during Apartheid. Music doesn’t just move, it can bolster a movement. So while you might be modest in your socio-economic standing, you can always remain brazenly rich when it comes to melody. Sierra Leone’s Refugee All Stars know this well.

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Love Your Local Band

Blackbird Raum

Blackbird RaumThe beautiful thing about music is its versatility. A song can be a story, a dance party or a soapbox for the band; a couple of minutes mixed with various instruments to communicate a smorgasbord of ideas. Nobody understands this better than the members of Blackbird Raum. By fusing harmonizing vocals singing allegorical lyrics with accordions, banjos, washboards, mandolins, a washtub bass and even saw blades, the quintet creates pure, fast-paced Americana. The origins of the ensemble started around 2003, when accordion player Zack and banjoist Caspian met while drifting on the open highway and bonded over their similar anarchist ideology and love of punk music. “A lot of the music we’re playing is about a time in our life when we were traveling around riding trains and squatting,” Caspian explains. “We couldn’t play traditional punk, so we took random instruments and taught ourselves how to play them.” The founding duo went on to play streets and house parties wherever they went, later adding Mars on mandolin/saw, David on washtub bass, and a then 15-year-old named K.C. on washboard. Since then, Blackbird Raum has continued traveling the dusty roads, playing for anyone who will listen, whether it’s a huge show like the Northwest Folklife Festival or passers-by on Pacific Avenue. Last year saw the release of their second full-length, Under the Starling Host, a compilation of songs channeling ideas of environmentalism, community and fighting for your beliefs. Taking their name from the Hermetic demon, Raum (a crow that adopts human form in order to steal from the rich), with antiquated instruments in hand, these vagabonds create something entirely new out of the ancient. “I feel there’s truth to us calling this demon when we play,” says K.C. “Our music promotes ‘out with the old and in with the reality,’” Zack chimes in. “There’s more to this world than what our society has to offer. The truth is out there.”

INFO: West Coast tour kickoff show on May 21 TBA. Myspace.com/blackbirdraum.
Features

Wisdom without Words

Wisdom without Words

Red Sparowes give history lessons through instrumental music
Post-rock is challenging music. It’s not exactly jazz, and it doesn’t take the same kind of abstract understanding to wrap one’s head around; but still, instrumental music can often initially be outside of the comfort zone of many rock faithful who eventually gravitate from the softer croons of Death Cab towards the drifting soundscapes and sludgy guitars of acts like Mogwai and Explosions in the Sky.

Moreover, there’s the confusing issue of how music without lyrics is used to express specific thematic elements that a vocalist might directly address. If Explosions’ “Six Days at the Bottom of the Ocean” is about a sunken Russian Submarine, do specific movements in the song correlate to specific happenings on board? Or is it a more general inspiration?

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Features

The Great Liberator

The Great Liberator

Is Stanley Clarke the Rosa Parks of the electric bass?
With all the Victor Wootens, Michael Manrings and Marcus Millers out there, it’s easy to forget that not so very long ago, the electric bass was relegated to the back of the musical bus: While the lead instrumentalists frolicked in the spotlight, the bassist’s job was to do little more than keep time with the drummer and lay down simple grooves.

Then came Stanley Clarke. With the possible exception of Jaco Pastorius, no musician has done more than Clarke to help establish the bass guitar as a lead instrument in its own right. In the early ’70s, Clarke—previously known for his work with the fusion group Return to Forever as well as with jazz players like Joe Henderson, Dexter Gordon, Stan Getz, Art Blakey and Pharoah Sanders—took flight as a solo artist. Though it was almost unheard-of for a bass player to act as the leader of a band, Clarke’s undeniable skills made short work of the naysayers’ prejudices. 

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Love Your Local Band

Audiafauna

Audiafauna

“None of us have ever played anything like this before,” singer Kelly Koval says of her five bandmates in Audiafauna and the surprising folktronica sound they’ve stumbled upon. “There’s no real lead instrument,” she continues. “It all just builds into one. We are one big instrument.” And as one big instrument, the 22-year-old and her cohorts are making one big impression. A fresh mosaic of acoustic strings, electronic soundscapes, dreamy vocals and brash hip-hop nuances, Audiafauna combines the classical with the cutting-edge—and it’s making plenty of ears perk up around town.

