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May 25th
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Love Your Local Band

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Music - Love Your Local Band

Art Museums

Art Museums

If John Hughes’ film, The Breakfast Club, takes the Saturday morning shift of depicting the angst of a disenchanted teen world, then Art Museums—the wonky flashback pop duo of Josh Alper and Glenn Donaldson sharing guitar and vocal chops—happily picks up the slack for the nightcap, creating a fun and carefree refuge of old-school adolescent solace. A colorful kaleidoscope of timbre, Art Museums paint a lo-fi retro soundscape of pastel pop and bubblegum fun. “It’s a jangle shirt with a post-punk scarf,” Donaldson emails to Good Times. Part ’60s mod wrapped in the magnetic tape of C-86 and topped by twee, Art Museums meld various feel-good jams under the fuzzy buzz of an analog 8-track. “There’s a certain gauze the Tascam 388 puts over the music,” Alper muses, referencing the layer of haze mulling throughout the group’s first full-length, Rough Frame, echoing the D.I.Y. punk mentality of the ’80s. For Alper, the ’80s was a time of musical self-realization. Going to the record store and mining through the vaulted cassette and vinyl stacks was an escape.

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Music - Love Your Local Band

Hurricane Roses

Hurricane Roses

There was never any question as to what kind of songs Angelina Lemucchi would end up writing. As a child, the 33-year-old singer remembers, “I’d sit in the back of my grandparents’ house listening to Merle Haggard and Loretta Lynn.” Growing up with a pastor as a father during a strict religious upbringing, she wasn’t allowed to buy CDs other than gospel or Christian music until she was 17. But she’d always find a way to sneak in some country western crooning, which she says still makes her feel “warm and at home.” Tugging at her ears from an early age, it’s easy to see why that same kind of country storytelling and twanging swagger would make their way onto the debut, self-titled album from Lemucchi’s latest band, Hurricane Roses. Sometimes gently ambling with brooding ballads and other times romping with unmitigated rock swiftness, the six-piece transforms Lemucchi’s cache of personal lyrics—deeply cathartic in nature—into rumbling toe-tappers. This week at Moe’s Alley, on Saturday, Feb. 5, Lemucchi and Co. will celebrate the release of an eight-track CD that she describes is infused with the themes of “discovery, loss and change.”

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Music - Love Your Local Band

The Cranks

The Cranks

To say the players in Aptos’ raging psychobilly duo, The Cranks, wear dedication on their sleeves would be a major understatement, overlooking a key detail surrounding the crew of Mike Hilden (guitars/vocals) and Américo Castillo (drums). It’s actually worn tattooed to their sleeve—The Cranks logo sprawled across Castillo’s forearm, leaving no doubt of his hardcore loyalty to the music. “We may not be the best musicians,” Castillo admits, “but no one can do what The Cranks do.” Rattling on a hybrid blend of Mexican corridos, Norteño rhythms, rockabilly rags and hard-nosed, foot-stomping Led Zeppelin rock, The Cranks are six-year veterans to the Santa Cruz scene—having  emerged from the ashes of the enigmatic trio, Sapos Muertos. After releasing a second album, The Cranks II, in October (only to rush back to the studio to start recording a third full-length, The Cranks III) the group has solidified its sound of organic, gritty, in-the-trenches roots rock that’s simultaneously perfect for the smoky dim aura of a grungy bar and the down-home warmth of a sunny Sunday barbecue. “We like to play with a lot of roots ideas,” Hilden raps, “but [we] don’t confine ourselves to one style.”

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Music - Love Your Local Band

Wangari

Wangari

 

Censorship—the blasphemous term in music. Usually it’s applied to a bleeped out four-letter word, a phrase here and there. A whole song, even. Censoring an entire language? Unthinkable. But that’s a reality Sharon Wangari, the vocal soul and core behind the trio known simply as Wangari, is battling. Singing in her Kenyan mother tongue of Kikuyu is an act of preservation, not just an exercise in world music poetics. Because of tribal warfare the use of the Kikuyu language has been banned in Nairobi, and, needless to say, it’s gotten the singer “worked up.” Wangari explains, “I come from a family of freedom fighters, and our grandfather fought for independence so that we could be free and use our language.” She says the language is disappearing (“My friends don’t speak it because they think it’s primitive, and it’s being wiped off the face of the earth”), so the 24-year-old is now bringing it to listeners through modern acoustic music.

