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Mar 29th
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Love Your Local Band

Local Acts Done Good

Local Acts Done Good

Think Santa Cruz is soundproofed by the surrounding mountains, one snaky Highway 17, and that thing called the Pacific Ocean? Think again. A couple of acts have eschewed the confines of small town beach living and taken their big sounds to some big Hollywood spotlights. Congrats are in order to Wooster and James Durbin, two very different acts whose musical pursuits have recently put a star next to our town on the musical map.

Shuffling together a taut rock and reggae concoction that pops with tasty nuggets of suave blues, seductive soul and edgy funk, Wooster took the Ford-sponsored “Gimme the Gig” national contest by storm. Out of 2,500 applicants, the septet led by Brian Gallagher was chosen as one of the top seven finalists to hit the infamous Whiskey A Go Go stage in Los Angeles last month to strut some serious goods in an attempt to win a recording session with no other than Don Was. Though it returned sans a contract, Wooster’s rise in the ranks during the seven-month contest and subsequent Hollywood exposure have added to the local band’s sweltering reputation. 

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Love Your Local Band

The Huxtables

The Huxtables

The Huxtables have been around. As in, lots of local bands now DIY-ing it were still diapering it when these guys went from playing their first show 16 years ago—a McKinleyville house party—to dicing up local stages. Somehow, the dust has never managed to settle on the band’s frenetic rock that bounces with more pop than your last illegal fireworks display. And in all these years, the only thing missing in the career of a veteran band that needs no introduction is … a debut album. Say what? You read it correctly: Despite a parade of EPs and 2003’s Fire is Sabotage compilation, The Hux never managed to package one proper full-length CD. None, zilch, nada. Until now. “We’d always been a side project for the first 10 years of our existence, so we never had the drive to get into the studio to record a full-length until three years ago,” says founding bassist AJ Marquez, formerly of Slow Gherkin.

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Love Your Local Band

Art Museums

Art Museums

If John Hughes’ film, The Breakfast Club, takes the Saturday morning shift of depicting the angst of a disenchanted teen world, then Art Museums—the wonky flashback pop duo of Josh Alper and Glenn Donaldson sharing guitar and vocal chops—happily picks up the slack for the nightcap, creating a fun and carefree refuge of old-school adolescent solace. A colorful kaleidoscope of timbre, Art Museums paint a lo-fi retro soundscape of pastel pop and bubblegum fun. “It’s a jangle shirt with a post-punk scarf,” Donaldson emails to Good Times. Part ’60s mod wrapped in the magnetic tape of C-86 and topped by twee, Art Museums meld various feel-good jams under the fuzzy buzz of an analog 8-track. “There’s a certain gauze the Tascam 388 puts over the music,” Alper muses, referencing the layer of haze mulling throughout the group’s first full-length, Rough Frame, echoing the D.I.Y. punk mentality of the ’80s. For Alper, the ’80s was a time of musical self-realization. Going to the record store and mining through the vaulted cassette and vinyl stacks was an escape.

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Features

Conspiracy Theory

Conspiracy Theory

The recruits and rumors behind a Disco Biscuits side-project
What does a working musician do during downtime? If you ask Conspirator founder and bassist Marc Brownstein, the words “down” and “time” exist in his vocabulary but never combine into one.

When not on the road with his home project, Philadelphia electronic jam band Disco Biscuits, Brownstein is a father of three and co-chair of the voter registration group Headcount, all while nurturing numerous side projects—one of which is Conspirator, the brainchild of Brownstein and Disco Biscuits keyboardist Aron Magner. Since 2004, Brownstein and Magner have been creating instrumental electronic jams slightly more stern than the playful Biscuits sound.

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Features

It’s Not Easy Being Three

It’s Not Easy Being Three

Wilco guitarist Nels Cline takes on his own trio
I’ve just caught veteran guitarist Nels Cline in a Chicago studio in between takes with none other than Wilco, but, quite frankly, Cline’s biggest project is furthest away from my mind.

Though he’s been best known as the lead guitarist of Wilco since joining Jeff Tweedy’s rotating cast in 2004, Cline’s career stands amongst some of the most prolific musicians ever; he’s recorded with such an array of collaborators that the word ‘eclectic’ doesn’t even begin to describe it. He’s also probably one of the most affable artists around, as our chat confirms, and the experimenter’s jazzy Nels Cline Singers (joined this week by Cline’s wife, former Cibo Matto member Yuka C. Honda) will be descending upon Don Quixote’s this Friday, Feb. 4.

