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Feb 14th
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Quasimodal

music_LYLBQuasimodalA couple of years ago, I was getting out of my car at the end of a long day when I suddenly heard salient live jazz grooves blooming in the vicinity. Pulled by musical gravity, I followed the polyrhythmic beats and found myself at the steps to a quaint red house. There I was, smack in the middle of a normally quiet Westside neighborhood; I could almost see the cartoon musical notes fluttering out the window and into the dark night. What else to do but knock on the door to investigate further? When that door opened, guitarist Sweeney Schragg stood perplexed as I told him how his music had led me to his home; his crooked-necked expression looked at me like I was a peculiar character who’d lost my way off Pacific Avenue. ... And that was my first meeting with Santa Cruz jazz guitar trio Quasimodal. Still practicing in that same tight living room, Schragg and co. (Pete Novembre on bass and Chris Haskett on drums) are celebrating a new CD on Thursday, Oct. 29. Delivering Discordia Concors to Kuumbwa’s dinner and jazz series, Quasimodal brings metal-loving Novembre’s aggressive attacks on standup and electric bass, Haskett’s uptempo swing and Latin nuances, and Schragg’s rhythm and blues rock past and Cabrillo College-trained jazz songwriting.  “There’s method in the madness,” a soft-spoken Schragg explains how he constructs chord progressions as vehicles for improv, in which instrumental mayhem meets to morph into harmony. “I want to write interesting melodic structures,” the 59-year-old begins, “so that people appreciate it with intellectual curiosity.” Stridently funneling all three musicians’ diverse techniques into one sound that’s footed in traditional jazz, Quasimodal can juggle light bossa nova ballads to heavier tones of rock power all on one stage. Offstage, however, I still sometimes catch Schragg crisply fingerpicking his Gibson L-5 and conjuring his next tune on his porch in front of that same ol’ door. The address? That’s my secret—the rest of y’all can catch him with Quasimodal at the Kuumbwa.


7 p.m. Thursday, Oct. 29. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $12/adv, $15/door. Jazz & Dinner $24.60. 427-2227.

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Wednesday (Feb. 10) is Ash Wednesday, when Lent begins. Friday (Feb. 12) is Lincoln’s 207th birthday. Sunday is Valentine’s Day. On Ash Wednesday, with foreheads marked with a cross of ashes, we hear the words, “From dust thou art and unto dust thou shalt return.” Reminding us that our bodies, made of matter, will remain here on Earth when we are called back. It is our Soul that will take us home again. Lent offers us 40 days and nights of purification in preparation for the Resurrection (Easter) festival (an initiation) and for the Three Spring Festivals (at the time of the full moon)—Aries, Taurus, Gemini. The New Group of World Servers have been preparing since Winter Solstice. The number 40 is significant. The Christ (Pisces World Teacher) was in the desert for 40 days and 40 nights prior to His three-year ministry. The purpose of this desert exile was to prepare his Archangel (light) body to withstand the pressures of the Earth plane (form and matter). We, too, in our intentional purifications and prayers during the 40 days of Lent, prepare ourselves (physical body, emotions, lower mind) to receive and be able to withstand the irradiation of will, love/wisdom and light streaming into the Earth at spring equinox, Easter, and the Three Spiritual Festivals. What is Lent? The Anglo-Saxon word, lencten, comes from an ancient spring festival, agricultural rites marking the transition between winter and summer. The seasons reflect changes in nature (physical world) and humanity responds with social festivals of gratitude and of renewal. There is a purification process, prayerfulness in nature and in humanity in preparation for a great flow of spiritual energies during springtime. Valentine’s Day: Aquarius Sun, Taurus moon. Let us offer gifts of comfort, ease, harmony, beauty and satisfaction. Things chocolate and golden. Venus and Taurus things.

 

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