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Mar 02nd
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A Galaxie-Sized Legacy

A Galaxie-Sized Legacy

Dean Wareham still revels in 20-year-old songs
Back in August I found myself standing outside of The Blank Club in San Jose one evening, speaking with a musician friend who was passing through town on tour. Per usual, our conversation eventually turned to old shoegaze bands, with one of us making the crack that, though the reunited Swervedriver had played the Fillmore in San Francisco earlier in the year, pre-breakup there was no way it could have ever played a venue that size.

Really, we could just as easily have been talking about Galaxie 500, America’s best answer to the almost-forgotten shoegaze scene happening in England in the late ’80s and early ’90s. Though the band lasted only four years, leading man Dean Wareham—coming to Don Quixote’s on Friday, Nov. 12 with his own band to reinterpret Galaxie 500 material—seems remarkably comfortable being shadowed by the legacy of a group that ended nearly 20 years ago.

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Love Your Local Band

DJ Rob Monroy

DJ Rob Monroy

Psychedelic beams of light penetrate a fog-filled room and scatter off of a mirror ball down onto the dance floor. The crowd of gyrating bodies instinctively twists to the electronic pulse of the speakers as the turntables spin in their hypnotic trance. “A lot of it comes down to beat matching and keeping them together, “ explains DJ Rob Monroy with a satisfied grin. “If the beats are falling apart the people will get distracted.” Monroy knows what he’s talking about. Performing since 1994, he’s one of the longest spinning DJs in Santa Cruz with a plethora of dance parties under his belt—including Raindance events with his friend DJ Lil John. Monroy was also the resident DJ for Back to Basics night at the Blue Lagoon, which had a respectable seven-year run in Santa Cruz. But despite his love for electronic music, his origins as a DJ began in an unlikely place. “I’m a Dead Head,” he says. “Grateful Dead shows were the first place I felt comfortable dancing ecstatically.” As the years went on and drugs began to crumble the positive community aspects of Dead shows, Monroy began finding ambiguous fliers for “DJ gatherings” at undisclosed locations.

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Features

Café Musique

Café Musique

Café Musique fits more than a few different costumes

What better way to celebrate a holiday that encourages identity experimentation than with a band that defines its music as somewhere between a Jewish Ladino tune, a Venezuelan waltz, a Canadian pop song, Hungarian gypsy music and good old-fashioned Americana?


“You put a show on Oct. 31 and there’s no telling what will happen,” jokes Duane Inglish, Café Musique’s accordion player, of the ensemble’s upcoming performance at Don Quixote’s, at 1 p.m. on the Day of the Dead.


At this week’s Halloween afternoon gig, the five-member band out of San Luis Obispo will debut new music from its sophomore effort, Catching Your Breath, released in July. The 13-track album guides listeners on an existential journey from dreamlike “Cascata De Lagrimas,” to Eddie Cantor’s 1920s ditty “Dinah,” to the unofficial Canadian national anthem “Hallelujah.”

 

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Features

Bonnie 'Prince' Billy

Bonnie 'Prince' Billy

Bonnie ‘Prince’ Billy talks about his early punk leanings, and his surprising work with famous friends
In a profile for the New Yorker in 2007, Will Oldham’s own mother describes the singer-songwriter as “ornery,” referring to both his contentious relationship with the press and his overall demeanor.

I just don’t see it. In fact, in the course of my chat with the man otherwise known as Bonnie ‘Prince’ Billy—coming to Don Quixote’s in Felton with opener Big Eagle on Monday, Oct. 25—there are a couple myths about the Louisville-bred indie folk-rocker I feel have been kind of busted. Not only is Oldham pretty friendly, thoughtful, and forthcoming, but it also seems that his Jandek-like reputation for elusiveness is a bit overblown.

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Features

Out On The Streets

Out On The Streets

The Morning Benders find success and homelessness
If you want to learn what it was like for The Morning Benders’ Chris Chu to work with co-producer Chris Taylor (of Grizzly Bear fame) on the band’s 2010 album, Big Echo, you can refer to, well, pretty much any other interview with Chris Chu. Just how many times has that topic come up?