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Features

Alive and Well

Alive and Well

The Dead Kennedys return with punk compassion
In 1980, I came upon the first Dead Kennedys album, Fresh Fruit For Rotting Vegetables, with my outcast friends and soon discovered that the DKs were a gateway band into a new experience called punk rock. The band played energized, socially conscious songs of hidden histories and political critique, often served up with a twist of humor. Thirty years later, we can still dance to live versions of “California Uber Alles” and “Holiday in Cambodia” with the Dead Kennedys, which will be blasting the Catalyst on Saturday, Feb. 5, with The Disciples and Ol' Cheeky Bastards opening.

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Love Your Local Band

Hurricane Roses

Hurricane Roses

There was never any question as to what kind of songs Angelina Lemucchi would end up writing. As a child, the 33-year-old singer remembers, “I’d sit in the back of my grandparents’ house listening to Merle Haggard and Loretta Lynn.” Growing up with a pastor as a father during a strict religious upbringing, she wasn’t allowed to buy CDs other than gospel or Christian music until she was 17. But she’d always find a way to sneak in some country western crooning, which she says still makes her feel “warm and at home.” Tugging at her ears from an early age, it’s easy to see why that same kind of country storytelling and twanging swagger would make their way onto the debut, self-titled album from Lemucchi’s latest band, Hurricane Roses. Sometimes gently ambling with brooding ballads and other times romping with unmitigated rock swiftness, the six-piece transforms Lemucchi’s cache of personal lyrics—deeply cathartic in nature—into rumbling toe-tappers. This week at Moe’s Alley, on Saturday, Feb. 5, Lemucchi and Co. will celebrate the release of an eight-track CD that she describes is infused with the themes of “discovery, loss and change.”

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Love Your Local Band

The Cranks

The Cranks

To say the players in Aptos’ raging psychobilly duo, The Cranks, wear dedication on their sleeves would be a major understatement, overlooking a key detail surrounding the crew of Mike Hilden (guitars/vocals) and Américo Castillo (drums). It’s actually worn tattooed to their sleeve—The Cranks logo sprawled across Castillo’s forearm, leaving no doubt of his hardcore loyalty to the music. “We may not be the best musicians,” Castillo admits, “but no one can do what The Cranks do.” Rattling on a hybrid blend of Mexican corridos, Norteño rhythms, rockabilly rags and hard-nosed, foot-stomping Led Zeppelin rock, The Cranks are six-year veterans to the Santa Cruz scene—having  emerged from the ashes of the enigmatic trio, Sapos Muertos. After releasing a second album, The Cranks II, in October (only to rush back to the studio to start recording a third full-length, The Cranks III) the group has solidified its sound of organic, gritty, in-the-trenches roots rock that’s simultaneously perfect for the smoky dim aura of a grungy bar and the down-home warmth of a sunny Sunday barbecue. “We like to play with a lot of roots ideas,” Hilden raps, “but [we] don’t confine ourselves to one style.”

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Features

Bird Calls

Bird Calls

Multi-instrumentalist Andrew Bird goes loopy in church
It’s kind of appropriate that Andrew Bird hails from the Windy City. If you’ve never heard the anointed expert whistler pucker his lips, it sounds like an eerie breeze through the trees, maybe more akin to extraterrestrial avifauna or solar wind than anything earthbound. One might call them Bird calls.

Forming his mouth more like an instrument than an organ, it’s no surprise that the multi-talented indie darling Mr. Bird is slated for two nights at the Rio Theatre, Friday and Saturday, Jan. 28 and 29.

“The whistling came out of playing the violin,” explained the multi-instrumentalist to online publication IndieLondon in 2009. “The violin is an extremely painful instrument to learn to play and the whistling was so casual. There’s a certain geometry and fluidity to it.”

 

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Features

A Man Possessed

A Man Possessed

Wovenhand’s David Eugene Edwards pulls out all the punches
In the same month that a new Anthony Hopkins flick does its best impression of The Exorcist, there’s news that the Catholic Church is reporting a rise in demonic possession. Whether or not David Eugene Edwards believes in Linda Blair’s head-spinning character, he is clearly a man of faith. The former 16 Horsepower frontman’s current project, Wovenhand—dropping by the Crepe Place on Wednesday, Jan. 26—is known for its boisterous live shows, with Edwards playing with the passion of a man possessed.

