Santa Cruz Good Times

Saturday
Dec 20th
Text size
  • Increase font size
  • Default font size
  • Decrease font size

Features

bud Shocktop

Music - Features

Rainy Day Music

Rainy Day Music

’Tis the season for The Album Leaf
This winter California has seen more than its share of torrential rain, and The Album Leaf offers the kind of soundscapes which provide a perfect complement to the wet season; there isn’t a better song than “Shine” to have a track of forceful pitter patter layered beneath it. Indeed, Jimmy LaValle’s project is distinct mood music, and it will be coming to the Crepe Place for two nights this week, Tuesday, Jan. 11 and Wednesday, Jan. 12.

Although The Album Leaf may lend itself to distinct emotional interpretation, instrumental music is a funny thing. The electronically-based project has increasingly used vocals on latter albums, but in the absence of words, the emotion that one may project upon a given song may well have no relation to the feelings originally infused in it. Ironically, “The Light” may be the perfect soundtrack to a rainy day. But for all we know it was conceived on a sunny summer afternoon.

“There are songs that I’ve had that I feel [were written] when I was in a good space and happy,” says LaValle. “Then a lot of people think those songs are really sad and vice versa. I think it’s really cool how that works.”

Read more...
Music - Features

Sound Gardener

Sound Gardener

Bluetech welcomes Don Quixote’s patrons to his sonic greenhouse
When Evan Bartholomew composes a song, he begins with what he calls “a tiny seed.” “I’m silent for a minute, and I hear … maybe it’s a bass line; maybe it’s a rhythm pattern; maybe it’s something my hand is tapping on the steering wheel while I’m driving in the car,” he explains. “And then I go in the studio and attempt to sow the seed—get it down, get that idea tracked.”

It’s fitting that Bartholomew—who performs his downtempo electronica music under the name of Bluetech—should reach for this particular metaphor: His home recording studio in Hawaii is filled with literal seedlings. The musician has a nursery of more than 2,000 bromeliads, a type of epiphyte (a plant that can grow without soil) found in the tropical Americas. Because the habitat for the plants he collects is being rapidly decimated, some of these species no longer exist in the wild. He hopes to use his music to draw attention to this situation.

Read more...
Music - Features

In Flight

In Flight

The globe-trotting angelic strings of Carlos Reyes
What do MC Hammer, Marky Mark, the Pope and now Don Quixote’s have in common? They can all attest to the musical talents of Paraguayan violinist and harpist Carlos Reyes.

A child prodigy—he picked up the violin at age 3 and a half and had his first public performance at 5—Reyes grew up under the influence of his father, Carlos Reyes, Sr., a musical and national hero in Paraguay.

Through the years, the younger Reyes mastered the harp, guitar, bass, mandolin and keyboards, but his father always had one dream for his son: to become a respected classical concert violinist.

“My father started it all with me,” says Reyes, who remembers his house being filled with string instruments as a child. “We played our Paraguayan folk music as a family and did shows together, but that was just a side thing; the concert soloist was what I was being groomed for.”

Read more...
Music - Features

Souliving the Dream

Souliving the Dream

Soulive’s pursuits span the Beatles and new bands
Earlier this year it broke that Abbey Road Studios in London—the legendary halls first brought into public consciousness by the Beatles—was in dire financial straits, staring at closure in the face of urban development. It’s a sad commentary on the state of the music business.

Well, Soulive—the jazz-funk organ trio gracing the stage at Moe’s Alley on Wednesday, Dec. 15—knows a thing or two about the economics of running a studio. It also knows a thing or two about the Beatles, given its three-month-old LP of cover tunes, Rubber Soulive. And though Beatles covers may not be the most original of ideas, the inspiration behind Soulive’s take on these classics comes from a natural impulse.

“Initially, we’re like ‘Yo, let’s do a British Invasion album,’” explains drummer Alan Evans. “Obviously a lot of those tunes we wanted to do were Beatles tunes, so it just kind of evolved into what it became. We’ve done original albums forever, as long as we’ve been together. We’ve thrown in maybe a couple cover tunes on a few of those albums, but we just felt like it was time to do something completely different.”

Though it’s an album of pre-written material, Rubber Soulive is still true to expectations of the trio’s (rounded out by guitarist Eric Krasno and Alan’s brother, organist Neal Evans) faithful. While far from being abstract interpretations of the Beatles, the groove-based funk backbone of the band remains in tact. Still, one wonders if an all-covers album would have been possible under Soulive’s previous business arrangements.“We have all the control, we do whatever we want to do,” says Evans about creating the band’s own label, Royal Family Records. “For us it was always kind of frustrating that we’d be ready to record something, but no, you’d have to wait for a certain amount of time, things like that. Those kind of decisions that we just had no control over, that was really frustrating. Now it’s just that we have so much music we want to put out.”

