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Feb 01st
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Music - Features

Time to Get Real

Time to Get Real

MGMT isn’t pretending, just ask the president of France
Indeed, what does Brian Eno know? It’s not surprising that the members of MGMT liken their relationship to the English ambient innovator as a master/apprentice dynamic, whether or not they’ve ever actually met. In fact, the band even asked Eno to produce the aptly-titled track, “Brian Eno,” but were shot down because he hadn’t heard of them.

However, nowadays Brian Eno seems like the only person who hasn’t heard of MGMT, which will come to the roomy Santa Cruz Civic with psychedelic trio Tame Impala opening on Saturday, May 29.

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Music - Features

Walk the Lineage

Walk the Lineage

Warren Hood and band come from Texas royalty
There’s something about hearing Warren Hood’s Texas drawl that is gracious and inviting—as he speaks about his recent experience at Merlefest, you can almost imagine his spurs spinning with excitement. “I got to play with Elvis Costello and Little Feat,” relays Hood from his home in Austin. “It was not just business as usual.”

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Music - Features

Out of Africa

Out of Africa

Sierra Leone’s Refugee All Stars survived war and bring the spotlight home
It’s a peculiar thing how it’s often those in positions of the greatest suffering who find the means to extol higher spiritual powers, radiate the brightest light, and dance as though there lies no problem at their feet. Take for example the spiritual songs of slaves, the hymns and folk songs of America during segregation and the anti-war era, or the political songs of South Africa during Apartheid. Music doesn’t just move, it can bolster a movement. So while you might be modest in your socio-economic standing, you can always remain brazenly rich when it comes to melody. Sierra Leone’s Refugee All Stars know this well.

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Music - Features

Wisdom without Words

Wisdom without Words

Red Sparowes give history lessons through instrumental music
Post-rock is challenging music. It’s not exactly jazz, and it doesn’t take the same kind of abstract understanding to wrap one’s head around; but still, instrumental music can often initially be outside of the comfort zone of many rock faithful who eventually gravitate from the softer croons of Death Cab towards the drifting soundscapes and sludgy guitars of acts like Mogwai and Explosions in the Sky.

Moreover, there’s the confusing issue of how music without lyrics is used to express specific thematic elements that a vocalist might directly address. If Explosions’ “Six Days at the Bottom of the Ocean” is about a sunken Russian Submarine, do specific movements in the song correlate to specific happenings on board? Or is it a more general inspiration?

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Music - Features

The Great Liberator

The Great Liberator

Is Stanley Clarke the Rosa Parks of the electric bass?
With all the Victor Wootens, Michael Manrings and Marcus Millers out there, it’s easy to forget that not so very long ago, the electric bass was relegated to the back of the musical bus: While the lead instrumentalists frolicked in the spotlight, the bassist’s job was to do little more than keep time with the drummer and lay down simple grooves.

Then came Stanley Clarke. With the possible exception of Jaco Pastorius, no musician has done more than Clarke to help establish the bass guitar as a lead instrument in its own right. In the early ’70s, Clarke—previously known for his work with the fusion group Return to Forever as well as with jazz players like Joe Henderson, Dexter Gordon, Stan Getz, Art Blakey and Pharoah Sanders—took flight as a solo artist. Though it was almost unheard-of for a bass player to act as the leader of a band, Clarke’s undeniable skills made short work of the naysayers’ prejudices. 

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Music - Features

Metal Machine Music

Metal Machine Music Pat Metheny’s robot band rocks the Civic
In the music documentary film Dig!, a member of the neo-psychedelic rock band The Brian Jonestown Massacre comments that the group’s vocalist, Anton Newcombe, would love to be able to clone himself so as to be able to play all the instruments himself. Science might have a little way to go before such a scenario can be actualized, but the ever-inventive Pat Metheny, a pioneering jazz guitarist who’s won no less than 17 Grammy Awards in 12 different categories, has done the next best thing: He’s created the “New Orchestrion,” a device that uses the technology of solenoid switches and pneumatics to control instruments such as vibraphones, percussion, keyboards, glass jugs and a “guitar-bot” with four single-stringed necks. By commanding his robot army via a MIDI-equipped guitar and programmed computer sequences, Metheny has the enviable ability to be his own backup band.
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Throwing It All Away

Everybody’s for recycling, right? So why are we all doing it wrong? Our reporter gets down and dirty to uncover 10 secrets that will finally make the recycling process make sense

 

Aquarius Calling, Humanity Rising

Aquarius (11th sign after Aries) is the sign of service—serving one another, building community. Aquarius is fixed air, stabilizing new ideas in the world. When new ideas reach the masses the ideas become ideals within the hearts and minds of humanity. Air signs (Gemini, Libra and Aquarius) are mental. They think, ponder, study, research, gather and distribute information. For air signs, education and learning, communicating, writing, being social, tending to money, participating in groups and creating sustainable communities are most important. One of the present messages Aquarius is putting forth to the New Group of World Servers is the creation of the New Education (thus thinking) for humanity—one based not on commodities (banking/corporate values) but on virtues. Humanity and Aquarius Aquarius is the sign of humanity itself. We are now at the beginnings of the Age of Aquarius, the Age of Humanity (rising). The “rising” is the Aquarian vision of equality, unity, the distribution and sharing of all resources and of individual (Leo) creative gifts for the purpose of humanity’s (Aquarius) uplifting. This is the message in the Solar Festival of Aquarius (at the full moon) on Tuesday, Feb. 3. We join in these visions by reciting the World Prayer of Direction, the Great Invocation.Tuesday’s solar festival follows Monday’s Groundhog Day, or Imbolc (ancient Celtic fire festival) the halfway mark between winter solstice and spring Equinox). The New Group of World Servers (NGWS) during these two days are preparing for the upcoming Three Spring Solar Festivals: 1. Aries Resurrection/Easter Festival (April); 2. Taurus Buddha/Wesak Festival (May); and 3. Gemini’s Festival of Humanity (June). Aquarius and the new and full moons together are the primary astrological influences behind all of humanity’s endeavors. The NGWS are to teach these things, calling and uplifting humanity. Join us everyone. (301)

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Job Insecurity

Woman fights for her job in thoughtful, life-sized ‘Two Days One Night’
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