One-man band, Zach Deputy, loses beard, gains insight
Just the other week, Zach Deputy—the full-time funk, rock, and soul sensation from Bluffton, South Carolina—underwent some major physical alterations while in the hands of paid professionals. Not only was his famously bushy beard cut loose during what he refers to as the “Brooklyn Barbershop Disaster,” but he also received a navy blue front tooth from a temporary cavity-filling-from-hell, causing the ever-so-friendly and accomplished 29-year-old to feel unusually self-conscious, naked and afraid to smile.
Tracking the elusive Blonde Redhead in Winnipeg
As we all know, technology—more specifically, the rise of the Internet—has given birth to all sorts of new modes of communication that have made sharing ideas much faster and easier, in a strong sense, bringing all corners of the globe closer together. But technology can also be a real pain in the ass.
Winnipeg’s a lucky place. Not only has it just snatched an NHL franchise from Atlanta, but it’s also the first stop on Blonde Redhead’s current North American tour—the New York shoegaze-y three-piece comes to Big Sur’s Henry Miller Library, this Sunday. Because the band is up in Canada, their cell phones don’t work, and thus vocalist and frontwoman Kazu Makino has to call me via Skype. This goes fine for about two minutes, before we get disconnected.
Oregon-based alt-country Bucket Boys are patriots in their own way
Back in 2000, when jailbirds Ulysses Everett McGill, Delmar O’Donnell and Pete Hogwallop broke out of Depression-era Mississippi and onto the silver screen in Joel and Ethan Cohen’s O Brother, Where Art Thou?, the trio’s ensuing adventure did not only draw attention to Homer’s “The Odyssey,” upon which the movie was based.
According to Kenny Feinstein—the Santa Cruz-born guitarist and mandolin player for The Water Tower Bucket Boys—the movie’s heroes helped turn the youth of this country (and him, in particular) on to the rich tradition of Americana music.
Specifically, Feinstein believes that “Man of Constant Sorrow”—an early 20th century song popularized by the film—provided the spark that ignited the bluegrass and folk revival, which has left a mark on the indie music scene for the past decade.
A Band of Orcs declares war on eardrums. Next conquest? The Catalyst.
Marilyn Manson once said that if every cigarette shortens your life by six minutes, then each game of Dungeons and Dragons delays the loss of your virginity by six weeks. If he was right, then all of the members of A Band of Orcs are undoubtedly still waiting for that first magical game of belly bump. Further decreasing their nookie prospects, these guys appear onstage in Orc costumes so lifelike it’s downright scary. The group’s World of Warcraft-friendly death metal music is perfectly suited to its over-the-top appearance—which, as long as we’re making geeky references, seems to take more than passing inspiration from the Gamorrean guards in Return of the Jedi.
Punk-blues duo, Two Gallants, has been to hell and back
Numerous musicians paint an exaggerated or downright false picture of themselves, through their music, videos and on-stage antics. But when it comes to the romping, stomping, rambling tales of San Francisco drum-and-guitar duo Two Gallants, it would seem that the facts outweigh the fiction.
Though it is difficult to discern which came first—the ballads about hard living on the road, or the experiences themselves—one thing is clear: drummer Tyson Vogel, along with his musical partner in crime, guitarist, vocalist and lyricist, Adam Stephens, both know what it means to be a vagabond.