“It’s beyond my control, to be honest with you,” explains Edwards regarding the disconnect between Wovenhand’s on-record pensiveness and its on-stage onslaught. “When I see certain bands, I want to be punched in the face. Basically that’s how I go about it, just to really take over the room and get everyone’s attention for as long as you can.”

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Features

Spirited Away

Spirited Away

Bobby Hutcherson on spontaneity, technique and music as prayer
With all the records under Bobby Hutcherson’s belt—about 70, if you include his recordings as a sideman—you’d think he would spend the occasional day sitting at home, listening to his music and reminiscing about old times. Not so, says the legendary post-bop/free jazz/hard bop vibraphonist.

“If you listen to yourself, then you program yourself, and you say to yourself, ‘Oh, I like what I just played right there,’” the musician states. “And every time you get to that spot in that song, you play that! Music should be like the wind: You don’t know where it came from; you don’t know where it went. It only passes through once.”

Hutcherson, who appears at Kuumbwa Jazz on Monday, Jan. 24 (three days after his 70th birthday), has an unusually linear playing style for a vibraphonist. He notes, however, that it’s possible to “flirt around with the harmonics” even while playing a horizontal melodic line.

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Love Your Local Band

Wangari

Wangari

 

Censorship—the blasphemous term in music. Usually it’s applied to a bleeped out four-letter word, a phrase here and there. A whole song, even. Censoring an entire language? Unthinkable. But that’s a reality Sharon Wangari, the vocal soul and core behind the trio known simply as Wangari, is battling. Singing in her Kenyan mother tongue of Kikuyu is an act of preservation, not just an exercise in world music poetics. Because of tribal warfare the use of the Kikuyu language has been banned in Nairobi, and, needless to say, it’s gotten the singer “worked up.” Wangari explains, “I come from a family of freedom fighters, and our grandfather fought for independence so that we could be free and use our language.” She says the language is disappearing (“My friends don’t speak it because they think it’s primitive, and it’s being wiped off the face of the earth”), so the 24-year-old is now bringing it to listeners through modern acoustic music.

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Best of Santa Cruz 2015

In 40 years of publishing, Good Times has seen a lot of “bests.”

 

Spring Triangle: Three Spring Festivals—Aries, Taurus, Gemini

The Spring signs Aries, Taurus and Gemini constitute a triangle of force that sets the template for the nine signs that follow and the template for the entire year (Spring 2015 - Spring 2016) ahead. Aries initiates new ideas, Taurus stabilizes the new thinking of Aries and Gemini takes the initiating stabilized ideas of Aries/Taurus and disperses them to all of humanity. It is in this way that humanity learns new things, with the help of Mercury, the messenger. As Spring unfolds, three elements emerge: the Fire of Aries (initiating new ideas), the Earth of Taurus (anchoring the ideas of God through Mercury) and the Air of communicating Gemini. These three signs/elements are the Three Spring Festivals. They are the “triangle of force” forming the template (patterns) of energy for the upcoming new year. After these three we then have the soothing, calming, warming, nurturing and tending waters of the mother (Cancer). Cancer initiates our next season under the hot suns of summer. Planets, stars and signs create the Temple of Light directing humanity towards all things new. March 29 is Palm Sunday, when the Christ, World Teacher, was led into Jerusalem (City of Peace) on a donkey (humility). Palms waving above His head, signified recognition of the Christ’s divinity. Palm Sunday is the Sunday before the Easter (Resurrection Festival). Palm Sunday begins Holy Week, the week of capture, imprisonment, passion, sacrifice, crucifixion, death and resurrection of the christ. All events in the Christ’s life represent events (initiations) that humanity experiences through many lifetimes. We turn our attention to these holy events this week. Their concepts portray and reveal to us greater spiritual understanding. Then, Aries, the “light of life itself” shines through us.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Best of Santa Cruz 2015 Editor's Picks

BEST NIGHT CAP WARSAW MULE AT SHADOWBROOK
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Spring Spirits

Sean Venus’ gin straight up, remembering Rosa’s and a tasting of Hungarian wines

 

What’s your favorite most recent outdoor discovery in Santa Cruz?

A hike that’s across from Waddell Beach. I didn’t realize you could go across the highway and do a super simple loop, and it’s beautiful. You can see the coastline. Liz Porter, Santa Cruz, Community Outreach

 

Martin Ranch Winery

Muscat 2012

 

Front Street Kitchen

Pop-up spot attracts paleo crowd with locally sourced low-carb meals