One singer-songwriter doesn’t take her cello sitting down
Lindsay Mac is about to get on a flight. Leaving her home in Cambridge, Mass., the 31-year-old singer-songwriter has booked herself a seat to fly out to the West Coast for her latest tour, which comes to Don Quixote’s on Monday, March 8. Next to her on the plane won’t be a band member, a stranger or, thankfully, a crying baby. “Cello Mac,” as she refers to her instrument of choice when giving it a passenger name for a plane ticket, gets to join the compartment for human bodies.
“Now that oversize luggage is charged so ridiculously it’s not nearly the savings it was to check my cello in,” she begins, “so buying a seat for it is worth it.” While giving her cello an assigned seat is normal during her travels, onstage it’s a different story.
Edward Sharpe and the Magnetic Zeros spread the good word
If it’s the job of a messiah to convert the unbelievers, then Edward Sharpe—aka Alex Ebert—has some work in front of him. Stumbling upon the former Ima Robot frontman’s band at this past October’s Treasure Island Music Festival, Edward Sharpe and the Magnetic Zeros are the kind of act that immediately invited my skeptical inquiry. Not since The Polyphonic Spree had I seen a band with such a definitive “shtick.”
For those who have never seen them live (or their appearance on David Letterman), the group is a dozen-or-so-strong baroque ensemble with a singular and undeniable hippie aesthetic that it will bring to the Rio Theatre on Monday, March 1. Ebert usually dances around shirtless and shoeless, nappy hair tied in a crown, while the rest of the band easily could have taken its wardrobe from the set of Little House on the Prairie. Still, Ebert denies collusion, stating that “it’s just us being who we are. If we coordinated it’d be obvious. We’d be wearing all black, or all white or something.”
Violinist Laura Albers uses her superpowers to rekindle the spirit
Laura Albers is a veritable Wonder Woman with a violin: She works as the Associate Concertmaster of the San Francisco Opera orchestra, holds bachelor and master of music degrees from The Cleveland Institute of Music and Juilliard, races as a triathlete and also happens to be double-take beautiful. Oh, and did we mention that she started playing the violin at age 2?
No, that isn’t a misprint. Albers, who will perform at Cabrillo College Distinguished Artists Concert & Lecture Series’ “Rekindling the Spirit of the Age of Enlightenment” (an all-Mozart program taking place at Cabrillo Music Recital Hall on Saturday, Feb. 27 and Sunday, Feb. 28), took up music as a 2-year-old with the help of her mother, violin teacher Ellie LeRoux. “I wanted a violin because that’s what she had,” Albers explains.
The indie queen draws inspiration from the ground up
Don’t box Mirah in. This becomes crystal clear to me about 10 minutes into my phone interview with the 35-year-old indie musician when I suggest that entomology writings are an odd place to draw artistic inspiration from. I am swiftly taken to task, admonished for harboring a narrow view of music, and informed that such a muse can come from anywhere. I feel I’ve just learned a great deal about the songstress.
Originally hailing from Philadelphia, Mirah Yom Tov Zeitlyn now lives in San Francisco after having spent a number of years residing in the Pacific Northwest and splitting time between Seattle and Portland. “There are just such beautiful views everywhere, the air is really good,” says Mirah of her new home. “I like to climb and get up high—whether it be on my bike or on foot—to get views of the ocean.”
Asylum Street Spankers give God a ride on a new gospel tour
When a band that’s known for its comical forays into drug- and sex-themed tracklists puts out a live album of gospel tunes, heads are going to turn. “Doesn’t that seem like the natural order?” jokes Asylum Street Spankers’ founding member and washboard enthusiast, Wammo. “I don’t think anyone in the band is very religious, but there’s more to gospel than just religion. Musically, these songs are amazing!”
“These songs” are gospel covers, plus two original songs (written by Wammo) on Asylum Street Spankers’ ninth release, humbly entitled God’s Favorite Band. It’s no subtle endeavor, but the Spankers are no subtle ensemble.