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Aug 29th
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Love Your Local Band

Young Performers Showcase

Young Performers Showcase

The axe is falling on music education in public schools. The star of James Durbin is rising on American Idol. Put those two trends together, and the purpose behind the Young Performers Showcase (Durbin is an alum of the event) becomes potently clear. Now in its third year, the fundraiser this Saturday, April 9, at The Rio Theatre, presents a full lineup of local youth strutting disparate skills to raise awareness and moolah to continue music programs in Santa Cruz City schools. It all started when Rick Linzer saw how the economic downturn was threatening music lessons. The veteran jazz saxophonist, who says that music “really saved my life in a lot of ways; it gave me a sense of purpose and camaraderie,” has gone on to coordinate an annual concert that provides family entertainment while ensuring that school bands can be armed with instruments and kids can be exposed to the nurturing and healing nature of music. As a music major in college, Linzer learned how effective music is in a child’s cognitive, social and emotional development. “Numerous studies show that [music] gives kids a sense of connection to school and helps with self-esteem, creative and analytical thinking, coordination, problem solving and team building,” he says.

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Features

Brothers in Arms

Brothers in Arms

There’s no sibling rivalry in indie folk-rock supergroup Middle Brother
Ego clashes and battles for control are inevitable in almost every band, but when you put three leaders of established acts together in one group, you’re just begging for trouble. Yet Middle Brother—the new band comprised of Matt Vasquez, Taylor Goldsmith and John J. McCauley III, frontmen for the indie folk-rock outfits Delta Spirit, Dawes and Deer Tick, respectively—seems to have avoided such pitfalls so far. According to Vasquez, the members of the group don’t mind taking turns hanging back, playing guitar and singing harmony.

“There’s zero ego when it comes to backing somebody up, because you believe in them, and you just want it to be as good as it can be,” the musician states. “We’re all fans of each other’s music so much. I love ‘Mom and Dad,’ I love ‘Daydreaming’ I love ‘Blood and Guts’—I begged Taylor to put ‘Blood and Guts’ on the record.”

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Features

The Seven-Album Itch

The Seven-Album Itch

The Appleseed Cast is still figuring itself out and finding its place
Back in the summer of 2006, I witnessed Russian Circles open up for The Appleseed Cast, and it was probably a terrible act for the headliners to have to follow. Still, what seemed like  an onstage mismatch seemed to epitomize the amorphous nature of The Appleseed Cast.

While Russian Circles are known for intense post-rock bombast, The Appleseed Cast will bring a more melodic, slow-boiled take on instrumental buildup when it descends upon the Rio Theatre on Friday, March 25. In fact, the band, based in Lawrence, Kan., has always felt a little out of place in more ways than one. During a career spanning seven full-length albums, the enemble has sort of hung out in a genre no man’s land, grabbing fans from the punk and indie scenes but truly endearing itself to neither. Likewise, the band’s music has found its own middle ground between instrumental and pop music.

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Love Your Local Band

Grizzel Toe

Grizzel Toe

Soggy winter rains have steeped Grizzel Toe, the latest project featuring Green Flash alums Raya Heffernan and Peter Wallner, throughout its gestation period, saturating life into the underground duo in preparation for a spring sprig to sprout. Seething in the clammy distortion of a washed-out ’90s shoegaze sound garden, Grizzel Toe echoes gritty EVOL-era Sonic Youth with an innate punk intensity that will leave any audience aching in admiration after being walloped by their wall of noise. “Our music is the color of bruises,” Wallner, who plays guitar and vocals, relents, “an eyesore you can’t stop touching, but want to.” With performances alongside the Growlers, Religious Girls, and Man/Miracle under their belts, Heffernan and Wallner have bled into the local circuit and are ready to take it to the studio for a four-track EP that should be out around May.

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Features

Water Through a Rusty Pipe

Water Through a Rusty Pipe

Damien Jurado is more a medium than songwriter
Damien Jurado is most often described as a singer-songwriter, and on the surface it’s an absolutely accurate designation as far as music labels go. The majority of the Seattle-based musician’s output has been driven by slow-boiled acoustic guitar and a pensive voice—other musicianship serving more as a framing for songs than genuinely part of the structure.

But to hear it described by Jurado himself—who will be entertaining at the Crepe Place on Wednesday, March 23—‘writing’ is not really part of the process of his song creation at all. ‘Channeling,’ however, might be a more accurate term.

