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Aug 04th
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Features

When Instruments Speak

When Instruments Speak

Hussain & Sharma return for an evening of energized Indian tabla and santoor
Mention Zakir Hussain and rhythmic magic comes to mind. He’s played percussion with Yo Yo Ma, Van Morrison and Pharoah Sanders, bringing an innovative approach to Indian tabla drumming. After growing up in Southern India with his father, legendary tabla player Ustad Alla Rakha, Hussain came to the US in 1970, and George Harrison invited him to play on Living In The Material World. Friday, the renowned cofounder of Shakti fusion band and music composer returns to The Rio.

Good Times: How it is performing with Shivkumarji Sharma?
Zakir Hussain: I must’ve been 15 when I first played with him, and he comes from the same part of India as my family. There’s this very instinctive reaction that we have that makes the music a lot of fun and a lot of joy.

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Features

Holy Hybrid

Holy HybridLa Santa Cecilia breaks the Latin music mold
Klezmer music? Gypsy jazz? Covers of Doors and Beatles tunes? Clearly, this isn’t your typical Latin music group. Yes, La Santa Cecilia plays its fair share of cumbia, bolero, bossa nova, tango and rumba, but rather than being mere preservers of tradition, these six Los Angeles musicians are purveyors of what they call a “modern-day creative hybrid of Latin culture, rock and world music.”
According to the ensemble’s guitarist, Gloria Estrada, the diversity of La Santa Cecilia’s repertoire is a reflection of its members’ backgrounds. “The great thing about L.A. is that you can go to one part of town, and you’re in Little Tokyo; you go a few blocks, and you’re in a Mexican community, or a Jewish, Korean, El Salvadoran or Central American community,” she says. The musician adds that five members of the group are of Mexican descent, and bassist Alex Bendana was born in Venezuela, “but he was raised in L.A. by Mexican people—L.A. has a lot of Mexicans—so he’s an honorary Mexican. So we’re definitely bicultural in the sense that we have our parents’ background and culture and so forth, and at the same time, we grew up with American influence, hearing all kinds of music, eating all kinds of food and seeing different holidays be honored around L.A.”
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Love Your Local Band

Snail

Snail

In 1968, when Led Zeppelin, Black Sabbath and Deep Purple hit the world stage, there was a local group called Snail. Jamming at Harvey West Park, bandleader Bob O’Neill recalls not being the most hardened musicians: “We were like, ‘Would you like to use our equipment?’ We were very young and very nice.” Though not as renowned as their British brothers, Snail is infamous in Santa Cruz. “Our biggest influences were Jeff Beck, Jimi Page and Eric Clapton. We weren’t heavy metal exactly. We had the lyrical side of it with harmonies, so it was kind of a hybrid,” says guitarist Ken Kraft. With a division of harmonies and arrangements, Snail was more like Cream, rocking blues with a psychedelic twist. In 1970, Snail took out a loan, bought Marshall amplifiers and began playing major venues. Selling out the Santa Cruz Civic Auditorium and Selland Arena in Fresno with Santana, Snail became an arena band, still true to their roots. “We played a concert on the beach in Capitola, thousands showed up, but the police never did,” says Kraft, crediting huge turnouts in the ’70s to lack of TiVo. “There weren’t as many distractions back then—there were only three TV stations.” Forty years later, Kraft and O’Neill remain bandmates and friends. As songwriters, the Lennon/McCartney of the band, it’s no surprise that Kraft is currently the White Album Ensemble guitarist, singer and musical director.

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Features

Rebel with a Cause

Rebel with a Cause

Hauschka adds ping-pong balls and beautiful chaos to the piano
It’s a rare sight, but at a Hauschka concert, hipsters and classical enthusiasts really do collide. So do ping-pong balls, beer bottle caps, marbles, vibrators, tape, and anything else the German musician—whose real name is Volker Bertelmann—thinks will dutifully accessorize his piano strings.

“Normal classical pianists use the piano as a tempered instrument, but I don’t like the attitude that that’s the only thing you can do with it and nothing else,” the 44-year-old says from his home in Dusseldorf.

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Features

Return of ‘The Original Slacker’

Return of ‘The Original Slacker’

Like a good wine, J. Mascis gets better with age
In some ways, Several Shades of Why sounds like the kind of record J. Mascis should have been making all along. The laid-back acoustic strumming, lazy guitar slides and general folk lethargy of the album seem to be a better fit than the music Mascis became famous for crafting during the ’90s.