“I guess I couldn’t tell you because I’ve lost count,” says the vocalist and frontman. “I might say over 100 times.”

If nothing else, having to answer the same question over and over is evidence that The Morning Benders—coming to the Rio Theatre on Friday, Oct. 15—are moving up in the indie world. Yet success is a relative thing in the post-Napster generation, as the band’s grueling touring schedule would suggest.

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Features

The Three Folkateers

The Three Folkateers

City Folk brings together old friends for timeless tunes
The first time that Kimball Hurd met Roger Feuer, he was offered a scotch, the two got out their instruments, and they proceeded to play for a few hours—all before having a full conversation.

Twenty years later, Hurd, Feuer and longtime friend Keith Greeninger, make up City Folk, a Bay Area folk band most often compared to Crosby, Stills and Nash. On Saturday, Oct. 9 at Kuumbwa Jazz, the band intends to prove that it still puts music before all else.

In the same way that Woody Guthrie used folk music to shed light on the unjust conditions faced by working class people, the members of City Folk seek to inspire by supporting global solidarity and environmentalism.

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Love Your Local Band

The Atomic Aces

The Atomic Aces

Head for the fallout shelters, the Atomic Aces are set to ignite a fiery explosion of upbeat, down and dirty rock ’n’ roll. “You’ll want to dance to our songs,” explains Mercy Vasseur, lead singer and debutant of the Aces. “They’re a nice fusion of different things for every age group.” And there might just be something to this. Atomic Aces dissect elements of country, rockabilly, and Western swing, only to splice them together with the best parts of rock and punk. The result is a blaze of hip beats and head-nodding twang, showing the young kids something new and giving the old timers a flash of something familiar.

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Features

It’s A Small World

It’s A Small World

Pianist Robert Edward Thies revisits the past
When most children were dreaming of becoming firefighters, doctors and astronauts, 4-year-old Robert Edward Thies was aspiring to be a classical musician.

On Oct. 2, the now 39-year-old distinguished pianist will help kick off the Santa Cruz Symphony’s 2010/2011 season with a concert called “Out of this World,” which will showcase three pieces, two of which inspired him as a young boy.

Thies will play George Gershwin’s jazzy “Rhapsody in Blue,” a composition originally written for the Paul Whiteman Band, which has held a special place in his heart since childhood. While he has been given the opportunity to perform the piece on several occasions throughout his career—this will be the third time this year. To him, it never gets old.

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Love Your Local Band

The Terrible

The Terrible

Standing in the center of Metavinyl, the record mecca in Downtown Santa Cruz owned by drummer Jonathon Schneiderman, the first thing the four members of The Terrible tell me is that they’re not really much of a band. Qué? Friends who’ve been jamming for a decade, they don’t play shows very often (a handful this year) and they don’t really practice (“I’ll practice the day of the show onstage at the Blue Lagoon,” guitarist Nick Gyorkos laughs, referencing this week’s gig). Like a space rock vampire that emerges after long bouts of sleep to clench audiences with a piercing attack before retreating, the hard-driving quartet may not take itself seriously, but listeners do. Plus, lining the wall behind the guys is a big clue that begs to differ with their claim: a slew of copies of The Terrible’s new record, their brown cardboard sleeves screenprinted with art by Stacie Willoughby and neatly wrapped in plastic. There are 300 limited-edition prints of the record, with a 21-minute haze of throbbing psychedelic rock on each side ready to melt your player needle, and it’s the impetus behind The Terrible’s performance with Mammatus and Indian Giver at 9 p.m. on Friday, Oct. 1 at The Blue Lagoon.

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Features

Animal Collective's Deakin Goes Solo

Animal Collective's Deakin Goes Solo

Deakin crafts tunes, and more, on his own
In certain circles, Animal Collective is a veritable god-like force, essentially unassailable critically for creating some of the most important experimental music of an entire generation.

