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Nov 28th
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Love Your Local Band

bud Shocktop

Music - Love Your Local Band

Sun Hop Fat

Sun Hop Fat

The music of Sun Hop Fat is at once strange and soothing. The Oakland-by-way-of-Santa-Cruz jazz and funk ensemble employs Eastern scales that sound familiarly alien—the music you would expect to hear in an old adventure movie when the hero enters a smoky Arabic watering hole. Then again, maybe it is the soundtrack to Scooby and Shaggy skulking around some old haunted mansion: trill, snake-charmer flutes and horns that rise and fall in ominously ornate chords. Sun Hop Fat's tunes are heavily influenced by Ethiopian jazz and the music of Mulu Astatke, who championed the sound in his native Ethiopia and was instrumental in importing the music to America. Bass player and founding Sun Hop Fat member Jesse Toews (who also plays in Santa Cruz "psychedelic Motown throwdown" outfit, Harry and the Hitmen) says that he and his band were drawn to Ethiopian jazz and other East African sounds because of the "seductive" note choices and interesting polyrhythms. While the music originated from African traditions, Toews explains, "because it is so close to the Middle East, it has all these Eastern scales," which give the music a "haunting element," especially to Western ears. The spooky sounds of Ethiopian jazz, combined with the group's penchant for American funk and soul, make his band the perfect choice for Halloween night at The Crepe Place—or "Creepy Place," as Sun Hop Fat trombone player and Crepe bartender Nick Gyorkos has been known to call it.

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Music - Love Your Local Band

The Devil Himself

The Devil Himself

Five years ago, The Devil Himself got its start while playing cards. “We got formed around a poker table,” recalls guitarist/singer Dave Christensen. “We all used to play and it kept coming up in conversation that we all played different instruments. We kept saying we should jam, but our lives wouldn’t allow it. Finally it came together and we haven’t stopped playing since.” Flash forward to today, and the Santa Cruz-based alternative metal band—also featuring guitarist Dan Burnham, drummer Jason Goldberg, and bass guitarist Austin Wilhoit—has just released its fifth album and third full-length, Speak No Evil, on Oct. 8. The record is the final segment in a three-part series, also featuring See No Evil and Hear No Evil, that sounds like a thundering bastard child of Tool, with electric surges and hauntingly heavy vocals that mirror a grittier Chevelle. Frequently packing local venues with head-banging moshers, the band hopes to become the voice of a generation looking for answers to hypocrisy and freedom from despair.

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Music - Love Your Local Band

Stan Soroken

Stan Soroken

If you’ve visited Severino’s Bar and Grill on a Thursday evening in the last decade, you know that no one pours smooth jazz from the bell of a trumpet quite like Stan Soroken. This month, Soroken joins the long list of esteemed musicians—including Velzoe Brown and Don McCaslin—to receive a Brownie Award by the Santa Cruz Jazz Society for his contributions to the local scene. It’s been a long journey for Soroken, who spent three weeks just trying to produce noise from his horn as an 8-year-old in Salinas. Eventually he found his groove with the help of Spike Jones’ tuba player and a member of the San Francisco Symphony.

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Music - Love Your Local Band

The McCoy Tyler Band

The McCoy Tyler Band

After years of playing in rock and metal bands, guitarist McCoy Tyler decided to pursue his own sound. “I had a vision in my head of something a little more roots- and acoustic-based,” he says. His new trio, The McCoy Tyler Band, is the realization of that vision. And though the project is extremely young—a mere four months—the band already has a well-developed sound, an EP called What the Mountains Have Seen, a backlog of all new material ready to take on tour, and a definite direction: keep it simple and sweet. To achieve its signature sound, the band incorporates a slightly unusual set of instrumentation for folk: a small drum set, an upright bass, a lone guitar, and subtle use of acoustic amplification. Tyler admits the instrumentation choice was difficult, but worth the challenge, “one thing that was a concern to me, [was] how to incorporate a drum kit into the style of music and songs that I was writing … but a full band has more presence, and to have an upright bass makes us feel more legit.”

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Music - Love Your Local Band

Pipa Piñon & Dreambeach

Pipa Piñon & Dreambeach

When Pipa Piñon hired a temporary bassist for a gig, little did she know that she and Daniel Vee Lewis would end up married and tour together for more than two decades. When asked to describe their sound, Piñon and her husband respond with warm smiles, “avant-garde electric folk jazz.” Much like the community that has nurtured and influenced their sound, the Santa Cruz-based band, Dreambeach, passionately embraces freedom of expression; creating music that is honest, powerful and at times unusual. “We sound like we’re from Santa Cruz,” says lead singer and lyricist Piñon, whose ethereal voice soars, whispers, and sometimes even speaks, over Lewis’ subtle, yet solid bass lines. “Everyone hears this album [and] they say it sounds like water and open ocean,” Lewis adds. Both the comparison, and the band’s moniker hit the nail on the head. Dreambeach’s sound is loose and vaporous, settling in like a chilling mist that casts a contemplative spell over the listener.

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Music - Love Your Local Band

Eliquate

Eliquate

Elliot Wright, the mastermind behind local hip-hop outfit Eliquate, has discovered that a live performance becomes especially explosive when combined with the lyrical swagger of sharp rhymes. What started out as a two-man operation—himself and producer/guitarist Jamie Schnetzler—evolved into something greater after the pair ran into technical difficulties at a show. With a broken iPod and no song to play over, Wright, “basically turned to the guys, and said, ‘play a groove in [the key of] G.’” Schnetzler and two sit-in musicians ended up improvising the rest of the show, giving Wright the opportunity to freestyle all night. He had the time of his life, and has been liberated from the shackles of digital beats ever since—fans have been responding too, with crowds multiplying since the group became a five-man band.

