Beach Fossils’ Dustin Payseur sets down his controller and  faces the music

Escaping from reality, via plunging into virtual, alternate worlds, appears to be all the rage for musicians these days, especially when you consider the viral rise to fame of Lana Del Rey’s hit “Video Games” and Dustin Payseur’s preferred pastime.

During a trivial Thursday, the frontman for Brooklyn-based indie dream pop quartet Beach Fossils clicks away the afternoon with good friend, collaborator, and Captured Tracks label-mate, Jack Tatum, of Wild Nothing.

James McNew of Yo La Tengo picks favorites: albums, sports teams, coffee…

On the classic surf rock jam, “Nothing to Hide,” off of Yo La Tengo’s 12^th album, Popular Songs (2009), husband and wife indie rockers Ira Kaplan (guitar) and Georgia Hubley (drums) sweetly sing, “We all decide/how to draw the line/we’ve all got something to hide.”

On bass, James McNew—who is anything but a third wheel—gives off some serious attitude, while Kaplan’s guitar playing mirrors an emotional tantrum, reminiscent of the tension that builds by bottling up feelings for too long. These two minutes and 46 seconds are torturous for the devoted listener, who, despite hoping to hear at least one scandalous secret, is, alas, cheated—until now, as McNew comes clean about all sorts of YLT-related and unrelated things.

Border hopping to American jazz fame: the Alfredo Rodriguez story

After struggling for three years to leave Cuba and enter America legally, Alfredo Rodriguez found himself with only one option to pursue his dream of playing jazz in the U.S.: He had to cross the border. Driven by his passion for music and an offer to join legendary producer and music magnate Quincy Jones’ record label, Rodriguez knew that he had to try, even though it meant defecting from Cuba and leaving his friends and family behind.

Real Estate’s Alex Bleeker chronicles the band’s wavy ride to its sophomore effort

In the music video for “It’s Real”—the dreamy synth and bass-driven tune off of Real Estate’s October 2011 release, Days—lead singer/guitarist and songwriter, Martin Courtney, is in the kitchen playing cards with guitarist Matt Mondanile. Meanwhile, in the living room, bassist Alex Bleeker pieces together a puzzle and Jonah Maurer (keyboard/guitar) reads a magazine. This laid-back opening scene is narrated by anxiety-filled lyrics: “I don’t know who’s behind the wheel/ Sometimes, I feel like I don’t know the deal.”

Fishtank Ensemble turns the gypsy music stereotype on its head

When you hear sultry vocalist Ursula Knudson wail on “Woman in Sin,” it’s hard not to imagine a mythic Gypsy woman covered in jewels and scarves, and surrounded by accordion players.  

Though historically tainted with negative connotations, “Gypsy” is the popular term that refers to the Roma people. Their deep ethnic history is a 1500-year story of multiple movements between diverse regions and cultural acclimation and preservation, which has fueled the mystique and stereotype of the free-spirited Gypsy.

Weakerthans indie-rock frontman John K. Samson is mad about Manitoba

I hate Winnipeg,” sings John K. Samson—lead singer of the Canadian indie rock band The Weakerthans—as he channels a fed-up dollar store clerk, a driver stuck in traffic, and The Golden Boy statue atop the Manitoba Legislative Building, on the sarcastically titled track “One Great City!” off the 2003 album, Reconstruction Site.
Samson’s hostility towards the capital city of Manitoba, Canada, is infectious—at least until the song ends with a final strum of guitar. After all, there must be a reason why Samson has chosen to live in the prairie town for his entire life.