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Apr 19th
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Love Your Local Band

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Music - Love Your Local Band

Ben Flocks Quartet

Ben Flocks Quartet

Ben Flocks, 21-year-old sax extraordinaire, understands there is no place like home. A former member of Kuumbwa Jazz Honor Band (he calls Kuumbwa “a sacred place”) who played the Monterey Jazz Festival stage this September (“one of the greatest experiences of my whole life”), the Bonny Doon native is currently studying at the New School for Jazz and Contemporary Music in New York City. There, he says, “350 jazz musicians are packed into two floors of a building in the Village.” He’s been looking forward to stretching his legs—and his refined musical skills—during his winter break and holiday return to town. “At school people tell me to bring my ‘Santa Cruz vibe,’ and now I’m trying to bring my New York vibe back and bridge these two places,” he says. Flanked by good friends and fellow Bay Area locals Jesse Scheinin on saxophone, Zach Brown on bass, and Michael Davis on drums, Flocks will lead his quartet through two sets at the Crepe Place, Thursday, Dec. 30.

 

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Music - Love Your Local Band

Mothers

Mothers

Sometimes a band’s style of conversation perfectly parallels its music. Disjointed, loudly confident, unpredictable and pure non-stop entertainment, a sit-down talk with members of Mothers seems to take a cue from their full-throttle, metal-tinged songs. Behind their respective black attire, baby beards and cigarette smoke, singer/guitarist Matt Wilson and drummer Matt McClain chat about the new Santa Cruz quartet on the deck of Caffe Pergolesi. Guitarist Matt Hintze pops in for brief cameos as he wipes down the tables and works the venue as a nightshift barista. With bassist Dustin White (middle name: Matt), the band of Matts has transformed Wilson’s previous songwriting project—the more subdued Motorcycle Snakebite—into an abrasive, technical juggernaut in which McClain’s cymbal-breaking attacks furiously brew behind a jagged interlocking of guitars. Wilson says, “When people first see us they won’t understand what it is, but I think they’ll like it because—” McClain interjects, “Definitely not because of our looks!” Laughter ensues. Wilson’s sweet and earnest manner is a foil to McClain’s ceaseless sarcasm and jokester jabs (“We’re really influenced by Mariah Carey,” the drummer quips).

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Music - Love Your Local Band

The Getaway Girl

The Getaway Girl

Living up to her moniker as The Getaway Girl, Courtney Jones recently did something many East Coasters do: she fled to the sunnier shores of California. But it wasn’t without incident. Only one state away from her home in Virginia, Jones’ old Jeep Cherokee, which was lugging the singer/songwriter, her Yamaha mock grand piano and her acoustic guitar, beckoned for attention and started overheating. Trudging onward, a year ago she landed in Santa Cruz after, she recalls, “the welcoming committee at the border of California said, ‘Welcome to California—and just so you know, your car is shooting out black smoke!’” Along with that fixer-upper, the 24-year-old brought to town her songwriting skills she’d exercised in bands while living in North Carolina, a knack to play back anything she hears despite not knowing chords, and a determination to master the keys in original songs. And, like you’d suspect, she did so in perfect getaway form. “Once I moved out to California I was locking myself in my room for hours trying to figure out new chord progressions,” she says. The sweet result? Her solo musical project now greets listeners as a piano pop endeavor dripping in spacey ambiance and affecting lyrics that can bounce with a lighthearted bop or amble with languid fluidity reminiscent of Missy Higgins.

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Music - Love Your Local Band

Molly’s Revenge

Molly’s Revenge

A challenge of being a Celtic band from California? Credibility. Living far from the Green Isle, the Santa Cruz-based players in Molly’s Revenge have had to work that much harder to get respect for playing traditional music native to a foreign region. Still, the members have mastered a rare style despite their stateside home, and it’s gained them plenty of nods from notable players. “We may not talk with the accents, but the music speaks with the accent for us,” says founder David Brewer, the man behind the Highland bagpipes. With John Weed on fiddle, Stuart Mason on guitar/mandola, and Peter Haworth on bouzouki, Molly’s Revenge catapults audiences (in both elite venues and casual pubs) into a wicked seizure fueled by strident Celtic covers and originals. It seems that emerging as outsiders to the scene has given the band the freedom to, shall we say, experiment. Don’t expect kilts, expect kick-ass takes on Celtic classics. While in Scotland and Ireland bands traditionally play sitting down, Molly’s Revenge treats its stage show with the dynamics and theatrics of a rock show; everyone performs standing, and flailing movements complement the stomping rhythms.

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Music - Love Your Local Band

Five Eyed Hand

Five Eyed Hand

When guitarist Chris Zanardi dishes out the inside scoop on his band Five Eyed Hand, there’s no shortage of quirky band member details befitting the ensemble’s fusion psychedelic-meets-funk soundscape. Drummer Derek Bodkin isn’t just an anomalous frontman from behind the kit, he’s also an award-winning professional whistler (he performs a whistle solo on the song “Good Mood Trot”). Bassist Jeb Taylor was struck by lightning as a child while hiking the Himalaya (“I think it messed up his vocals during his adolescent years and he’s the only member that doesn’t sing,” Zanardi laughs). Violinist Mike Henderson is known to untraditionally whip out the slide here and there (“He’s a virtuoso that plays everything from classical to rock”). With each member brandishing his own extensive resume of projects, Five Eyed Hand formed in 2006 to boast a motley crew of experiences and styles that continues to go strong. From sexy funk to beastly bluegrass jams to precise jazz instrumentals, the quartet hits Don Quixote’s with Marco Benevento on Friday, Dec. 3.