Conversely, member Josh Dibb (aka Deakin, coming to the Brookdale Lodge on Tuesday, Sept. 28 with supporting act Price Rama), doesn’t have the kind of confidence you’d expect of a prophet. However, he does have at least one thing in common with Jesus Christ.

“Carpentry, I think, has been my other really big source of money and work, aside from music,” says Dibb, recalling his days as a set-builder for what he calls “off, off Broadway” productions in New York City. This was during a time after dropping out of Brandeis University in Massachusetts, a decision that clearly still weighs on him.

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Love Your Local Band

Matador

Matador

With so many street performers on Pacific Avenue hacking their way through played-out classic rock covers, it takes a unique sound to even catch my attention. Take, for instance, Matador: I’m still captivated by its music almost two years after I first saw the duo perform. With Mathew on guitar and Dorota strumming the violin, both going only by first name, Matador formed by chance when Mathew was couch surfing at a mutual friend’s house. “It was just random,” says Dorota. “[We] happened to be at the same place on the same day.” That meeting resulted in the two writing music the very next day. Three years later, they are still at it. “Writing music is kind of like a science experiment,” Mathew states. “We start with a little piece and then we work on it,” explains Dorota. “We’ll try it a billion different ways until it grows into a complete mess, then we bring it back.” With this method of controlled chaos, Matador unleashes a river of melody that’s hauntingly beautiful one moment and dangerously explosive the next.

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Features

Casiotone for the Painfully Alone

Casiotone for the Painfully Alone

Owen Ashworth reflects on 13 years as Casiotone for the Painfully Alone
"I don’t think I’m a particularly good interview,” laments Owen Ashworth about halfway through my interview with the purveyor of indie electronic act Casiotone for the Painfully Alone—coming to the Crepe Place on Wednesday, Sept. 22 with opener Otouto.

This is a half-truth. It’s not so much that Ashworth isn’t a good interview—rather, I feel like I’ve learned a great deal about the Chicago-via-San Francisco musician during our 30 minutes. His answers are methodical, philosophical, and engaging. However, Ashworth is correct in asserting that his musings are distinct (read: much headier) from other indie pseudo-stars. And I feel like this is because he knows all my tricks and secrets.

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Green Swell

Local surfboard company greens up the industry with an eco-conscious business model

 

Two Fish Bound by a Golden Cord

Until March 20, (Spring Equinox), Earth and her kingdoms (mineral, plant, animal, human) experience the influence of Pisces, sign of the World Savior. Whereas the task of Aquarius is as world server, the Pisces task is saving the world—tasks given to the two fishes. Pisces never really enters matter, and as the last sign of the zodiac includes all the signs. During Pisces, having gathered all the gifts of the previous 11 signs, it is a good time to prepare for new initiating plans when Aries (sign of beginnings) begins. No wonder Pisces, like Scorpio, is so difficult (both are ruled by Pluto, planet of death, new life, regeneration, transformations). Both signs (with Scorpio drowning in dark and deep waters) find life on Earth a hardship, disorienting (from the spiritual perspective), at times feeling betrayed. Life is a paradox, especially for Pisces. Each zodiacal sign represents and distributes a different phase and facet (12) of the Soul’s diamond light, Pisces is the “Light of Life itself, ending forever the darkness of matter.” It takes two fish to complete this work (creating eventually an extraordinary human being). One fish turned toward the material world (in order to understand matter), the other fish toward the heavenly world. Around the two fish is a silvery cord binding them together. The two fish are forever bound until all of humanity is redeemed (lifted up into the Light). This is the dedication of all world saviors (Buddha, Christ, the NGWS). Thus the sacrifice and suffering experienced by Pisces. Knowing these things about Pisces, let us help them all we can. Sometimes all of humanity is Pisces.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Seal Change

Celtic selkie lore comes alive in dazzling ‘Song of the Sea’
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