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Music - Love Your Local Band

Patti Maxine

Patti Maxine

At 72, Patti Maxine is one of the busiest players in Santa Cruz and she’s not slowing down. A solo performer and a member of the Island Breeze Band, ROMP, and the Saddle Pals, she’s also been in high demand by local folk musicians and Hawaiian music emissaries like Eddie Kamae and Cyril Pahanui. Anyone who’s witnessed her confident slinging of the slide guitar knows why. Still, it wasn’t necessarily by choice that the brazen stage veteran first picked up the lesser known style. As a young teen living in Roanoke, Va., Maxine sought to study the standard guitar. Her music teacher had other plans for her. “Unbeknownst to me at age 14, my teacher brought out a lap steel,” she says of her surprise  introduction to a guitar whose raised strings beg to be swiped rather than pressed down. “He laid it on my lap and I played with a steel bar, and that was it for me.” Soon she was playing Hawaiian music and winning contests despite the fact that the slide was rarely ever seen in a woman’s hands. “Me and this instrument was like a match made in heaven,” she says.

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Music - Love Your Local Band

Ben Flocks Quartet

Ben Flocks Quartet

Ben Flocks, 21-year-old sax extraordinaire, understands there is no place like home. A former member of Kuumbwa Jazz Honor Band (he calls Kuumbwa “a sacred place”) who played the Monterey Jazz Festival stage this September (“one of the greatest experiences of my whole life”), the Bonny Doon native is currently studying at the New School for Jazz and Contemporary Music in New York City. There, he says, “350 jazz musicians are packed into two floors of a building in the Village.” He’s been looking forward to stretching his legs—and his refined musical skills—during his winter break and holiday return to town. “At school people tell me to bring my ‘Santa Cruz vibe,’ and now I’m trying to bring my New York vibe back and bridge these two places,” he says. Flanked by good friends and fellow Bay Area locals Jesse Scheinin on saxophone, Zach Brown on bass, and Michael Davis on drums, Flocks will lead his quartet through two sets at the Crepe Place, Thursday, Dec. 30.

 

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Music - Love Your Local Band

Mothers

Mothers

Sometimes a band’s style of conversation perfectly parallels its music. Disjointed, loudly confident, unpredictable and pure non-stop entertainment, a sit-down talk with members of Mothers seems to take a cue from their full-throttle, metal-tinged songs. Behind their respective black attire, baby beards and cigarette smoke, singer/guitarist Matt Wilson and drummer Matt McClain chat about the new Santa Cruz quartet on the deck of Caffe Pergolesi. Guitarist Matt Hintze pops in for brief cameos as he wipes down the tables and works the venue as a nightshift barista. With bassist Dustin White (middle name: Matt), the band of Matts has transformed Wilson’s previous songwriting project—the more subdued Motorcycle Snakebite—into an abrasive, technical juggernaut in which McClain’s cymbal-breaking attacks furiously brew behind a jagged interlocking of guitars. Wilson says, “When people first see us they won’t understand what it is, but I think they’ll like it because—” McClain interjects, “Definitely not because of our looks!” Laughter ensues. Wilson’s sweet and earnest manner is a foil to McClain’s ceaseless sarcasm and jokester jabs (“We’re really influenced by Mariah Carey,” the drummer quips).

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Music - Love Your Local Band

The Getaway Girl

The Getaway Girl

Living up to her moniker as The Getaway Girl, Courtney Jones recently did something many East Coasters do: she fled to the sunnier shores of California. But it wasn’t without incident. Only one state away from her home in Virginia, Jones’ old Jeep Cherokee, which was lugging the singer/songwriter, her Yamaha mock grand piano and her acoustic guitar, beckoned for attention and started overheating. Trudging onward, a year ago she landed in Santa Cruz after, she recalls, “the welcoming committee at the border of California said, ‘Welcome to California—and just so you know, your car is shooting out black smoke!’” Along with that fixer-upper, the 24-year-old brought to town her songwriting skills she’d exercised in bands while living in North Carolina, a knack to play back anything she hears despite not knowing chords, and a determination to master the keys in original songs. And, like you’d suspect, she did so in perfect getaway form. “Once I moved out to California I was locking myself in my room for hours trying to figure out new chord progressions,” she says. The sweet result? Her solo musical project now greets listeners as a piano pop endeavor dripping in spacey ambiance and affecting lyrics that can bounce with a lighthearted bop or amble with languid fluidity reminiscent of Missy Higgins.