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Features

Treasure Aisles

Treasure Aisles

Streetlight Records’ online tweets spark in-store treasure hunts
Within minutes of the announcement, a handful of die-hard Bright Eyes fans were combing the aisles of Streetlight Records in Downtown Santa Cruz, flipping through the albums and scouring the oft-overlooked bottom shelves—a singular, 140-character long hint resonating in their minds:

“Bright Eyes LP treasure hunters: It's here! Clue: It resides in the section of the artist who is Greek & has recorded songs in 12 LANGUAGES.”

It didn’t take long for one intrepid hunter to spot the fiery red, orange, yellow and black cover, hidden in the Nana Mouskouri vinyl section.

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Love Your Local Band

Shotgun Suitor

Shotgun Suitor

In a dimly lit bar a band is in full swing, busting out a hip-shaking honky tonk ballad. Out of nowhere, the lead guitarist starts traveling outside of the song, the standup bassist grabs a bow and, in a matter of seconds, the band is diving through a classical piece before finishing the set with a jazz standard. Welcome to the world of Shotgun Suitor. “I think we’re bringing a missing genre that a lot of original bands only touch on,” explains keyboardist Kyle Hamood. “We cover all of the bases.” And they certainly do, from original pieces to standard rock covers with a twist. It’s an impressive feat considering that Shotgun Suitor is still stretching its musical legs; forming only two and a half months ago, after singer and rhythm guitarist Chas Crowder moved to Santa Cruz from the soulful streets of Memphis. “[Bassist Paul Gerhardt] started calling me a couple of months ago saying, ‘You’ve got to get out here!’ So, I did,” Crowder says nonchalantly. Gerhardt and Hamood already had a budding musical friendship, so with Crowder in the mix they decided to call upon drummer Dallas Ezell, lead guitarist Wes Davis and vocalist Emily Gold.

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Features

Batman Returns

Batman ReturnsDark entries from the Gothfather himself, Peter Murphy
Mainstream American audiences got their first glimpse of Peter Murphy via his appearance in the 1983 vampire flick The Hunger, whose opening scene found the British vocalist performing inside a cage with his trailblazing post-punk band Bauhaus. Murphy delivered the cold, reptilian “Bela Lugosi’s Dead” in a tone bled dry of all human compassion, yet increasingly pleading. Grasping the wires of his enclosure, his eyes reflecting the urgency of the film’s title, the sleek, dapper frontman looked like the quintessential rising star, desperate to escape the confinement of day-to-day life and feed on the adulation of the masses.
It’s fitting that Murphy—who came full circle last year by appearing as a vampire in the film Twilight: Eclipse—is paying a visit to Santa Cruz, where The Lost Boys was filmed nearly 25 years ago. Those who attend the 53-year-old singer’s Rio Theatre show on Thursday, March 10 will witness a consummate showman at work: The man is blessed with a rich, regal baritone voice, a darkly gallant stage presence and a true flair for theatrics.
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Love Your Local Band

Ploughman

PloughmanMost bands can speak volumes of their humble beginnings, but few will tell you of a genesis as abrupt and haphazard as Ploughman's, whose first practice session was a live performance at The Red last year. Almost as if acting out a band's version of a love story, Ploughman is slated to play The Catalyst Atrium for its CD-release party on the night of its first anniversary. Romance aside, the foursome's soulful improvisation and laid-back brand of bluesy rock may not melt hearts, but it will surely set toes tapping. Ploughman's upcoming album, Scratching the Surface, is a subtly polished collection of mellow, well-aged rock with harder moments taking you back to the Toadies and softer ones revisiting the Grateful Dead, although neither bands are mentioned when singer Eric Smith talks inspiration.
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Features

A Whale of a Time

A Whale of a Time

Or, the Whale prefers a little bit country, a little bit rock ’n’ roll
Back in the early aughts, when he was studying for his bachelor’s degree in history, Alex Robins was playing in a punk band. He recalls—with a chuckle—his passion for a decidedly heavier genre of music than the sometimes woeful, sometimes rollicking brand of alt-country for which his San Francisco group, Or, The Whale, is now known.

“I was super into metal in college,” Robins says. “I was like, ‘More solos! More time changes!’”

These days, while he certainly still appreciates “the physical capabilities of humans being able to shred that hard,” you won’t hear an Or, The Whale song featuring blistering Phrygian sweeps and pinch harmonics screaming out of Mesa Boogie half stacks.

