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Oct 30th
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Love Your Local Band

bud Shocktop

Music - Love Your Local Band

Larry Hosford

Larry Hosford

Larry Hosford has been making music since the 1960s, and the reason he keeps recording and performing after all these years is quite simple. “It’s easy to get into music, but I looked around one day and discovered that it’s very hard to get out,” Hosford says with a laugh. “So I’ve just kept on doing it.” Hosford has had one prolific career. He played for multiple Santa Cruz-area bands back in the ’60s and ’70s—most notably in the seminal band Snail—before going solo, recorded two albums for Leon Russell’s Shelter Records label in Los Angeles, got four songs to appear on Billboard’s country music charts, and even jammed once with Willie Nelson. But he does have one regret.

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Music - Love Your Local Band

Steep Ravine

Steep Ravine

For the members of bluegrass/folk band Steep Ravine, springboards are important. “Bluegrass is a springboard for our compositional ideas,” says violinist Jan Purat. “A lot of bluegrass bands play traditional bluegrass or learn a Bill Monroe mandolin solo and play it note for note. But with us, each player brings something special to the table when they’re soloing. We’re not intentionally trying to make these songs sound new, but that’s what pours out of us.”

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Music - Love Your Local Band

Dan Frechette and Laurel Thomsen

Dan Frechette and Laurel Thomsen

Maybe it was fate. Or perhaps it’s simply yet another example of social media's power to bring people together. Whatever the case, local violinist Laurel Thomsen says it seems as if she and prolific Canadian singer-songwiter Dan Frechette were made to collaborate. The 36-year-old Frechette, a Manitoba-native who has penned more than 1,300 songs in his career, first reached out to the 31-year-old Thomsen after seeing one of her performances on YouTube. "All of a sudden, I saw this video," Frechette recalls. "I thought, ‘Wow! That woman really has it.'"

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Music - Love Your Local Band

Steven Graves

Steven Graves

Local singer-songwriter Steven Graves was a land management consultant in Southern California for almost 25 years before he retired in 2011 to pursue a full-time music career. The switch has been gratifying for him. “When you have a career doing something you’re passionate about that you feel has meaning, then that’s very satisfying,” Graves says. “Not everybody can do that, so I am grateful I’m able to.” And Graves is not the only one.

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Music - Love Your Local Band

Sean Ryan Duo

Sean Ryan Duo

There are plenty of guitarists, bassists, keyboardists and singers who will tell you that music is the only thing they could ever see themselves doing. But for Sean Ryan, music is just about the only thing he has ever done—literally. At 25 years old, Ryan has more experience working as a professional musician than many of his contemporaries will have by their mid-30s. He began drumming for his father's smooth jazz trio when he was 11, squeezing in home-school lessons in between gigs at clubs, private parties, weddings and restaurants.

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Music - Love Your Local Band

The Subtle Tease

The Subtle Tease

Nothing stays the same, for better or for worse. It's something that Jon Banda, frontman for The Subtle Tease, thinks about often. Just before the alternative indie rock/electronica quartet from Watsonville formed in 2009, Banda was in a dark place. “I was totally secluded and really having a hard time getting through a couple things,” he says. Serendipitously, Banda bumped into an old friend from Watsonville High School, bassist Clay Alves, and the first thing Alves asked him was if he was still playing guitar.

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Music - Love Your Local Band

Eliquate

Eliquate

When Elliot Wright was attending UC Santa Cruz in 2006, he would show up at parties, plug his iPod into a sound system and rock the microphone. “When I moved to Santa Cruz I found so many amazing musicians that I realized I had to step up my game,” says Wright. That solo act evolved into Eliquate, a five-member hip-hop outfit featuring Jamie Schnetzler (guitar), Cosmo Stevens (bass), Dan Wells (drums) and Tanner Christiansen (samples, keys, percussion).

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Music - Love Your Local Band

Requiem for the Dead

Requiem for the Dead

Combine the take-no-prisoners attitude of hardcore metal and the raw intensity of a symphony orchestra, and you’ve got Requiem for the Dead, a band that speaks to the macabre with a dark eeriness that would make Tim Burton squeal with glee. The band, led by Santa Cruz native Steve Juliano, the former frontman for the world-touring metal band I Am Ghost, emerged locally in 2011. Juliano walked away from I Am Ghost, despite the band’s immense popularity, because, he says, all of the fun was being sucked out of the project by the overwhelming demands of business and ceaseless touring schedule.

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Music - Love Your Local Band

Head Casket

Head Casket

For the three members of local horror-punk group Head Casket, there's nothing to fear about zombies. In fact, singer and guitarist Rick Deschamp, bassist Brendan Brose, and drummer Nicole Hatchet all seem pretty comfortable with the idea of hanging out with the undead. "Zombies aren't scary," Deschamp says. "They're awesome." Elaborating on why he and his bandmates are drawn to the reanimated, the singer explains, "It's one of those things in pop culture that really never goes away. Zombies have been around for years—no matter what, they'll always be a part of our culture."

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Music - Love Your Local Band

Sista Monica

Sista Monica

For two decades, Santa Cruz soul, blues and gospel singer Sista Monica Parker has drawn musical inspiration from her experiences in love and lust, and the pains of leaving and letting go. Those are hard facts of life that passionate people can always relate to, Parker admits with a laugh. “And that's the kind of music that always seems to feed my soul,” she says. To celebrate her 20 years of performing, Parker will sing at a concert called “Acoustic Honey” on Saturday, along with a four-piece band at Kuumbwa Jazz.

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Jawing

Monterey Bay scientists are working to crack the mysteries of—and dispel the myths about—great whites. But in the highly contentious world of shark experts, there’s a fin line between love and hate

 

Altars of Remembrance, Forgiveness & Rapprochement

We’re in Scorpio now—things mysterious, ageless, hidden, sometimes scary. Friday is Halloween; Saturday, All Saints Day; Sunday, All Soul’s Day. Sunday morning at 2 a.m. (after midnight), Daylight Savings Time ends. Clocks are turned back. Tuesday is the General Election. Our vote is our voice. Each vote matters. Applying freedom of choice—Libra’s teachings. It’s time to build Halloween, All Saints and All Souls altars—with marigolds, pumpkins, sugar skeletons, copal (incense), pomegranates, persimmons, candy corn and cookies, orange and black. It’s so Saturn (now in Scorpio). Saturn is the dweller on the threshold (like St. Peter at the gates of heaven). Saturn can look like a Halloween creature—a gargoyle—a fantastic dragon-like creature protecting sacred sites. The dweller (Saturn) stands at the door or threshold of sacred mysteries, wisdom temples, inner sanctums of churches, offering protection, scaring evil away. The last day of October and first two days of November, when veils between worlds thin and spirits roam about, are times of remembrance, forgiveness, reconciliation and rapprochement. These actions liberate us. At death, when reviewing our lives and the consequences of our actions if we have forgiven, then we are free, less encumbered with grief and sadness. We place forgiveness on our altars. Happy Halloween, everyone! It’s good to dress up as what we’re afraid of. Or whom we would mentor. Then we become one with them. Note to readers: by Thanksgiving I will need a place to live (with purpose). Please contact me if you know of a place where I can rest for awhile. Teach and build community. [email protected] I will be leaving my mother’s home for the last time.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Not Cool

Even Bill Murray’s hipster cred can’t elevate ‘St. Vincent’
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