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Dec 21st
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Music - Features

Flowering in the Attic

Flowering in the Attic

Loch Lomond emerged out of unexpected places

Ritchie Young didn’t get out much over the summer between his junior and senior years in high school. He was grounded. Young’s father put the rambunctious adolescent on house arrest after he hospitalized a friend—a nail-gun fight gone awry, Young explains with a chuckle.

The singer songwriter of the Portland-based, chamber pop ensemble Loch Lomond can laugh about it now. His friend has long since recovered and they still talk to this day.  He recalls how stir-craziness drove him to the attic of his central Oregon home that summer. It was there that he was met with two very distinct instruments: his father’s old rifle and a guitar.

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Music - Features

The Voice of Brazil

The Voice of Brazil

Milton Nascimento speaks the universal language no matter what may be against him

Here in modern-day America, the music censors deal with controversial lyrical content by slapping warning labels on albums and/or axing swear words from the radio versions of songs. One memorable example of this came early this year, when U.S. radio stations made Britney Spears change the title of her single “If U Seek Amy” (which, not so coincidentally, sounds an awful lot like “F-U-C-K me” when sung) to the less inflammatory “If U See Amy.”

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Music - Features

Miracles Happen

Miracles Happen

No longer under construction, Man/Miracle’s debut takes shape

At first glance, Oakland-based rock quartet Man/Miracle may seem the complete opposite of North Korea’s Ryugyong Hotel, better known as the “Hotel of Doom” because it’s remained unfinished since 1987; it’s a 105-story pyramid admonished as an eyesore and modern architectural disaster. Drummer Tyler Corelitz, however, disagrees. Corelitz, who founded Man/Miracle in Santa Cruz with childhood friend Dylan Travis fronting, says the ominous building now gracing the cover of the band’s debut album, The Shape of Things, “matches visually what we had in our heads.”

Why is that confusing? Because Man/Miracle gets in your head via a rapid firing of bright pop melodies and dance-heavy energy crashing together in hand clapping, crowd chorusing and garage rock madness. Travis often convulses at the mic with his pipes wailing like Erasure’s Andy Bell (or the way Morrissey would if he were ever uncontrollably happy), and the band’s songs tend to be of the kind you want to avoid listening to on Highway 17 when it’s raining; their high-octane momentum follows a stop-and-start zeal that compels you to do the same. Bouncy, uptempo, uplifting. No oppressive communist regime or drab building in sight.

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Music - Features

No Strings Attached

No Strings Attached

Emily Wells does classical violin and hip hop her way

More and more, old school strings are blazing in innovative ways; the trend of classical instrumentation in modern music is taking that which has long been and transferring it into what’s up next in unceremonious ways. For 27-year-old Emily Wells, a violinist since the age of 4 who procures experimental folk, what pulls her strings is hip hop. “I love rap music and Vivaldi,” her press bio begins. “Nina Simone and Biggie Smalls make my world go round.” Take a listen to any track off last year’s The Symphonies: Dreams Memories & Parties, and your scrunching eyebrows will relax into a state of understanding: a filo dough layering of pulsing violin strings encase hip hop backbeats and punchy vocals that meander between operatic croons, rap attitude and folk sweetness.

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Music - Features

Comeback Kid

Comeback Kid

Former Sin in Space leader Cassidy Meijer kicks the dust off in The Cobwebs

At the start of the present decade, things were looking bright for local vocalist/guitarist Cassidy Meijer: His indie rock band Sin in Space was one of the most popular bands in town, and there was a sense among Santa Cruz audiences and music journalists that the group was going to make a big noise in the national college rock scene.

That never happened. Throughout his time in Sin in Space, Meijer was living with a heroin addiction stemming from an auto accident he was in at age 18, which left his left hand and pelvic bone broken. “Instead of dealing with the trauma, I got drugged … and liked to stay drugged,” he chuckles. Meijer’s habit led to the demise of Sin in Space in the mid-2000s, after which the vocalist and his girlfriend Sky ended up on the streets of Santa Cruz, San Francisco, Oakland and Berkeley, living in bushes and “doing whatever we could to make money to get drugs and stay well.”

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Music - Features

Premonitions

Premonitions

Lacy J. Dalton’s songs have an eerie way of coming true

Apparently when Lacy J. Dalton moved from Santa Cruz to Nashville in the late ’70s, she remained connected to this town in spirit: At the moment when the Loma Prieta Earthquake hit, the country music star was in the studio with Glenn Campbell, recording a duet called “Shaky Ground” that she’d recently written with tunesmiths Even Stevens and Hillary Kanter. The song was about, of all things, earthquakes. “It was just so weird!” the singer/guitarist/songwriter recalls. “And I got a call that there was a terrible earthquake in California.”

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Is This a Dream?

A beginner’s guide to understanding and exploring the uncanny world of lucid dreams

 

Giving and Giving, Then Giving Some More

2014 is almost over. Wednesday, Dec. 17, the Jewish Festival of Light, Hanukkah, begins. We are in our last week of Sag and last two weeks of December. Sunday, Dec. 21 is winter Solstice, as the sun enters Capricorn (3:30 p.m. for the west coast). Soon after, the Capricorn new moon occurs (5:36 p.m. for the west coast)—the last new moon of 2014. Sunday morning Uranus in Aries (revolution, revelation) is stationary direct (retro since July 22). Uranus/Aries create things new and needed to anchor the new culture and civilization (Aquarius). We will see revolutionary change in 2015. Capricorn new moon, building-the-personality seed thought, is, “Let ambition rule and let the door to initiation and freedom stand wide (open).” Capricorn is a gate—where matter returns to spirit. But the gate is unseen until the Ajna Center (third eye), Diamond Light of Direction, opens. Winter solstice is the longest day of darkness of the year. The sun’s rays resting at the Tropic of Capricorn (southern hemisphere) symbolize the Christ (soul’s) light piercing the heart of the Earth, remaining there for three days, till Holy Night (midnight Thursday morning). Then the sun’s light begins to rise. It is the birth of the new light (holy child) for the world. A deep calm and stillness pervades the world.The entire planet is revivified, re-spiritualized. All hearts beating reflect this Light. And so throughout the Earth there’s a radiant “impress” (impressions, pictures) given to humanity of the World Mother and her Child. The star Sirius (love/direction) and the constellation Virgo the mother shines above. For gift giving, give to those in need. Give and give and then give some more. This creates the new template of giving and sharing for the new world.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Stocking Stuffers

The men behind the women of the Kinsey Sicks Dragapella Beautyshop Quartet explain their own special brand of ‘dragtivism,’ and their holiday show at the Rio
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Tramonti Pizza

Why there’s no such thing as too much Italian food in Seabright

 

Guitar or surfboard?

Guitar. The closest thing I ever came to surfing was sliding down a rock hill. Charlie Tweddle, Santa Cruz, Hats and Music

 

Fortino Winery’s Intriguing Charbono

At the opening celebration of the new Santa Clara Wine Trail in August, one of the wineries we visited was Fortino. This is where I first tasted their intriguing estate-grown Charbono—a varietal that is one of the rarest in California, with only 80 acres grown statewide.

 

Beyond the Jar

How Tabitha Stroup has built her rapidly expanding jam empire