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May 25th
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Music - Features

Synthetic Soul

Synthetic Soul

Denver disco and electro-funk trio Juno What?! will move you

When Joey Porter sings onstage, it’s easy to get distracted by the giant straw that stretches from his mouth all the way down to the effects pedal sitting beside his vintage keyboard, a 1982 Roland Juno-106. Porter—one-third of the far-out funk collective from Denver, Colo., known as Juno What?!—isn’t sipping on anything but his own feel-good lyrics, voiced like a robot thanks to this ingenious and manipulative contraption: the talk box.

“I’ve been using the talk box for 20 years,” says Porter, a Tennessee native. “I really like soulful music, but I don’t have a soulful singing voice. A white boy in Nashville turns funk musician … doesn’t make sense to me either.”

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Music - Features

The Power of Positive Thinking

The Power of Positive Thinking

Ladysmith Black Mambazo’s Albert Mazibuko opens up

More than 40 years ago, Joseph Shabalala had a series of dreams that manifested in the path and sound of his choral group Ladysmith Black Mambazo. Incredibly, Shabalala’s vision of a 10- to 30-member a cappella group that tours the globe singing dreamy harmonies and uniting people of all ages and backgrounds came to fruition. Now, Ladysmith is internationally recognized as the world’s foremost ambassadors of South African music, and along for the entire ride has been Albert Mazibuko.

Since the group’s inception in 1960, Mazibuko has been a core member. It took 20 years of playing before Ladysmith’s first album went gold, and 30 years before Paul Simon helped make the band a household name with Graceland. More amazing than the incredible obstacles the band has overcome or its mind-blowing musical offering, is how mellow Mazibuko is.

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Music - Features

Attack of the Gypsies

Attack of the Gypsies

Diego’s Umbrella brings the heat—sometimes naked

If you mixed a gallon of coffee with a ball of fire and a fifth of tequila and slammed the whole thing in one gulp, you’d have one hell of a night—but if you prefer a blown mind to a ruptured stomach, you should see Diego’s Umbrella instead. They seem to have a similar effect on fans.

 “[It’s funny to see] people’s reactions to the show,” says Tyson Maulhardt, one of the band’s guitarists. “They lose control of their limbs sometimes and kind of flail around. Even when we’re playing for people who’ve never heard us before, by the end they’re definitely dancing and having a great time. I don’t think we’ve ever met an audience that wasn’t there with us by the end.”

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Music - Features

From Angels to Skeletons

From Angels to Skeletons

JGB frontman Melvin Seals discusses his gospel roots, and the memory of Jerry Garcia

Born into a sheltered life of church and gospel in Berkeley, Calif., soulful organist Melvin Seals seemed like a promising candidate to back up the likes of Stanley Cooke or Aretha Franklin. It’s funny how life throws curve balls at you.

Seals would eventually tour and record with Jerry Garcia, frontman of the Grateful Dead, for 15 years until Garcia’s untimely passing in 1995. Since then, Seals has worked diligently to honor the memory and music of his dear friend with the help of the JGB.

Though Seals was surrounded by hippies, living in San Francisco during the 1960s, he maintained his musical roots.

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Music - Features

Big Sound, Little Instrument

Big Sound, Little InstrumentHow Jake Shimabukuro has rekindled interest in the ukulele with his innovative style

When it comes to musicianship, "virtuoso" is not a word you often hear paired with "ukulele player." It's easy to think of the diminutive instrument as little more than a prop—a decoration hanging on a restaurant wall to invoke an island aesthetic, or swaying side to side along with the bobbling hula girl figurine in a car.

But there is no better way to describe Jake Shimabukuro—a lanky, 34-year-old with a gift for coaxing dynamic rock, pop, jazz, and classical arrangements out of an instrument most often used for background strumming in Hawaiian tunes and twee indie-pop songs.