Read more...
Music - Features

Don’t Stop Now

Don’t Stop Now

How The Bad Plus makes avant-garde accessible
If there were ever an oxymoron that made absolute sense, it would be the phrase “avant-garde populism” when applied to The Bad Plus—the progressive jazz trio that is making its near-annual stop at the Kuumbwa Jazz Center for two sets on Monday, Dec. 6.

Indeed, the group is defined by a few sets of sweet contradiction: classical and contemporary, proficient and accessible, vanguard and conventional. Made up of bassist Reid Anderson, pianist Ethan Iverson, and drummer Dave King, The Bad Plus has put out seven albums over its 10-year existence, and that tag of avant-garde populism—originally coined in the New York Times—continues to hover around aptly.

Read more...
Music - Features

Another Roadside Attraction

Another Roadside Attraction

Le Serpent Rouge presents musical entertainment’s latest odd couple: jug band music and belly dancing
Rachel Brice of Le Serpent Rouge isn’t going to let a momentary setback spoil her good mood. “Right now we’re sitting by the side of the road with a broken-down vehicle, but that’s fine—we’ve done that twice already,” she cheerfully tells GT by cell phone. “We’re broken down and sick, but it’s fun!”

Brice, a former Santa Cruz resident currently residing in Portland, Ore., serves as artistic director and choreographer for The Indigo Belly Dance Company, in which she performs alongside her former Bellydance Superstar colleagues Mardi Love (Urban Tribal Belly Dance) and Zoe Jakes (Beats Antique, Yard Dogs Road Show). Brice explains that Indigo’s tribal fusion belly dance style, which contains elements of 1920s jazz, American tribal, electronic fusion and old-time dance forms, owes a great debt to turn-of-the-century vaudevillian variety shows. “Our belly dancing, in a lot of ways, is inspired by what we would imagine that we would want to do if we lived in that time,” she states.

Read more...
 
Page 42 of 58

Share this on your social networks

Bookmark and Share

Share this

Bookmark and Share

 

Is This a Dream?

A beginner’s guide to understanding and exploring the uncanny world of lucid dreams

 

Giving and Giving, Then Giving Some More

2014 is almost over. Wednesday, Dec. 17, the Jewish Festival of Light, Hanukkah, begins. We are in our last week of Sag and last two weeks of December. Sunday, Dec. 21 is winter Solstice, as the sun enters Capricorn (3:30 p.m. for the west coast). Soon after, the Capricorn new moon occurs (5:36 p.m. for the west coast)—the last new moon of 2014. Sunday morning Uranus in Aries (revolution, revelation) is stationary direct (retro since July 22). Uranus/Aries create things new and needed to anchor the new culture and civilization (Aquarius). We will see revolutionary change in 2015. Capricorn new moon, building-the-personality seed thought, is, “Let ambition rule and let the door to initiation and freedom stand wide (open).” Capricorn is a gate—where matter returns to spirit. But the gate is unseen until the Ajna Center (third eye), Diamond Light of Direction, opens. Winter solstice is the longest day of darkness of the year. The sun’s rays resting at the Tropic of Capricorn (southern hemisphere) symbolize the Christ (soul’s) light piercing the heart of the Earth, remaining there for three days, till Holy Night (midnight Thursday morning). Then the sun’s light begins to rise. It is the birth of the new light (holy child) for the world. A deep calm and stillness pervades the world.The entire planet is revivified, re-spiritualized. All hearts beating reflect this Light. And so throughout the Earth there’s a radiant “impress” (impressions, pictures) given to humanity of the World Mother and her Child. The star Sirius (love/direction) and the constellation Virgo the mother shines above. For gift giving, give to those in need. Give and give and then give some more. This creates the new template of giving and sharing for the new world.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Stocking Stuffers

The men behind the women of the Kinsey Sicks Dragapella Beautyshop Quartet explain their own special brand of ‘dragtivism,’ and their holiday show at the Rio
Sign up for Good Times weekly newsletter
Get the latest news, events

RSS Feed Burner

 Subscribe in a reader

Latest Comments

 

Tramonti Pizza

Why there’s no such thing as too much Italian food in Seabright

 

Guitar or surfboard?

Guitar. The closest thing I ever came to surfing was sliding down a rock hill. Charlie Tweddle, Santa Cruz, Hats and Music

 

Fortino Winery’s Intriguing Charbono

At the opening celebration of the new Santa Clara Wine Trail in August, one of the wineries we visited was Fortino. This is where I first tasted their intriguing estate-grown Charbono—a varietal that is one of the rarest in California, with only 80 acres grown statewide.

 

Beyond the Jar

How Tabitha Stroup has built her rapidly expanding jam empire