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Nov 22nd
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Music - Features

A Galaxie-Sized Legacy

A Galaxie-Sized Legacy

Dean Wareham still revels in 20-year-old songs
Back in August I found myself standing outside of The Blank Club in San Jose one evening, speaking with a musician friend who was passing through town on tour. Per usual, our conversation eventually turned to old shoegaze bands, with one of us making the crack that, though the reunited Swervedriver had played the Fillmore in San Francisco earlier in the year, pre-breakup there was no way it could have ever played a venue that size.

Really, we could just as easily have been talking about Galaxie 500, America’s best answer to the almost-forgotten shoegaze scene happening in England in the late ’80s and early ’90s. Though the band lasted only four years, leading man Dean Wareham—coming to Don Quixote’s on Friday, Nov. 12 with his own band to reinterpret Galaxie 500 material—seems remarkably comfortable being shadowed by the legacy of a group that ended nearly 20 years ago.

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Music - Features

Café Musique

Café Musique

Café Musique fits more than a few different costumes

What better way to celebrate a holiday that encourages identity experimentation than with a band that defines its music as somewhere between a Jewish Ladino tune, a Venezuelan waltz, a Canadian pop song, Hungarian gypsy music and good old-fashioned Americana?


“You put a show on Oct. 31 and there’s no telling what will happen,” jokes Duane Inglish, Café Musique’s accordion player, of the ensemble’s upcoming performance at Don Quixote’s, at 1 p.m. on the Day of the Dead.


At this week’s Halloween afternoon gig, the five-member band out of San Luis Obispo will debut new music from its sophomore effort, Catching Your Breath, released in July. The 13-track album guides listeners on an existential journey from dreamlike “Cascata De Lagrimas,” to Eddie Cantor’s 1920s ditty “Dinah,” to the unofficial Canadian national anthem “Hallelujah.”

 

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Music - Features

Bonnie 'Prince' Billy

Bonnie 'Prince' Billy

Bonnie ‘Prince’ Billy talks about his early punk leanings, and his surprising work with famous friends
In a profile for the New Yorker in 2007, Will Oldham’s own mother describes the singer-songwriter as “ornery,” referring to both his contentious relationship with the press and his overall demeanor.

I just don’t see it. In fact, in the course of my chat with the man otherwise known as Bonnie ‘Prince’ Billy—coming to Don Quixote’s in Felton with opener Big Eagle on Monday, Oct. 25—there are a couple myths about the Louisville-bred indie folk-rocker I feel have been kind of busted. Not only is Oldham pretty friendly, thoughtful, and forthcoming, but it also seems that his Jandek-like reputation for elusiveness is a bit overblown.

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Music - Features

Out On The Streets

Out On The Streets

The Morning Benders find success and homelessness
If you want to learn what it was like for The Morning Benders’ Chris Chu to work with co-producer Chris Taylor (of Grizzly Bear fame) on the band’s 2010 album, Big Echo, you can refer to, well, pretty much any other interview with Chris Chu. Just how many times has that topic come up?

“I guess I couldn’t tell you because I’ve lost count,” says the vocalist and frontman. “I might say over 100 times.”

If nothing else, having to answer the same question over and over is evidence that The Morning Benders—coming to the Rio Theatre on Friday, Oct. 15—are moving up in the indie world. Yet success is a relative thing in the post-Napster generation, as the band’s grueling touring schedule would suggest.

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Music - Features

The Three Folkateers

The Three Folkateers

City Folk brings together old friends for timeless tunes
The first time that Kimball Hurd met Roger Feuer, he was offered a scotch, the two got out their instruments, and they proceeded to play for a few hours—all before having a full conversation.

Twenty years later, Hurd, Feuer and longtime friend Keith Greeninger, make up City Folk, a Bay Area folk band most often compared to Crosby, Stills and Nash. On Saturday, Oct. 9 at Kuumbwa Jazz, the band intends to prove that it still puts music before all else.

In the same way that Woody Guthrie used folk music to shed light on the unjust conditions faced by working class people, the members of City Folk seek to inspire by supporting global solidarity and environmentalism.

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Music - Features

It’s A Small World

It’s A Small World

Pianist Robert Edward Thies revisits the past
When most children were dreaming of becoming firefighters, doctors and astronauts, 4-year-old Robert Edward Thies was aspiring to be a classical musician.

On Oct. 2, the now 39-year-old distinguished pianist will help kick off the Santa Cruz Symphony’s 2010/2011 season with a concert called “Out of this World,” which will showcase three pieces, two of which inspired him as a young boy.

Thies will play George Gershwin’s jazzy “Rhapsody in Blue,” a composition originally written for the Paul Whiteman Band, which has held a special place in his heart since childhood. While he has been given the opportunity to perform the piece on several occasions throughout his career—this will be the third time this year. To him, it never gets old.

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Pop Life

The pop-up dining trend is freeing culinary imaginations and creating a guerilla version of event dining around Santa Cruz

 

Over Hills and Plains, Riding a White Horse, Bow and Arrows in Hand

Saturday, early morning, the sun enters and radiates the light of Sagittarius. Three hours later, the Sagittarius new moon (0.07 degrees) occurs. “Let food be sought,” is the personality-building keynote. “Food” means experiences; all kinds, levels and types. It also means real food. Sag’s secret is their love of food. Many, if not musicians, are chefs. Some are both. The energies shift from Scorpio’s deep and transformative waters to the “hills and plains of Sagittarius.” Sag is the rider on a white horse, eyes focused on the mountain peaks of Capricorn (Initiation) ahead. Like Scorpio, Sagittarius is also the “disciple.” Adventure, luck, optimism, joy and the beginnings of gratitude are the hallmarks of Sagittarius. Sag is also one of the signs of silence. The battle lines were drawn in Libra and we were asked to choose where we stood. The Nine Tests were given in Scorpio and we emerged “warriors triumphant.” Now in Sag, we are to be the One-Pointed Disciple, riding over the plains on a white horse, bow and arrows in hand, eyes focused on the Path of Return ahead. Sagittarians are one-pointed (symbol of the arrow). Sag asks, “What is my life’s purpose?” This is their quest, from valleys, plains, meadows and hills, eyes aimed always at the mountaintop. Sag emerges from Scorpio’s deep waters, conflict and tests into the open air. Sag’s quest is humanity’s quest. Sag’s quest, however, is always accompanied by music and good food.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of November 21

Santa Cruz area movie theaters >
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