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Features

Metal Machine Music

Metal Machine Music Pat Metheny’s robot band rocks the Civic
In the music documentary film Dig!, a member of the neo-psychedelic rock band The Brian Jonestown Massacre comments that the group’s vocalist, Anton Newcombe, would love to be able to clone himself so as to be able to play all the instruments himself. Science might have a little way to go before such a scenario can be actualized, but the ever-inventive Pat Metheny, a pioneering jazz guitarist who’s won no less than 17 Grammy Awards in 12 different categories, has done the next best thing: He’s created the “New Orchestrion,” a device that uses the technology of solenoid switches and pneumatics to control instruments such as vibraphones, percussion, keyboards, glass jugs and a “guitar-bot” with four single-stringed necks. By commanding his robot army via a MIDI-equipped guitar and programmed computer sequences, Metheny has the enviable ability to be his own backup band.
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Love Your Local Band

Vibrant EYEris

Vibrant EYEris

Vibrant EYEris isn’t just about music, it’s about a movement to open the third eye with heavy dubstep beats. “Hip-Hop has become a divine element in my life,” states lyricist Numerous. “It’s strength through struggle,” agrees co-founder and beats maestro Enthusiast, “It symbolizes freedom and the human desire to expand consciousness.” With this mission in mind, Vibrant EYEris has already dropped two albums; 2010’s EP U>F>E>P, and last year’s debut full-length, Hip Hop Don’t Stop. It all started in early 2009. “I had been looking for a permanent beat producer for a while,” Numerous explains, “and when Enthusiast played me his latest work I started busting some intense freestyles.” Thus began a powerful and productive collaboration. By fusing thick dubstep beats with the flow of conscious hip-hop, Vibrant EYEris has created a unique sound of smart dance music—a party with a message. Since forming, the ensemble has played more than a hundred shows, everywhere from house parties to opening up for hip-hop veterans and fellow conscious rappers, Dead Prez, this last February. Boasting musical influences spanning Jimi Hendrix to Gift of Gab, and political influences like Ron Paul, Vibrant EYEris uses music as a way to transcend the barriers of everyday society. Making big plans for 2010, the group is getting  ready to drop a second full-length, Illadellica, later this year. For now,  the pair’s included a drummer, Rosta, for a rare mix of live and digital beats with each performance, which it will bring to this week’s Your Music Magazine Olympicks on Friday, April 23, at Cypress Lounge. While it’s too early to tell just where Vibrant EYEris is headed, the guys are keeping all options open. “As far fetched as it sounds,” Numerous says with a cracked smile, “I’m hoping technology will advance quickly enough so that we can rock on another planet or galaxy, maybe at some crazy intergalactic space rave.” Time will only tell, but until then keep your EYEris open for the next generation of hip-hop. | Mat Weir

 

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Features

Deer in Spotlights

Deer in Spotlights

Rhode Island’s Deer Tick works hard, plays harder
There are certain bands which just beg to be played in a raucous drinking establishment: glasses banging, cigarettes glowing, hips shaking. With its worn-in sound, dusty country aura, and vocalist John McCauley’s raspy drawl, Providence, R.I.’s Deer Tick is the kind of act which could challenge The Hold Steady for the title of World’s Greatest Bar Band.

Coming around to the Crepe Place on Saturday, April 24, Deer Tick has already made waves with its rick-rollicking live show, which—as attendees at their March show at San Francisco’s Independent discovered—may or may not include male nudity.

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Features

Music for the Future

Music for the Future

Two worlds collide for PremaSoul’s universal appeal
What do you get when you combine Southern soul music, jazz rhythms and Hindu devotional chanting? It could be called universal love. In fact that’s what Sheela Bringi and Clinton Patterson call their band: PremaSoul. “Prema is a sanskrit word that means universal love,” says Bringi, whose parents moved to the United States from India in the ’70s. She explains further, “My first love of music came from devotional singing, or bajans. It’s infused into everything I do musically. I love to take these old melodies and play them in new ways, in new settings, for new audiences.”

PremaSoul combines Bringi on vocals, flute and harp, with Clinton Patterson singing, playing keyboards and trumpet. The band also includes a divine rhythm section of bass, tabla and drumkit. PremaSoul will be performing that unique blend in a concert to benefit Haiti relief efforts at 8 p.m. on Saturday, April 24, at Kuumbwa Jazz. Tickets are $20 in advance and available at Gateways Books. All proceeds will help fund a new orphanage for Haitian children whose parents were killed in the recent earthquake. For more information about humanitarian efforts in Haiti and worldwide by Amma and the MA Center, see embracingtheworld.org.

How did Bringi, an Indian flute player from Colorado, meet Patterson, a jazz keyboardist from Georgia? Both were students at California Institute for the Arts in Southern California. “I was playing music at a Thai restaurant,” Clinton reminisces. “I played music there for two years and one evening Sheela came in and we started talking. Eventually we got together and started playing music.” Their first album was titled Sound Travels and their new EP is A Shrine to All Things.

“I’ve always been interested in pulling music together from different places.” says Clinton. “A vast majority of significant things in American music have come from Black American culture, or people’s perspectives on that culture. I’m bringing my own personal connection to blues, rock ’n’ roll and R&B.”