Back then, the founder and front man of Dinosaur Jr. was busy constructing massive squalls of feedback, jangling, overdriven guitar and fuzzed-out bass lines that were barely held together by propulsive and highly compressed drums.

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Love Your Local Band

Matt Masih and The Messengers

Matt Masih and The Messengers

Santa Cruz is indubitably a town that takes to a certain thread of fusion jam bands. Whether they be local products or artists coming through on tour, head out to any given Santa Cruz venue on any given night, and there’s a good chance you’re going to cross something funky, something danceable and (perhaps) something reggae-derived. Matt Masih and The Messengers is a band which easily falls into this category upon first inspection, but the six-piece’s frontman insists there’s much more to the equation. “There’s definitely a singer-songwriter background,” explains multi-instrumentalist Matt Masih. “The lyrics are involved with the shape and outline of the song,” more than most jam bands. Indeed, the project began about two years ago as the sort-of bedroom songs of Masih, who retains most of the creative control in the band. Though there’s room for the rest of the group to inject its own funky flavor—particularly the relatively new horn section—Masih’s songwriting process clearly keeps The Messengers grounded in pop sensibilities.

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Features

Teach the Children Well

Teach the Children Well

Rock duo Tartufi spreads DIY expertise
We all know that sharing is caring. Though if you’re a starving musician with little to share but your inherent melodic gifts, it’s easy to turn into a hoarder squirreling away any post-success wealth and industry wisdom. But for the two members of San Francisco’s exporters of dynamic angular rock, Tartufi, it’s always been about imparting lessons learned. According to Lynne Angel, vocalist, guitarist and looping maestro, there is no competition.

“I think a lot of people can get pretty selfish when it comes to music and can have kind of an ‘In It to Win It’ attitude,” the singer says. “We just like playing music with our friends and helping other people play music.”

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Love Your Local Band

Santa Cruz Jazz 2011

Santa Cruz Jazz 2011

Though it’s not a local band per se, the Jazz Society of Santa Cruz, as an institution, has served as an incubator for many local swing, big band, ragtime and cool jazz outfits since it was established in 2000. The nonprofit hosts a four-hour open jam session for local jazz musicians every Sunday at Bocci’s Cellar and has spawned many local bands by bringing together professionals and weekend warriors—giving people who might not otherwise meet, the opportunity to play in front of a relaxed, fun-loving crowd. Local jazz musician Stella D’Oro—who mesmerizes with Italian “Meglio Stasera”—says that the atmosphere on Sundays at Bocci’s Cellar—a 100-year-old former Italian restaurant at 140 Encinal St.—helped her hone her craft. “People there are very supportive,” D’Oro says, referring to both the musicians and patrons. “They’re great for supporting new musicians and people learning how to get started.” Steve Newman, president of the Jazz Society and master saxophonist, has been with the organization since the beginning. He describes the venue as a “time warp”—a modern day speakeasy where people go once a week to swing dance and get lost in the sounds. “It’s not just the musicians,” Newman says.

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Features

Getting Vocal

Getting Vocal

 

Sweet Honey in the Rock voices its opposition to racial profiling
The all-female, all-African-American vocal group Sweet Honey in the Rock has never shied away from tackling social and political issues. In the four decades since the D.C.-based ensemble’s inception, its members have used blues, reggae, African chanting, jazz improv and gospel styles as a platform for their views on everything from civil rights to domestic violence.

It was no surprise then, that when the controversial anti-illegal immigration act known as Arizona Senate Bill 1070 passed last year, Sweet Honey responded not only by joining the international Sound Strike boycott of Arizona, but also by releasing the song and video “Are We a Nation?” (Sample lyrics: “Does the color of your skin determine how and when you can be stopped and booked for the way that you look? Racial profile—this is not freedom’s style.”)

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Love Your Local Band

Birdhand

Birdhand

While most people were fighting fax machines at 9-5 jobs, Birdhand spent the first week of April destroying an abandoned church in Monterey. Shooting a music video to promote their new self-titled EP, produced by Darryl Jenifer of Bad Brains, the Santa Cruz rockers were armed with 10-foot poles and told to go wild. What should have been a dream come true, turned into a strange experience. “There were 15 uncomfortable film students watching us the whole time without saying anything,” says bassist Mason Rothschild. “It was the most awkward thing ever!” But according to singer/songwriter/guitarist Joey Weed, awkward moments make the band tick. “Before each show, we huddle up and get really weird—we talk about normal stuff, like how my stomach hurts or who didn’t take out the trash,” says Weed. Once the lights come on, though, the foursome delivers hard-hitting rock ‘n’ roll, with Queens of the Stone Age-like punk riffs and occasional violin and pan flute solos.

