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Oct 31st
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Music - Features

Another Roadside Attraction

Another Roadside Attraction

Le Serpent Rouge presents musical entertainment’s latest odd couple: jug band music and belly dancing
Rachel Brice of Le Serpent Rouge isn’t going to let a momentary setback spoil her good mood. “Right now we’re sitting by the side of the road with a broken-down vehicle, but that’s fine—we’ve done that twice already,” she cheerfully tells GT by cell phone. “We’re broken down and sick, but it’s fun!”

Brice, a former Santa Cruz resident currently residing in Portland, Ore., serves as artistic director and choreographer for The Indigo Belly Dance Company, in which she performs alongside her former Bellydance Superstar colleagues Mardi Love (Urban Tribal Belly Dance) and Zoe Jakes (Beats Antique, Yard Dogs Road Show). Brice explains that Indigo’s tribal fusion belly dance style, which contains elements of 1920s jazz, American tribal, electronic fusion and old-time dance forms, owes a great debt to turn-of-the-century vaudevillian variety shows. “Our belly dancing, in a lot of ways, is inspired by what we would imagine that we would want to do if we lived in that time,” she states.

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Music - Features

Tunes that Teach

Tunes that Teach

The Banana Slug String Band Celebrates 25 years
Children’s programming runs from the idiotic to the sublime. But rare is the children’s musical group with a socially conscious vibe—imagine the Wiggles with a soul or Soupy Sales with a vegan pie. For 25 years, Santa Cruz’s aptly named Banana Slug String Band has been entertaining tots around the globe with an eco-message of hope.

On Saturday, Nov. 13 at Kuumbwa Jazz, the ensemble will play two special anniversary shows for children (and their parents) at 11 a.m. and 1 p.m. The band will be pre-releasing their upcoming CD and showcasing the newest songs from their vast catalogue in a family-friendly atmosphere.

Self-branded with monikers that reflect their love of all things outdoors and under the sea, lead guitarist  “Airy” Larry Graff, bass player Doug “Dirt” Greenfield, songwriter/guitarist “Solar” Steve Van Zandt and mandolin/guitarist “Marine” Mark Nolan all come from a background in nature studies. Together they make music that is deserving of its own animated Saturday morning show.

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Music - Features

A Galaxie-Sized Legacy

A Galaxie-Sized Legacy

Dean Wareham still revels in 20-year-old songs
Back in August I found myself standing outside of The Blank Club in San Jose one evening, speaking with a musician friend who was passing through town on tour. Per usual, our conversation eventually turned to old shoegaze bands, with one of us making the crack that, though the reunited Swervedriver had played the Fillmore in San Francisco earlier in the year, pre-breakup there was no way it could have ever played a venue that size.

Really, we could just as easily have been talking about Galaxie 500, America’s best answer to the almost-forgotten shoegaze scene happening in England in the late ’80s and early ’90s. Though the band lasted only four years, leading man Dean Wareham—coming to Don Quixote’s on Friday, Nov. 12 with his own band to reinterpret Galaxie 500 material—seems remarkably comfortable being shadowed by the legacy of a group that ended nearly 20 years ago.

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Music - Features

Café Musique

Café Musique

Café Musique fits more than a few different costumes

What better way to celebrate a holiday that encourages identity experimentation than with a band that defines its music as somewhere between a Jewish Ladino tune, a Venezuelan waltz, a Canadian pop song, Hungarian gypsy music and good old-fashioned Americana?


“You put a show on Oct. 31 and there’s no telling what will happen,” jokes Duane Inglish, Café Musique’s accordion player, of the ensemble’s upcoming performance at Don Quixote’s, at 1 p.m. on the Day of the Dead.


At this week’s Halloween afternoon gig, the five-member band out of San Luis Obispo will debut new music from its sophomore effort, Catching Your Breath, released in July. The 13-track album guides listeners on an existential journey from dreamlike “Cascata De Lagrimas,” to Eddie Cantor’s 1920s ditty “Dinah,” to the unofficial Canadian national anthem “Hallelujah.”

 

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Music - Features

Bonnie 'Prince' Billy

Bonnie 'Prince' Billy

Bonnie ‘Prince’ Billy talks about his early punk leanings, and his surprising work with famous friends
In a profile for the New Yorker in 2007, Will Oldham’s own mother describes the singer-songwriter as “ornery,” referring to both his contentious relationship with the press and his overall demeanor.

I just don’t see it. In fact, in the course of my chat with the man otherwise known as Bonnie ‘Prince’ Billy—coming to Don Quixote’s in Felton with opener Big Eagle on Monday, Oct. 25—there are a couple myths about the Louisville-bred indie folk-rocker I feel have been kind of busted. Not only is Oldham pretty friendly, thoughtful, and forthcoming, but it also seems that his Jandek-like reputation for elusiveness is a bit overblown.

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Music - Features

Out On The Streets

Out On The Streets

The Morning Benders find success and homelessness
If you want to learn what it was like for The Morning Benders’ Chris Chu to work with co-producer Chris Taylor (of Grizzly Bear fame) on the band’s 2010 album, Big Echo, you can refer to, well, pretty much any other interview with Chris Chu. Just how many times has that topic come up?

“I guess I couldn’t tell you because I’ve lost count,” says the vocalist and frontman. “I might say over 100 times.”

If nothing else, having to answer the same question over and over is evidence that The Morning Benders—coming to the Rio Theatre on Friday, Oct. 15—are moving up in the indie world. Yet success is a relative thing in the post-Napster generation, as the band’s grueling touring schedule would suggest.

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Jawing

Monterey Bay scientists are working to crack the mysteries of—and dispel the myths about—great whites. But in the highly contentious world of shark experts, there’s a fin line between love and hate

 

Altars of Remembrance, Forgiveness & Rapprochement

We’re in Scorpio now—things mysterious, ageless, hidden, sometimes scary. Friday is Halloween; Saturday, All Saints Day; Sunday, All Soul’s Day. Sunday morning at 2 a.m. (after midnight), Daylight Savings Time ends. Clocks are turned back. Tuesday is the General Election. Our vote is our voice. Each vote matters. Applying freedom of choice—Libra’s teachings. It’s time to build Halloween, All Saints and All Souls altars—with marigolds, pumpkins, sugar skeletons, copal (incense), pomegranates, persimmons, candy corn and cookies, orange and black. It’s so Saturn (now in Scorpio). Saturn is the dweller on the threshold (like St. Peter at the gates of heaven). Saturn can look like a Halloween creature—a gargoyle—a fantastic dragon-like creature protecting sacred sites. The dweller (Saturn) stands at the door or threshold of sacred mysteries, wisdom temples, inner sanctums of churches, offering protection, scaring evil away. The last day of October and first two days of November, when veils between worlds thin and spirits roam about, are times of remembrance, forgiveness, reconciliation and rapprochement. These actions liberate us. At death, when reviewing our lives and the consequences of our actions if we have forgiven, then we are free, less encumbered with grief and sadness. We place forgiveness on our altars. Happy Halloween, everyone! It’s good to dress up as what we’re afraid of. Or whom we would mentor. Then we become one with them. Note to readers: by Thanksgiving I will need a place to live (with purpose). Please contact me if you know of a place where I can rest for awhile. Teach and build community. [email protected] I will be leaving my mother’s home for the last time.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Not Cool

Even Bill Murray’s hipster cred can’t elevate ‘St. Vincent’
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