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Love Your Local Band

Local Acts Done Good

Local Acts Done Good

Think Santa Cruz is soundproofed by the surrounding mountains, one snaky Highway 17, and that thing called the Pacific Ocean? Think again. A couple of acts have eschewed the confines of small town beach living and taken their big sounds to some big Hollywood spotlights. Congrats are in order to Wooster and James Durbin, two very different acts whose musical pursuits have recently put a star next to our town on the musical map.

Shuffling together a taut rock and reggae concoction that pops with tasty nuggets of suave blues, seductive soul and edgy funk, Wooster took the Ford-sponsored “Gimme the Gig” national contest by storm. Out of 2,500 applicants, the septet led by Brian Gallagher was chosen as one of the top seven finalists to hit the infamous Whiskey A Go Go stage in Los Angeles last month to strut some serious goods in an attempt to win a recording session with no other than Don Was. Though it returned sans a contract, Wooster’s rise in the ranks during the seven-month contest and subsequent Hollywood exposure have added to the local band’s sweltering reputation. 

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Love Your Local Band

The Huxtables

The Huxtables

The Huxtables have been around. As in, lots of local bands now DIY-ing it were still diapering it when these guys went from playing their first show 16 years ago—a McKinleyville house party—to dicing up local stages. Somehow, the dust has never managed to settle on the band’s frenetic rock that bounces with more pop than your last illegal fireworks display. And in all these years, the only thing missing in the career of a veteran band that needs no introduction is … a debut album. Say what? You read it correctly: Despite a parade of EPs and 2003’s Fire is Sabotage compilation, The Hux never managed to package one proper full-length CD. None, zilch, nada. Until now. “We’d always been a side project for the first 10 years of our existence, so we never had the drive to get into the studio to record a full-length until three years ago,” says founding bassist AJ Marquez, formerly of Slow Gherkin.

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The Meaning of ‘LIFE’

With a new documentary film about his work, and huge exhibits on both coasts, acclaimed Santa Cruz nature photographer Frans Lanting is having a landmark year. But his crusade for conservation doesn’t leave much time for looking back

 

Seasons of Opportunity

Everything in our world has a specific time (a season) in which to accomplish a specific work—a “season” that begins (opportunity) and ends (time’s up). I can feel the season is changing. The leaves turning colors, the air cooler, sunbeams casting shadows in different places. It feels like a seasonal change has begun in the northern hemisphere. Christmas is in four months, and 2015 is swiftly speeding by. Soon it will be autumn and time for the many Festivals of Light. Each season offers new opportunities. Then the season ends and new seasons take its place. Humanity, too, is given “seasons” of opportunity. We are in one of those opportunities now, to bring something new (Uranus) into our world, especially in the United States. Times of opportunity can be seen in the astrology chart. In the U.S. chart, Uranus (change) joins Chiron (wound/healing). This symbolizes a need to heal the wounds of humanity. Uranus offers new archetypes, new ways of doing things. The Uranus/Chiron (Aries/Pisces) message is, “The people of the U.S. are suffering. New actions are needed to bring healing and well-being to humanity. So the U.S. can fulfill its spiritual task of standing within the light and leading humanity within and toward the light.” Thursday, Aquarius Moon, Mercury enters Libra. The message, “To bring forth the new order in the world, begin with acts of Goodwill.” Goodwill produces right relations with everyone and everything. The result is a world of progressive well-being and peacefulness (which is neither passive nor the opposite of war). Saturday is the full moon, the solar light of Virgo streaming into the Earth. Our waiting now begins, for the birth of new light at winter solstice. The mother (hiding the light of the soul, the holy child), identifying the feminine principle, says, “I am the mother and the child. I, God (Father), I Matter (Mother), We are One.”

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of August 28

Santa Cruz area movie theaters >
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Land of Plenty

Farm to Fork benefit dinner for UCSC’s Agroecology Center, plus a zippy salsa from Teresa’s Salsa that loves every food it meets

 

If you knew you had one week to live, what would you do?

Make peace with myself, which would allow me to be at peace with others. Diane Fisher, Santa Cruz, Network Engineer

 

Comanche Cellars

Michael Simons, owner and winemaker of Comanche Cellars, once had a trusted steed called Comanche, which was part of his paper route and his rodeo circuit, from the tender age of 10. In memory of this beautiful horse, he named his winery Comanche, and Comanche’s shoes grace the label of each handcrafted bottle.

 

Cantine Winepub

Aptos wine and tapas spot keeps it casual