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Music - Love Your Local Band

Molly’s Revenge

Molly’s Revenge

A challenge of being a Celtic band from California? Credibility. Living far from the Green Isle, the Santa Cruz-based players in Molly’s Revenge have had to work that much harder to get respect for playing traditional music native to a foreign region. Still, the members have mastered a rare style despite their stateside home, and it’s gained them plenty of nods from notable players. “We may not talk with the accents, but the music speaks with the accent for us,” says founder David Brewer, the man behind the Highland bagpipes. With John Weed on fiddle, Stuart Mason on guitar/mandola, and Peter Haworth on bouzouki, Molly’s Revenge catapults audiences (in both elite venues and casual pubs) into a wicked seizure fueled by strident Celtic covers and originals. It seems that emerging as outsiders to the scene has given the band the freedom to, shall we say, experiment. Don’t expect kilts, expect kick-ass takes on Celtic classics. While in Scotland and Ireland bands traditionally play sitting down, Molly’s Revenge treats its stage show with the dynamics and theatrics of a rock show; everyone performs standing, and flailing movements complement the stomping rhythms.

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Music - Love Your Local Band

Five Eyed Hand

Five Eyed Hand

When guitarist Chris Zanardi dishes out the inside scoop on his band Five Eyed Hand, there’s no shortage of quirky band member details befitting the ensemble’s fusion psychedelic-meets-funk soundscape. Drummer Derek Bodkin isn’t just an anomalous frontman from behind the kit, he’s also an award-winning professional whistler (he performs a whistle solo on the song “Good Mood Trot”). Bassist Jeb Taylor was struck by lightning as a child while hiking the Himalaya (“I think it messed up his vocals during his adolescent years and he’s the only member that doesn’t sing,” Zanardi laughs). Violinist Mike Henderson is known to untraditionally whip out the slide here and there (“He’s a virtuoso that plays everything from classical to rock”). With each member brandishing his own extensive resume of projects, Five Eyed Hand formed in 2006 to boast a motley crew of experiences and styles that continues to go strong. From sexy funk to beastly bluegrass jams to precise jazz instrumentals, the quartet hits Don Quixote’s with Marco Benevento on Friday, Dec. 3.

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Gate Openers

Up-and-coming artists like Ryan Bingham are a great reason to show up early to the Santa Cruz American Music Festival

 

Gemini Sun, Pentecost, Shavuot—Enlightenment and Gladness

As the sun enters Gemini on Sunday, sign of speaking, communication, thinking, inter-relations, writing and understanding languages, the feast days of Pentecost & Shavuot (Catholic and Jewish festivals) occur. During Pentecost’s 50 days after Easter, tongues of fire appear above the heads of the disciples, providing them with the ability to understand all languages and all feelings hidden in the minds and hearts of humanity. It’s recorded that Pentecost began with a loud noise, which happened in an upper room (signifying the mind). The Christ (World Teacher) told his disciples (after his ascension) when encountering a man at a well carrying a water pot (signs for Age of Aquarius) to follow him to an upper room. There, the Holy Spirit (Ray 3 of Divine Intelligence) would overshadow them, expand their minds, give them courage and enable them to teach throughout the world, speaking all languages and thus able to minister to the true needs of a “seeking” humanity. Pentecost (50 days, pentagram, Ray 5, Venus, concrete and scientific knowledge, the Ray of Aquarius) sounds dramatic, impressive and scary: The loud noise, a thunderous rush of wind and then “tongues of fire” above the heads of each disciple (men and women). Fire has purpose. It purifies, disintegrates, purges, transforms and liberates (frees) us from the past. This was the Holy Spirit (Ray 3, love and wisdom) being received by the disciples, so they would teach in the world and inform humanity of the Messiah (Christ), who initiated the new age (Pisces) and gave humanity the new law (adding to the 10 Commandments of the Aries Age) to Love (Ray 2) one another. Note: Gemini is also Ray 2. Shavuot is the Jewish Festival of Gladness, the First Fruits Festival celebrating the giving of the 10 Commandments to Moses as the Aries Age was initiated. Thus, we have two developmental stages here, Jewish festival of the Old Testament. Pentecost of the New Testament. We have gladness, integrating both.

 

The New Tech Nexus

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Off Her Meds

Kristin Wiig runs wild—and transcends her sketch comedy roots—as a truly strange character ‘Welcome to Me’
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