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Apr 25th
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Love Your Local Band

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Music - Love Your Local Band

Young Performers Showcase

Young Performers Showcase

The axe is falling on music education in public schools. The star of James Durbin is rising on American Idol. Put those two trends together, and the purpose behind the Young Performers Showcase (Durbin is an alum of the event) becomes potently clear. Now in its third year, the fundraiser this Saturday, April 9, at The Rio Theatre, presents a full lineup of local youth strutting disparate skills to raise awareness and moolah to continue music programs in Santa Cruz City schools. It all started when Rick Linzer saw how the economic downturn was threatening music lessons. The veteran jazz saxophonist, who says that music “really saved my life in a lot of ways; it gave me a sense of purpose and camaraderie,” has gone on to coordinate an annual concert that provides family entertainment while ensuring that school bands can be armed with instruments and kids can be exposed to the nurturing and healing nature of music. As a music major in college, Linzer learned how effective music is in a child’s cognitive, social and emotional development. “Numerous studies show that [music] gives kids a sense of connection to school and helps with self-esteem, creative and analytical thinking, coordination, problem solving and team building,” he says.

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Music - Love Your Local Band

Grizzel Toe

Grizzel Toe

Soggy winter rains have steeped Grizzel Toe, the latest project featuring Green Flash alums Raya Heffernan and Peter Wallner, throughout its gestation period, saturating life into the underground duo in preparation for a spring sprig to sprout. Seething in the clammy distortion of a washed-out ’90s shoegaze sound garden, Grizzel Toe echoes gritty EVOL-era Sonic Youth with an innate punk intensity that will leave any audience aching in admiration after being walloped by their wall of noise. “Our music is the color of bruises,” Wallner, who plays guitar and vocals, relents, “an eyesore you can’t stop touching, but want to.” With performances alongside the Growlers, Religious Girls, and Man/Miracle under their belts, Heffernan and Wallner have bled into the local circuit and are ready to take it to the studio for a four-track EP that should be out around May.

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Music - Love Your Local Band

Shotgun Suitor

Shotgun Suitor

In a dimly lit bar a band is in full swing, busting out a hip-shaking honky tonk ballad. Out of nowhere, the lead guitarist starts traveling outside of the song, the standup bassist grabs a bow and, in a matter of seconds, the band is diving through a classical piece before finishing the set with a jazz standard. Welcome to the world of Shotgun Suitor. “I think we’re bringing a missing genre that a lot of original bands only touch on,” explains keyboardist Kyle Hamood. “We cover all of the bases.” And they certainly do, from original pieces to standard rock covers with a twist. It’s an impressive feat considering that Shotgun Suitor is still stretching its musical legs; forming only two and a half months ago, after singer and rhythm guitarist Chas Crowder moved to Santa Cruz from the soulful streets of Memphis. “[Bassist Paul Gerhardt] started calling me a couple of months ago saying, ‘You’ve got to get out here!’ So, I did,” Crowder says nonchalantly. Gerhardt and Hamood already had a budding musical friendship, so with Crowder in the mix they decided to call upon drummer Dallas Ezell, lead guitarist Wes Davis and vocalist Emily Gold.

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Music - Love Your Local Band

Ploughman

PloughmanMost bands can speak volumes of their humble beginnings, but few will tell you of a genesis as abrupt and haphazard as Ploughman's, whose first practice session was a live performance at The Red last year. Almost as if acting out a band's version of a love story, Ploughman is slated to play The Catalyst Atrium for its CD-release party on the night of its first anniversary. Romance aside, the foursome's soulful improvisation and laid-back brand of bluesy rock may not melt hearts, but it will surely set toes tapping. Ploughman's upcoming album, Scratching the Surface, is a subtly polished collection of mellow, well-aged rock with harder moments taking you back to the Toadies and softer ones revisiting the Grateful Dead, although neither bands are mentioned when singer Eric Smith talks inspiration.
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Music - Love Your Local Band

Local Acts Done Good

Local Acts Done Good

Think Santa Cruz is soundproofed by the surrounding mountains, one snaky Highway 17, and that thing called the Pacific Ocean? Think again. A couple of acts have eschewed the confines of small town beach living and taken their big sounds to some big Hollywood spotlights. Congrats are in order to Wooster and James Durbin, two very different acts whose musical pursuits have recently put a star next to our town on the musical map.