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Music - Love Your Local Band

The Good Sams

The Good Sams

There’s nothing like a little ol’ power plant to spark the creative juices. It works in The Simpsons and it works in the Good Sams. While Moss Landing is commonly recognized for its two power plant towers, along with the famous flavors of Phil’s Fish Market, since 2006 the tiny tourist spot has also harbored a lesser-known force to be reckoned with: Smaller in stature but bigger in sound than the aforementioned landmarks, the hillbilly swing of the Good Sams fits the antique-loving scene of the neighborhood while infusing a youthful surf/skate punk aesthetic through its energy and lyrics. Still, let’s talk power plant. Singer/songwriter Andrew Dolan grew up watching the smoke linger out of the imposing towers and over his grandparents’ junkyard. “Every day when the smoke came out of the stacks it looked like things morphing into other things, it was nonstop entertainment,” the 28-year-old recalls. “So the power plant is a huge influence on us.” Take note of one of the trio’s original romps, “Plume’s Doom.” But while modern muses like power plants and skateboarding play some major roles in the local ensemble’s music, it’s the old-time string thumping and country crooning that lays the Good Sams’ foundation.

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Music - Love Your Local Band

Birdhouse

Birdhouse

What a difference a year can make. Last Halloween, when a group of friends thought the best way to spend the masked affair would be to jam out some Grateful Dead tunes at a Santa Cruz house party, little could they have guessed that by the next Day of the Dead they’d be garnering notice for playing solid original tunes under the name Birdhouse. Now, with no covers in sight, the quartet balances jazz virtuosity with jam band dexterity, and the resulting patchwork morphs with each show. A conglomerate of UC Santa Cruz and Cabrillo College students, the guys in Birdhouse, according to drummer Jeff Wilson, formed “to play old time, good feeling rock music with a country feel, but we’re all jazz guys.” With guitarist/lead vocalist Daniel Talamantes (“He’s constantly on his typewriter all day writing,” Wilson says), lead guitarist Jeff Carter, and bassist Chris McIntyre rounding out the crew, Birdhouse lights up an ever-changing set through a knack for tight improv and technical precision. An appreciation for bluegrass and funk certainly informs the set, with Wilson favoring African rhythms and atypical syncopation as the lively undercurrent to the band’s rock meanderings, while Carter’s stinging pedal steel guitar is scene-stealing.

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Music - Love Your Local Band

DJ Rob Monroy

DJ Rob Monroy

Psychedelic beams of light penetrate a fog-filled room and scatter off of a mirror ball down onto the dance floor. The crowd of gyrating bodies instinctively twists to the electronic pulse of the speakers as the turntables spin in their hypnotic trance. “A lot of it comes down to beat matching and keeping them together, “ explains DJ Rob Monroy with a satisfied grin. “If the beats are falling apart the people will get distracted.” Monroy knows what he’s talking about. Performing since 1994, he’s one of the longest spinning DJs in Santa Cruz with a plethora of dance parties under his belt—including Raindance events with his friend DJ Lil John. Monroy was also the resident DJ for Back to Basics night at the Blue Lagoon, which had a respectable seven-year run in Santa Cruz. But despite his love for electronic music, his origins as a DJ began in an unlikely place. “I’m a Dead Head,” he says. “Grateful Dead shows were the first place I felt comfortable dancing ecstatically.” As the years went on and drugs began to crumble the positive community aspects of Dead shows, Monroy began finding ambiguous fliers for “DJ gatherings” at undisclosed locations.

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Music - Love Your Local Band

The Atomic Aces

The Atomic Aces

Head for the fallout shelters, the Atomic Aces are set to ignite a fiery explosion of upbeat, down and dirty rock ’n’ roll. “You’ll want to dance to our songs,” explains Mercy Vasseur, lead singer and debutant of the Aces. “They’re a nice fusion of different things for every age group.” And there might just be something to this. Atomic Aces dissect elements of country, rockabilly, and Western swing, only to splice them together with the best parts of rock and punk. The result is a blaze of hip beats and head-nodding twang, showing the young kids something new and giving the old timers a flash of something familiar.

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Music - Love Your Local Band

The Terrible

The Terrible

Standing in the center of Metavinyl, the record mecca in Downtown Santa Cruz owned by drummer Jonathon Schneiderman, the first thing the four members of The Terrible tell me is that they’re not really much of a band. Qué? Friends who’ve been jamming for a decade, they don’t play shows very often (a handful this year) and they don’t really practice (“I’ll practice the day of the show onstage at the Blue Lagoon,” guitarist Nick Gyorkos laughs, referencing this week’s gig). Like a space rock vampire that emerges after long bouts of sleep to clench audiences with a piercing attack before retreating, the hard-driving quartet may not take itself seriously, but listeners do. Plus, lining the wall behind the guys is a big clue that begs to differ with their claim: a slew of copies of The Terrible’s new record, their brown cardboard sleeves screenprinted with art by Stacie Willoughby and neatly wrapped in plastic. There are 300 limited-edition prints of the record, with a 21-minute haze of throbbing psychedelic rock on each side ready to melt your player needle, and it’s the impetus behind The Terrible’s performance with Mammatus and Indian Giver at 9 p.m. on Friday, Oct. 1 at The Blue Lagoon.

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Film, Times & Events: Week of April 17

Santa Cruz area movie theaters >
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