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Features

Residential Tourism

Residential Tourism

Titus Andronicus’ Patrick Stickles discusses consumption of music and housing
In a couple months I’ll be making the cross country move to New York City, so when Titus Andronicus frontman Patrick Stickles tells me he’s currently walking down a Brooklyn sidewalk, of course I have to take the opportunity to ask for advice on living in the borough which may well soon be my home.

“The smartest thing would be to avoid what my girlfriend calls ‘residential tourism,’” says the singer and guitarist. “Sometimes these young people are kind of like a disease that moves from place to place and consumes all the resources, and then moves on once they’ve had their fill of it.”

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Love Your Local Band

Young Performers Showcase

Young Performers Showcase

The axe is falling on music education in public schools. The star of James Durbin is rising on American Idol. Put those two trends together, and the purpose behind the Young Performers Showcase (Durbin is an alum of the event) becomes potently clear. Now in its third year, the fundraiser this Saturday, April 9, at The Rio Theatre, presents a full lineup of local youth strutting disparate skills to raise awareness and moolah to continue music programs in Santa Cruz City schools. It all started when Rick Linzer saw how the economic downturn was threatening music lessons. The veteran jazz saxophonist, who says that music “really saved my life in a lot of ways; it gave me a sense of purpose and camaraderie,” has gone on to coordinate an annual concert that provides family entertainment while ensuring that school bands can be armed with instruments and kids can be exposed to the nurturing and healing nature of music. As a music major in college, Linzer learned how effective music is in a child’s cognitive, social and emotional development. “Numerous studies show that [music] gives kids a sense of connection to school and helps with self-esteem, creative and analytical thinking, coordination, problem solving and team building,” he says.

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Health Screening

Santa Cruz wellness expert releases app to improve workplace well-being

 

Leo Sun; Full Moon, Venus Retro in Leo; Saturn Direct

It’s a complex week of planetary movements, challenges, demands and callings. We’re in the time of the Leo Sun. Leo—fixed fire, gold, the heart, generous, strong, noble, the king/queen—needs appreciation and praise from everyone in order to move forward. During Leo we gain a greater sense of self-identification by recognizing our creativity. It’s therefore a perfect time for Venus retrograding in Leo. In Venus retrograde we review and re-assess values. Venus retro in Leo concerns our self as valuable, acknowledging talents, gifts, abilities and offerings. Friday, Venus re-enters Leo (29 degrees, a critical degree) continuing the retrograde to 14 degrees Leo on Sept. 6. Friday (Full Moon) is also the (8 degrees) Leo solar festival, Festival of the Future. Leo is the heart of the sun, the heart of all that matters. When attuned to this heart, we have understanding and inclusivity. The heart of the Lion is Mitra (think “Maitreya,” the coming World Teacher). Leo prepares humanity to receive divine love from subtle sources and later to radiate that love to the kingdoms. Sirius, Ray 2, where love originates, streams through Regulus (heart of Leo), into the heart of the sun (Ray 2) and into all hearts. The heart of Leo is Regulus. Joining Venus, the love underlying all of creation appears. Saturday is Sun/Neptune (confusion or devotion) with late night Saturn turning stationary direct. Ideas, plans and structures held long in abeyance (since March 14) slowly move forward. (Read more on Leo and the week at nightlightnews.org and Risa D’Angeles’ Facebook page, accessed through my website.)

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of July 31

Santa Cruz area movie theaters >
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Holy Cannoli

New bakery opens in Ben Lomond, plus Randall Grahm’s quest to grow 10,000 new grape varieties, and Mexican cooking classes

 

Is Santa Cruz turning into Malibu North?

It's got a ways to go before it gets wrecked like Malibu, but I think we need to be very careful about growth. Maria Mattioli, Santa Cruz, Psychotherapist

 

Bargetto Winery

A much-anticipated annual event at Bargetto Winery is the release of their very special La Vita red wine. June 7 was the day to be heralded this year, and I happily squeezed my car into their overloaded car park in eager anticipation of tasting the new La Vita nectar.

 

Margaritaville

Popular Capitola spot gets new owner and complete makeover