“PremaSoul is about breaking down boundaries,” adds Bringi, who studied piano and classical Indian vocals as a child. “Early on my mom and dad encouraged me in any kind of artistic pursuit that I wanted. I began piano lessons when I was 4 or 5. Later I took flute lessons and fell in love with Indian flute. In high school I played piano in the jazz band.” She also honed her musical skills at Mills College in Oakland. “It just blew my musical world right open,” she remembers. “I came into contact with so many great musicians, like Fred Frith and Cecil Taylor. It was all based in improvisation. It got me in touch with a musical sense that can only happen when you get together with a group of people and don’t know what you’re going to create, but do it in the moment.”

Playing a concert to benefit children in Haiti seems perfectly in sync with the deeper meaning of PremaSoul. “I was excited when this opportunity came up for us,” reflects Bringi. Patterson agrees; “When things are happening anywhere in the world and people need support, there is no difference between helping someone in Haiti or helping someone that lives next door. That’s also the way that I think about making music. I try to ignore artificial barriers between different musical cultures and traditions.”

Bringi concisely explains her motivation for creativity: “I express my love for the world through music. It’s a way of opening the heart, expressing devotion and calming the mind.” Patterson, her musical partner, adds, “PremaSoul is a way of taking things I really love, putting them together and hopefully making something new, making some progress. It’s music for the future.”


PremaSoul performs at 8 p.m. Saturday, April 24, at Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. Tickets are $20. For more information, call 427-2227. John Malkin is a local writer, musician and host of The Great Leap Forward each Wednesday at 7 p.m. on Free Radio Santa Cruz, 101.1 FM and freakradio.org. Read about the poverty and political instability contributing to the aftermath of the earthquake in Haiti in Paul Farmer’s The Uses of Haiti and Noam Chomsky’s forthcoming Hopes and Prospects (Haymarket).

Features

The French Connection

The French Connection

Composer Yann Tiersen finds crossover success
In 2001, Amélie was the kind of movie which popularized the indie cinema archetype that’s been so prevalently peddled today by Fox Searchlight. And at the center of the movie’s emotional lift was its endearing, quirky score composed by Frenchman Yann Tiersen, who will bring his foreign arrangements to the Rio Theatre on Friday, April 16.

At the time Amélie came out, Tiersen was a complete unknown outside of France, and even within his own country was something of an up-and-comer despite having released three albums prior to Le Fabuleux Destin d'Amélie Poulain. However, the attention that the movie garnered, and the acclaim that Tiersen received for the soundtrack, pushed him into a new realm of critical success that is difficult to define, but undeniably influential.

“This huge success showed me that my music was a bit universal and not so discreet like most people believed it at this time,” explains Tiersen about his mainstream breakthrough. “Obviously it was a big surprise and a pleasure to see this … [and] quite embarrassing to be permanently glued to the movie because it only shows a part of myself and an age that was obviously evolving at the same time.”

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Field Work

Santa Cruz Mountain winemakers explain how the harvest works, and what kind of wine to expect from this year's crop

 

Libra's Two Choices

Libra (our last week) is the sign of creating right relations and values. In Libra we are asked to choose how to be, our identity in the world. We can maintain a hermetic sealed-off attitude (my life, my work, my money, etc.) or we can gain knowledge of world events and learn more about those in need. Libra is a group sign—self with others. Here are some events occurring in our world this week concerning food, poverty, spirituality, values and global realities. The UN (a spiritual experiment) each month places a “light” upon world problems. This week a light shines on Rural Women, Farms, Food & Poverty. Before we choose to respond we must have knowledge. “So we can each do our part.” Oct. 15 - International Day of Rural Women (unrecognized with few resources); Oct. 16 - World Food Day & Family Farming: Feeding the World, Caring for the Earth; Oct. 17 - Eradication of Poverty Day (international). During the month of Libra (with Saturn exalted), we pause, contemplate and assess what it is we know, don’t know, and need to know. Libra receives and distributes Ray 3 of divine intelligence, right relations, right choice and right economy (Venus). Use your intelligence “tips the Libran scales” in terms of being able to see and then choose between the two paths Libra offers (return to the past or step forward into Scorpio’s Discipleship). Libra (the oscillating light) prepares us for the great tests and conflicts in Scorpio. In Libra we are subtly tested as we learn the nature of polarized energies (s/he loves me, s/he loves me not). In Libra we learn more about ourselves through others. Libra’s Ray 3 asks us to become more adaptable and skillful. And then we are to teach each other what we know. In Libra, we all become teachers. In all these ways love is cultivated.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Docs Without Borders

United Nations Association Film Festival showcases documentaries from around the globe
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Nut Kreations

Co-owner Craig Olsen goes nuts over nuts

 

What artist or artists participating in the encore weekend of Open Studios should not be missed?

Santa Cruz | Teacher

 

Martin Ranch Winery

Friends who are wine club members of Martin Ranch invited us to the winery’s fun and festive annual barbecue, where the wine is flowing and the food just keeps on coming. Music and dancing are part and parcel of the action, and a good time is guaranteed.

 

Beer Bus

Santa Cruz’s new Brew Cruz, award winning ales, mole by el Jardín, and Wildcat Ridge Chardonnay