Shuffling together a taut rock and reggae concoction that pops with tasty nuggets of suave blues, seductive soul and edgy funk, Wooster took the Ford-sponsored “Gimme the Gig” national contest by storm. Out of 2,500 applicants, the septet led by Brian Gallagher was chosen as one of the top seven finalists to hit the infamous Whiskey A Go Go stage in Los Angeles last month to strut some serious goods in an attempt to win a recording session with no other than Don Was. Though it returned sans a contract, Wooster’s rise in the ranks during the seven-month contest and subsequent Hollywood exposure have added to the local band’s sweltering reputation. 

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Music - Love Your Local Band

The Huxtables

The Huxtables

The Huxtables have been around. As in, lots of local bands now DIY-ing it were still diapering it when these guys went from playing their first show 16 years ago—a McKinleyville house party—to dicing up local stages. Somehow, the dust has never managed to settle on the band’s frenetic rock that bounces with more pop than your last illegal fireworks display. And in all these years, the only thing missing in the career of a veteran band that needs no introduction is … a debut album. Say what? You read it correctly: Despite a parade of EPs and 2003’s Fire is Sabotage compilation, The Hux never managed to package one proper full-length CD. None, zilch, nada. Until now. “We’d always been a side project for the first 10 years of our existence, so we never had the drive to get into the studio to record a full-length until three years ago,” says founding bassist AJ Marquez, formerly of Slow Gherkin.

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Music - Love Your Local Band

Art Museums

Art Museums

If John Hughes’ film, The Breakfast Club, takes the Saturday morning shift of depicting the angst of a disenchanted teen world, then Art Museums—the wonky flashback pop duo of Josh Alper and Glenn Donaldson sharing guitar and vocal chops—happily picks up the slack for the nightcap, creating a fun and carefree refuge of old-school adolescent solace. A colorful kaleidoscope of timbre, Art Museums paint a lo-fi retro soundscape of pastel pop and bubblegum fun. “It’s a jangle shirt with a post-punk scarf,” Donaldson emails to Good Times. Part ’60s mod wrapped in the magnetic tape of C-86 and topped by twee, Art Museums meld various feel-good jams under the fuzzy buzz of an analog 8-track. “There’s a certain gauze the Tascam 388 puts over the music,” Alper muses, referencing the layer of haze mulling throughout the group’s first full-length, Rough Frame, echoing the D.I.Y. punk mentality of the ’80s. For Alper, the ’80s was a time of musical self-realization. Going to the record store and mining through the vaulted cassette and vinyl stacks was an escape.

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Music - Love Your Local Band

Hurricane Roses

Hurricane Roses

There was never any question as to what kind of songs Angelina Lemucchi would end up writing. As a child, the 33-year-old singer remembers, “I’d sit in the back of my grandparents’ house listening to Merle Haggard and Loretta Lynn.” Growing up with a pastor as a father during a strict religious upbringing, she wasn’t allowed to buy CDs other than gospel or Christian music until she was 17. But she’d always find a way to sneak in some country western crooning, which she says still makes her feel “warm and at home.” Tugging at her ears from an early age, it’s easy to see why that same kind of country storytelling and twanging swagger would make their way onto the debut, self-titled album from Lemucchi’s latest band, Hurricane Roses. Sometimes gently ambling with brooding ballads and other times romping with unmitigated rock swiftness, the six-piece transforms Lemucchi’s cache of personal lyrics—deeply cathartic in nature—into rumbling toe-tappers. This week at Moe’s Alley, on Saturday, Feb. 5, Lemucchi and Co. will celebrate the release of an eight-track CD that she describes is infused with the themes of “discovery, loss and change.”