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Music - Love Your Local Band

Taylor Rae

Taylor Rae

In June next year, after the San Lorenzo Valley High School graduates toss their caps, 17-year-old Taylor Rae Vencill will head for the stars—on Hollywood Boulevard, that is. But Vencill doesn’t aspire to be the next Julia Roberts, rather she hopes to end up .2 miles east of Grauman’s Chinese Theater at Musicians Institute, the college of contemporary music that birthed Jeff Buckley and Weezer bassist, Scott G. Shriner. There, the Ben Lomond singer-songwriter—who has taken vocal lessons since age 8 and taught herself guitar at 12—hopes to become immersed in music. “It’s something I have to do,” Vencill says of songwriting. “I don’t feel good until it’s done.” Inspired by nature and Santa Cruz’s residents, Vencill writes mature songs for her age—lyrics off her self-titled album, like “Will you ever come back around and tell me the truth, because falling in love with thin air isn’t so hard to do,” prove she’s well beyond her years. Asked about her songwriting process, Vencill explains, “I get into a zone, almost like a coma, and then when I come out of it, I can’t believe I came up with it.”

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Music - Love Your Local Band

The Chop Tops

The Chop Tops

Santa Cruz psychobilly veterans The Chop Tops are in the midst of an insane 10,000 mile tour—35 shows across 20 states, in just five weeks. Having survived the East Coast earthquake, the band now finds itself driving into the keister of one of the biggest hurricanes in recent memory, Irene. Putting the “psycho” in rockabilly is nothing new for these road warriors who eschew the corporate model of rock and roll and live every day grateful for the opportunity to be independent working musicians. Stand-up guy and drummer (a la Slim Jim Phantom of The Stray Cats) Sinner started the band 16 years ago and is currently enjoying his eleventh U.S. tour.

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Music - Love Your Local Band

The Best Friends

The Best Friends

“Who threw away a perfectly good white boy?!” screams a rowdy passerby on Haight Street in San Francisco, addressing The Best Friends vocalist/guitarist, Aiden Ward. Ward yells back for a high-five. Having chopped off his shoulder-length blond locks, Ward does seem clean-cut now, but don't let his ’do fool you. Fans fall for The Best Friends’ melodic dance funk with every shout: “booty scones,” “give me back my grandma!,” “I need another drink,” and “wahahaha,” are just a few of the lyrics chanted during their concerts. Bassist Derek Burte compares the spectacle to their banner: “We have a big sign. It's been caught in the rain, run over a few times. It says The Best Friends, with two dinosaurs high-five-ing.” Sometimes on stage, when they play their song “Dinosaurs,” keyboardist Benjamin Einstein and Ward “have a dinosaur battle,” says Ward. “I imagine myself as a T-Rex,” Ward admits. “I'm more of a Velociraptor,” counters Einstein.

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Music - Love Your Local Band

Nathan Dennen

Nathan Dennen

Like the ebb and flow of the tide, singer/songwriter Nathan Dennen keeps getting pulled back to Santa Cruz. In what he says feels like a past life, Dennen split his time between his home in Oakdale, and his grandfather’s house in Rio del Mar. Today, he lives in San Francisco, where he’s been inspired by “groovy music, with a lot more soul.” In the city, Dennen has created what he calls, a “little niche of music that I was really inspired to recreate and expand upon—taking old-timey music and giving it a modern flair.” To produce the ragtime saloon sound on his self-titled debut album, he used a piano built in the early 1900s, and even mixed the album on tape. “I would leave the little pops and buzzes in there to keep that raw sound,” he says. Focused on reviving Scott Joplin-esque northern jazz melodies first, and letting lyrics fall into place second, Dennen says he’s always surprised to get feedback from fans about his lyrics.

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Good Times Holiday Giving

Giving Where It Helps

 

Giving Thanks: The Thought-Form of Solution

We are in the time and under the influence of Sagittarius, sign of the wanderer, good food, good music, and the joy (Jupiter as ruler) that occurs from giving to others while simultaneously giving thanks from our hearts. Having the Thanksgiving holiday during the month of Sag is not a mistake. No other sign understands joy (an aspect of the Soul) as Sag (except Pisces when not in despair). “Sag is a beam of directed and focused light. The beam reveals a greater light ahead, illuminating the Way to the center of the Light,” emitting the Ray of Joyfulness. Thanksgiving is a time for gratitude; in the form of prayers, thoughts, feelings, wishes, hopes and greetings. Gratitude is something we still need to learn. Gratitude creates goodwill. Together, gratitude and goodwill create the “thought-form of solution” for humanity and our world’s problems. Gratitude and goodwill are the prerequisites for the reappearance of the Christ, the Aquarian World Teacher. In Ancient Wisdom texts it is written, “being grateful is the hallmark of one who is enlightened.” Gratitude comes from the Soul—the characteristics of which are love and wisdom (Ray 2). Gratitude is scientifically and occultly (mental, not emotional) a releasing agent. Gratitude liberates us and everything around us. Also a service to others, gratitude is deeply scientific in nature, releasing us from the past and laying open our future path leading to the new culture and civilization, the new laws and principles, the rising light of Aquarian, the Age of Friendship and Equality. The Hierarchy lays much emphasis upon gratitude. Let us be grateful this year and this season together. And so now the days of light illuminating the darkness begin (December’s festivals and feast days). Happy Thanksgiving, everyone. I am grateful for all of you, my readers.

 

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Film, Times & Events: Week of November 28

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