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Music - Features

Our Beloved Revolutionary Sweethearts

Our Beloved Revolutionary Sweethearts

Camper Van Beethoven returns to Santa Cruz for two intimate Crepe Place shows

Long before the Simon Cowell era, the members of the alternative rock band Camper Van Beethoven were the Santa Cruz musicians who had “made it.” Adorning their lively, all-over-the-map sound with an endearing sense of wit, they wooed the populace with a charmingly nonsensical ditty called “Take the Skinheads Bowling” (after all, isn’t it the angriest people who need a little constructive fun?) and a cover of Status Quo’s “Pictures of Matchstick Men,” from their most commercially successful album, 1989’s Key Lime Pie.

With CVB’s 30th anniversary coming up next year, the band is playing a short run of smaller gigs—including two shows at The Crepe Place on Saturday, Feb. 11—to get warmed up for the release of its forthcoming record. The group recently began mixing down this as-yet-untitled album, the first we’ve heard from CVB since 2004’s New Roman Times. According to guitarist Greg Lisher, the band tried out a new approach to writing this time: “Back in the day, [vocalist/guitarist] David [Lowery] would bring his songs to us at rehearsal, and we would write our respective parts. So it was always pretty democratic in that sense, but it was all based on what David was bringing to the table.” For the new album, the band simply got together and came up with ideas on the fly: “Someone would throw something out, someone else would respond and someone else would play off of that.”

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Gate Openers

Up-and-coming artists like Ryan Bingham are a great reason to show up early to the Santa Cruz American Music Festival

 

Gemini Sun, Pentecost, Shavuot—Enlightenment and Gladness

As the sun enters Gemini on Sunday, sign of speaking, communication, thinking, inter-relations, writing and understanding languages, the feast days of Pentecost & Shavuot (Catholic and Jewish festivals) occur. During Pentecost’s 50 days after Easter, tongues of fire appear above the heads of the disciples, providing them with the ability to understand all languages and all feelings hidden in the minds and hearts of humanity. It’s recorded that Pentecost began with a loud noise, which happened in an upper room (signifying the mind). The Christ (World Teacher) told his disciples (after his ascension) when encountering a man at a well carrying a water pot (signs for Age of Aquarius) to follow him to an upper room. There, the Holy Spirit (Ray 3 of Divine Intelligence) would overshadow them, expand their minds, give them courage and enable them to teach throughout the world, speaking all languages and thus able to minister to the true needs of a “seeking” humanity. Pentecost (50 days, pentagram, Ray 5, Venus, concrete and scientific knowledge, the Ray of Aquarius) sounds dramatic, impressive and scary: The loud noise, a thunderous rush of wind and then “tongues of fire” above the heads of each disciple (men and women). Fire has purpose. It purifies, disintegrates, purges, transforms and liberates (frees) us from the past. This was the Holy Spirit (Ray 3, love and wisdom) being received by the disciples, so they would teach in the world and inform humanity of the Messiah (Christ), who initiated the new age (Pisces) and gave humanity the new law (adding to the 10 Commandments of the Aries Age) to Love (Ray 2) one another. Note: Gemini is also Ray 2. Shavuot is the Jewish Festival of Gladness, the First Fruits Festival celebrating the giving of the 10 Commandments to Moses as the Aries Age was initiated. Thus, we have two developmental stages here, Jewish festival of the Old Testament. Pentecost of the New Testament. We have gladness, integrating both.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Off Her Meds

Kristin Wiig runs wild—and transcends her sketch comedy roots—as a truly strange character ‘Welcome to Me’
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Flats Bistro

Pizza with an artisan twist comes to Aptos Beach

 

What’s your take on Santa Cruz locals?

Santa Cruz locals are really friendly once you know them. I think a lot of them have a hard time leaving, and I would too. Ryan Carle, Santa Cruz, Biologist

 

Soquel Vineyards

If Soquel Vineyards partners Peter and Paul Bargetto and Jon Morgan were walking down the street wearing their winning wine competition medals, you’d hear them coming from a mile away. This year was particularly rewarding for the Bargettos and Morgan—they won two Double Gold Medals and five Gold Medals at January’s San Francisco Chronicle Wine Competition.

 

Enlightened Flavors

Squash & Blossom’s artisanal alternative-flour delights, beet kvass from Cafe Ivéta, and the Santa Cruz Baroque Festival