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Music - Love Your Local Band

The Cranks

The Cranks

To say the players in Aptos’ raging psychobilly duo, The Cranks, wear dedication on their sleeves would be a major understatement, overlooking a key detail surrounding the crew of Mike Hilden (guitars/vocals) and Américo Castillo (drums). It’s actually worn tattooed to their sleeve—The Cranks logo sprawled across Castillo’s forearm, leaving no doubt of his hardcore loyalty to the music. “We may not be the best musicians,” Castillo admits, “but no one can do what The Cranks do.” Rattling on a hybrid blend of Mexican corridos, Norteño rhythms, rockabilly rags and hard-nosed, foot-stomping Led Zeppelin rock, The Cranks are six-year veterans to the Santa Cruz scene—having  emerged from the ashes of the enigmatic trio, Sapos Muertos. After releasing a second album, The Cranks II, in October (only to rush back to the studio to start recording a third full-length, The Cranks III) the group has solidified its sound of organic, gritty, in-the-trenches roots rock that’s simultaneously perfect for the smoky dim aura of a grungy bar and the down-home warmth of a sunny Sunday barbecue. “We like to play with a lot of roots ideas,” Hilden raps, “but [we] don’t confine ourselves to one style.”

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Music - Love Your Local Band

Wangari

Wangari

 

Censorship—the blasphemous term in music. Usually it’s applied to a bleeped out four-letter word, a phrase here and there. A whole song, even. Censoring an entire language? Unthinkable. But that’s a reality Sharon Wangari, the vocal soul and core behind the trio known simply as Wangari, is battling. Singing in her Kenyan mother tongue of Kikuyu is an act of preservation, not just an exercise in world music poetics. Because of tribal warfare the use of the Kikuyu language has been banned in Nairobi, and, needless to say, it’s gotten the singer “worked up.” Wangari explains, “I come from a family of freedom fighters, and our grandfather fought for independence so that we could be free and use our language.” She says the language is disappearing (“My friends don’t speak it because they think it’s primitive, and it’s being wiped off the face of the earth”), so the 24-year-old is now bringing it to listeners through modern acoustic music.

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We Can Rebuild You

A look back at how downtown Santa Cruz recovered from the 1989 earthquake

 

International Earth Day—Mother Earth Day

Every April 22, humanity celebrates International Mother Earth Day and Earth Day. As more than a billion people participate in Earth Day activities every year, Earth Day has become the world’s largest civic observance. The massive concern to build right relations between humanity and the living being we call Earth is evidence of humanity’s love of the Mother. In 2009, the United Nations General Assembly proclaimed April 22 International Mother Earth Day, with a significant resolution affirming “the interdependence existing among human beings, other living species (the kingdoms—mineral, plant, animal and human) and the planet itself, the Earth which we all inhabit.” The Earth is our home. Celebrating Earth Day helps us define new emerging processes (economic, social, political) focused on the well-being of the kingdoms. Through these, humanity seeks to raise the quality of life, foster equality and begin to establish right relations with the Earth. We dedicate ourselves to bringing forth balance and a relationship of harmony with all of nature. Learn about planting a billion trees (the Canopy Project); participate in 1.5 billion acts of green. Disassociation (toward Earth) is no longer viable. We lose our connection to life itself. Participation is viable—an anchor, refuge and service for all of life on Earth. Visit earthday.org; harmonywithnatureun.org; and un.org/en/events/motherearthday for more information. From Farmers Almanac, “On Earth Day, enjoy the tonic of fresh air, contact with the soil, companionship with nature! Go barefooted. Walk through woods, find wildflowers and green moss. Remain outside, no matter the weather!” Nature, Earth’s most balanced kingdom, heals us. The New Group of World Servers is preparing for the May 3 Wesak Buddha Taurus solar festival. We prepare through asking for and offering forgiveness. Forgiveness purifies and like nature, heals.

 

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Mission Critical

How reading Lisa Jensen’s reviews taught me to love film
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